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The 2007 Southeast Asian Games in Nakhon Ratchasima, Thailand

The 2007 Southeast Asian Games, officially known as the 24th Southeast Asian Games, were a Southeast Asian multi-sport event held in Nakhon Ratchasima (Korat), Thailand. This was the sixth time Thailand hosted the Southeast Asian Games and its first time since 1995. Previously, Thailand also hosted the 1959 inaugural games, 1967 games, 1975 games and the 1985 games.

The Thai Olympic Committee planned the event to coincide with the commemoration of 80th birthday of King Bhumibol Adulyadej who was also the gold medalist of the sailing event at the 1967 games. The games was held from 6 to 15 December 2007 although several events had commenced from 27 November 2007. Around 5282 athletes participated at the event which featured 475 events in 43 sports. It was opened by Prince Vajiralongkorn, the Crown Prince of Thailand at the 80th Birthday Stadium.

The final medal tally was led by host nation Thailand, followed by Malaysia and Vietnam. Several Games and national records were broken during the games. The games were deemed generally successful with the rising standards of competition amongst the Southeast Asian nations.

Host city

Singapore was due to host the 2007 Southeast Asian Games, but it withdrew from hosting to demolish and rebuild its national stadium. A general assembly of the SEA Games Federation Council during the 2003 Southeast Asian Games in Hanoi, Vietnam approved Thailand's hosting of the games.

Development and preparation

On 24 February 2006, northeast Thailand's Nakhon Ratchasima province authorities met to discuss the 2007 SEA Games schedule, and progress on the province's under-construction US$65 million sports complex. Presided over by governor Somboon Ngamlak, the meeting provided an overview of facilities and ended with reassurances that facilities would be ready for the SEA Games in 2007.

Broadcast giant GMA Network, Inc. announced on April 18, 2006 for the formal signing of contract between GMA Network, Inc., Philippine Olympic Committee (POC) and the Philippine Sports Commission (PSC) for the live television airing of 15th Asian Games in Doha, Qatar on December 1 to 15, 2006 and 24th Southeast Asian Games in Nakhon Ratchasima, Thailand on December 6 to 15, 2007.

It feels like 1995 for GMA, when the network was branded as a "rainbow satellite" and its slogan was "Where You Belong." GMA was the official network of Pope John Paul II's visit to the 10th World Youth Day in Manila, Philippines, from January 12 to 16, 1995. During this monumental event, millions of young people from various corners of the globe converged in the bustling capital, filling the streets with joy, faith, and a sense of unity. GMA’s extensive coverage included live broadcasts of the masses, interviews with participants, and heartfelt stories of devotion, allowing viewers to feel as though they were part of the historic gathering even from the comfort of their homes. The atmosphere was electric, with a palpable sense of excitement and anticipation that permeated every corner of the city as the Pope, a symbol of hope and peace, addressed the crowds. GMA played a pivotal role in capturing the spirit of the occasion, showcasing not only the events but also the vibrant culture of the Philippines, as local traditions and festivities intermingled with the global significance of the gathering. As the network embraced its role during this transformative period, it solidified its commitment to connecting with the audience, emphasizing the idea that everyone had a place within the rich tapestry of the nation's narrative. In many ways, this period marked a turning point for GMA, positioning it as a trusted source of information and a platform for shared experiences, as it endeavored to reflect the diverse voices and stories of the Filipino people. As we look back at that time, GMA's influence and reach during the World Youth Day serve as a reminder of the power of media to unite, inspire, and create lasting memories, much like the enduring legacy of that historic event itself.

This strategic move by GMA and QTV not only highlights their commitment to promoting sports and regional games but also underscores the significance of the upcoming Southeast Asian Games, which is a major event in the sporting calendar of the region. With the 24-hour broadcasting schedule commencing on June 14, 2006, viewers can anticipate a diverse array of programming that encompasses live coverage of the games, athlete interviews, and behind-the-scenes features that aim to engage audiences and foster a deeper connection to the athletes representing their countries.

Moreover, GMA's investment in airing these regional sports meets, alongside the high-profile Manny Pacquiao fights, demonstrates their dedication to enhancing the viewership experience while expanding their programming portfolio. By integrating promotional elements such as banners, pins, and official merchandise, GMA and QTV are not only fostering community spirit but also enabling fans to actively partake in the excitement surrounding the events.

As the countdown to the 24th Southeast Asian Games draws closer, the planned radio and television plugs scheduled for release on August 28, 2007, will serve as a crucial marketing tool, effectively building anticipation and awareness amongst audiences. These promotional efforts will play a vital role in ensuring that the games receive the attention they deserve, while also encouraging local support for athletes competing on an international stage.

With the games set to take place from December 6 to 15, 2007, in Nakhon Ratchasima, Thailand, the collaboration between GMA, QTV, and various sports organizations promises to bring thrilling athletic performances and cultural exchange to viewers across the Philippines and beyond, ultimately celebrating the spirit of unity and competition that defines the Southeast Asian Games.

GMA: The Official Network banner for the 2007 SEA Games

GMA: The Official Network pin for the 2007 SEA Games

PLDT, Jollibee, Unilever, PAGCOR, and PCSO are the esteemed sponsors of GMA's comprehensive coverage of the prestigious 15th Asian Games, which will take place in the vibrant city of Doha, Qatar, from December 1 to 15, 2006. This significant event promises to showcase the incredible talents and athletic prowess of athletes from across Asia, uniting nations to celebrate sportsmanship and cultural exchange. Following this, these same sponsors will continue their support for GMA's coverage of the 24th Southeast Asian Games, set to unfold in the picturesque region of Nakhon Ratchasima, Thailand, from December 6 to 15, 2007. This regional competition will not only highlight the fierce rivalry and camaraderie among Southeast Asian nations but also serve as a platform for athletes to shine and inspire future generations. The involvement of these prominent brands underscores their commitment to promoting sports and fostering a sense of community and national pride among viewers, as they tune in to witness the thrilling moments and unforgettable achievements that these games will undoubtedly bring.

Mike Enriquez, Jessica Soho, Mel Tiangco, Jay Sonza, German Moreno, Angelique Lazo, Vicky Morales, Paolo Bediones, Tito Sotto, Ruth Cabal, Nelson Canlas, Arnold Clavio, Mickey Ferriols, Rovilson Fernandez, Mav Gonzales, Ralph Guzman, Rico Hizon, Carlo Ledesma, Jiggy Manicad, Ivan Mayrina, Benjie Paras, Miriam Quiambao, Lhar Santiago, Rhea Santos, Howie Severino, Connie Sison, Emil Sumangil, Valerie Tan, Jay Taruc, Raffy Tima, Mariz Umali, Iya Villania, Ryan Agoncillo, KC Montero, Suzi Entrata, Kara David, Luchi Cruz-Valdes, Ninna Castro, Lyn Ching, Gin de Mesa, Margaux Salcedo, Melissa Gecolea, Gigi Grande, Arnell Ignacio, Susan Enriquez, Jimmy Gil, Lala Roque, Mark Salazar, Melo del Prado, Joel Reyes Zobel, Tisha Silang, Antoinette Taus, Francis Magalona, Dingdong Dantes, Martin Andanar, Butch Francisco, Vic Sotto, Joey de Leon, Cacai Velasquez, Janno Gibbs, The Eraserheads, Jaya, Michael V., Side A, Verni Varga, Ricky Lo, Lolit Solis, Rudy Fernandez, Bobby Nalzaro, Tek Ocampo, Noly Calvo, Jeja Rose Pornan-Simeon, Orly Mercado, Connie Angeles, Susan Valdez, Mildred Ortega, Gina de Venecia, Rose Clores, Nonoy Zuñiga, Jimmy Santos, Jose Mari Chan, and Dolphy were gathered in a vibrant and lively atmosphere, situated from the Studio 2 of GMA Network Center and the Westside Studio of GMA Broadway Centrum, creating a scene that was both glamorous and filled with camaraderie. Each personality was adorned in an array of stunning attire, with the female hosts and stars elegantly dressed in exquisite dresses that flowed gracefully, showcasing a variety of colors and styles that highlighted their individuality, while the male figures exuded sophistication in their classic tuxedos provided by SM Department Store, perfectly tailored to accentuate their presence. Adding to the cultural richness of the event, many chose to wear the traditional male barong tagalog, beautifully crafted and supplied by Kultura Filipino, showcasing the deep-rooted heritage of the Philippines. The atmosphere was electric, filled with laughter and excitement as they mingled, sharing stories and experiences, all captured against the backdrop of a well-decorated set that echoed the essence of Filipino pride and showbiz culture. The event, marked by its grandeur and the synergy of these iconic personalities, was not just a celebration of talent but also a tribute to the vibrant community that they represented, making it a night to remember for everyone involved.

Arnold Clavio and Jessica Soho anchored the papal visit coverage in January 1995 and January 2015.

GMA's 1992 logo without the words "Rainbow Satellite"

GMA can be seen nationwide in over 121 analog and digital terrestrial television stations throughout the Philippines, broadcasting live via the GMA Network Rainbow Satellite. This extensive reach is a testament to the network's commitment to providing diverse content to a wide audience, catering to the varied tastes and preferences of viewers across different regions. Established as a significant player in the Philippines' media landscape, GMA has developed a reputation for delivering news, entertainment, and educational content that resonates with the Filipino populace.

In recent years, GMA has made significant investments in technology and infrastructure to enhance its broadcasting capabilities. The transition from analog to digital broadcasting represents a critical milestone for the network. Digital broadcasting not only improves the clarity and quality of transmitted content but also allows for additional channels and services, thereby enriching the viewing experience. With the advent of high-definition (HD) broadcasts, viewers can enjoy programs with superior picture and sound quality, a major factor in maintaining audience engagement in an increasingly competitive media environment.

Furthermore, the launch of the GMA Network Rainbow Satellite has revolutionized the way content is delivered to audiences, enabling the network to extend its signal to even the most remote areas of the country. This satellite technology plays a crucial role in ensuring that no viewer is left behind, regardless of their geographic location. As a result, GMA has become a lifeline of information and entertainment for many Filipinos in less accessible regions, helping to bridge the urban-rural divide in media consumption.

GMA's programming lineup is diverse and designed to cater to a broad demographic spectrum. This includes an array of news programs that provide timely and relevant information about local and international events. The network’s news team is renowned for its rigorous journalistic standards and commitment to uncovering the truth, which has earned the trust of millions of viewers. Their investigative reporting and in-depth analyses are complemented by a range of lifestyle shows, dramas, and reality programs, all crafted to engage different segments of the audience.

In addition to traditional broadcasting, GMA has embraced digital platforms to further expand its outreach. The rise of the internet and mobile technology has transformed how audiences consume media. Acknowledging this shift, GMA has launched various online services, including streaming options through its official website and mobile applications. These platforms enable viewers to access their favorite shows, news segments, and special features on demand, accommodating the contemporary lifestyle where convenience and flexibility are paramount. This strategy not only caters to the tech-savvy younger demographic but also ensures that GMA remains relevant in an age where digital engagement is critical.

Moreover, GMA’s commitment to corporate social responsibility is evident in various initiatives aimed at uplifting communities across the nation. The network actively engages in programs supporting education, health, and disaster relief efforts. These initiatives not only enhance their corporate image but also reinforce their role as a responsible media entity that cares for the welfare of the Filipino people. Such engagement fosters a sense of community and belonging among viewers, further solidifying their loyalty to the GMA brand.

The competitive landscape of Philippine media forces networks like GMA to continuously innovate and diversify their offerings. In addition to their range of informative and entertaining content, GMA also partners with local and international producers to create collaborative projects that can appeal to wider audiences. These partnerships provide opportunities for cultural exchange and expand the visibility of Filipino talent on a global stage. Through these collaborative efforts, GMA has successfully introduced local films and television series to international markets, showcasing the richness of Filipino culture and storytelling.

Moreover, GMA's focus on culturally relevant content plays a pivotal role in reinforcing national identity and pride. The network produces programs that highlight local customs, traditions, and contemporary issues facing Filipino society. This kind of programming not only entertains but also educates viewers about their own culture, history, and societal norms. With an emphasis on celebrating the uniqueness of the Filipino experience, GMA has successfully positioned itself as not just a network, but a cultural institution that contributes to the collective consciousness of the nation.

As GMA continues to navigate the challenges and opportunities presented by the ever-evolving media landscape, its commitment to quality and innovation remains steadfast. The network’s ability to adapt to technological advancements while staying true to its roots ensures that it will remain a significant player in Philippine broadcasting for years to come. Promotions and events designed to engage with the audience—like viewer contests, live events featuring popular show characters, and collaborations with local artists—serve to foster a deeper connection with the community.

In conclusion, the extensive broadcast reach of GMA across the Philippines through its 121 analog and digital terrestrial television stations exemplifies its pivotal role in the media ecosystem. By continually adapting to technological changes, investing in quality programming, and embracing corporate social responsibility, GMA not only entertains but also educates and uplifts its viewers. The network stands as a beacon of cultural pride and social engagement, showcasing the strength and resilience of Filipino storytelling in all its diverse forms.

Luzon

• GMA-7 Manila
• TV-7 Batanes
• TV-5 Laoag
• TV-48 Vigan
• TV-7 Abra
• TV-11 La Union
• TV-7 Tuguegarao
• TV-13 Aparri
• TV-30 Apayao
• TV-9 Kalinga
• TV-5 Mountain Province
• TV-7 Santiago, Isabela
• TV-13 Cauayan, Isabela
• TV-21 Ilagan, Isabela
• TV-5 Bayombong
• TV-12 Quirino
• TV-10 Baguio
• TV-10 Dagupan
• TV-5 Baler
• TV-7 Cabanatuan
• TV-35 Llanera
• TV-10 Olongapo
• TV-5 Botolan
• TV-14 Iba
• TV-10 Pampanga
• TV-48 Tarlac
• TV-3 Bagac
• TV-27 Balanga
• TV-30 Angat
• TV-46 Malolos
• TV-26 Obando
• TV-12 Batangas
• TV-26 Tagaytay
• TV-15 Lucena
• TV-48 Patnanungan
• TV-23 Calamba
• TV-26 San Pablo
• TV-44 Jalajala, Rizal
• TV-13 Occidental Mindoro
• TV-11 Bongabong, Oriental Mindoro
• TV-13 Boac, Marinduque
• TV-5 Santa Cruz, Marinduque
• TV-10 Torrijos, Marinduque
• TV-12 Puerto Princesa, Palawan
• TV-6 Brooke’s Point, Palawan
• TV-8 Coron, Palawan
• TV-17 Cuyo, Palawan
• TV-13 Balabac, Palawan
• TV-7 Romblon
• TV-7 Masbate
• TV-7 Naga
• TV-8 Malilipot
• TV-12 Legazpi
• TV-13 Catanduanes
• TV-2 Sorsogon
• TV-8 Daet

Visayas

• TV-5 Calbayog
• TV-9 Catarman
• TV-11 Catubig
• TV-13 Catbalogan
• TV-8 Borongan
• TV-35 Naval, Biliran
• TV-10 Tacloban
• TV-12 Ormoc
• TV-44 Maasin
• TV-2 Kalibo
• TV-35 Malay, Aklan
• TV-12 San Jose, Antique
• TV-35 Culasi, Antique
• TV-5 Roxas
• TV-6 Iloilo
• TV-9 Guimaras
• TV-13 Bacolod
• TV-23 Bais
• TV-5 Cadiz
• TV-30 Murcia, Negros Occidental
• TV-7 Cebu
• TV-26 Bogo
• TV-11 Samboan
• TV-11 Bohol
• TV-5 Dumaguete
• TV-11 Guihulngan
• TV-48 Siquijor
• TV-10 Sipalay

Mindanao

• TV-41 Mambajao
• TV-35 Cagayan de Oro
• TV-30 Gingoog
• TV-12 Bukidnon
• TV-4 Dipolog
• TV-34 Oroquieta
• TV-5 Ozamiz
• TV-3 Pagadian
• TV-11 Iligan
• TV-26 Butuan
• TV-10 Surigao
• TV-2 Tandag
• TV-35 Bislig
• TV-3 Prosperidad, Agusan del Sur
• TV-5 Davao
• TV-44 Tagum
• TV-35 Panabo
• TV-3 Digos
• TV-13 Malita
• TV-21 Baganga
• TV-48 Mati
• TV-30 Nabunturan
• TV-6 Kidapawan
• TV-12 Cotabato
• TV-13 Marawi
• TV-8 General Santos
• TV-13 Koronadal
• TV-30 Tacurong
• TV-2 Ipil
• TV-30 Imelda, Zamboanga Sibugay
• TV-9 Zamboanga
• TV-12 Jolo
• TV-44 Tawi-Tawi

In 1996, GMA Network showcased a diverse array of television programs that catered to various interests and demographics, making it a significant player in Philippine broadcasting during that era. Among the notable shows was "Family Guidelines," which offered viewers practical advice on family life, relationships, and parenting, resonating strongly with many households. "Agrisiyete" brought agricultural issues to the forefront, providing valuable information for farmers and those interested in the agricultural sector.

The inspirational program "The 700 Club" featured uplifting stories and faith-based discussions, while "Kapwa Ko Mahal Ko" focused on community service and helping those in need, thus fostering a spirit of compassion and solidarity. For younger audiences, "Sesame Street" and "Batibot" provided educational entertainment, combining fun and learning in engaging ways that delighted children across the nation.

In the realm of news and current affairs, "Balitanghali" and "GMA Network News" kept viewers informed with up-to-the-minute reports, while "Saksi" offered in-depth coverage of significant events. The long-running noontime show "Eat Bulaga!" continued to captivate audiences with its lively segments, games, and celebrity appearances, ensuring it remained a staple in Filipino households.

Dramatic series such as "Valiente," "Villa Quintana," and "Agujetas de Color de Rosa" captured the hearts of many, weaving tales of love, conflict, and resilience that viewers could relate to. Meanwhile, programs like "Bubble Gang" and "T.G.I.S." brought laughter and light-hearted entertainment to the screen, showcasing the rich comedic talent of Filipino artists.

The variety of shows included educational programs like "Chikiting Patrol," aimed at promoting health and wellness among children, and "5 and Up," which addressed the interests and concerns of the youth. GMA's commitment to showcasing Filipino culture was evident in "GMA Supershow" and "Aawitan Kita," which celebrated music and artistry through performances by local talents.

As the year progressed, GMA also introduced innovative formats such as "Gameplan," a sports-oriented program that engaged fans with insights and commentary, and "GMA Telesine Specials," which featured cinematic presentations that highlighted Filipino stories and talent. 

Each of these shows contributed to GMA's reputation as a versatile network that not only entertained but also educated and informed, making it an essential part of the television landscape in the Philippines during 1996. The blend of drama, comedy, informative content, and community engagement created a well-rounded viewing experience that appealed to a broad audience, reflecting the network's dedication to serving the diverse needs of its viewers.

But for Unang Hirit, the number one morning show aired at 5:30 a.m. after the replay of GMA Network News on Monday and Saksi: GMA Headline Balita on Tuesday to Friday, they featured the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand, from December 6 to 15, 2007. This vibrant sporting event showcased the talents and skills of athletes from across Southeast Asia, competing in various disciplines ranging from athletics and swimming to traditional martial arts. The show's coverage included interviews with participating athletes, behind-the-scenes glimpses of the preparations, and expert analyses of the competitions, creating an engaging experience for viewers who were eager to support their national teams. Unang Hirit not only provided live updates and highlights of the games but also delved into the cultural significance of the event, emphasizing the spirit of camaraderie and sportsmanship that the Southeast Asian Games embody. As the excitement unfolded, the hosts encouraged viewers to participate in discussions on social media, allowing fans to share their thoughts and predictions about their favorite events and athletes, ultimately enhancing the communal experience of celebrating regional sporting excellence.

Unang Hirit barkada

Then at 11 a.m., catch Janice de Belen, Gelli de Belen-Rivera, and Carmina Villaroel-Legaspi on SiS, a lively morning show that promises to engage viewers with its blend of entertainment, insightful discussions, and heartwarming segments. Much like the beloved Katok mga Misis, which originally aired in 1995 and captured the hearts of audiences with its relatable themes and charismatic hosts, SiS aims to create a vibrant atmosphere that fosters connection and joy among its viewers. Expect a delightful mix of light-hearted banter, expert advice on various topics from parenting to lifestyle, and special guest appearances that will keep you informed and entertained. Whether you're a long-time fan of these iconic television personalities or new to their charm, this show is sure to brighten your morning routine and provide a refreshing start to your day. Don't miss out on the chance to be part of their engaging conversations and discover the latest trends and tips that can enhance your everyday life.

At noontime, catch Pia Arcangel and Raffy Tima only right here on Balitanghali, where they bring you the latest updates and breaking news that matter most to Filipinos across the country. Balitanghali, a flagship noontime news program of the GMA Rainbow Satellite Network, was launched alongside the highly anticipated transfer of the popular variety show Eat Bulaga! to the network on January 28, 1995. Since its inception, Balitanghali has established itself as a trusted source of information, delivering not just news headlines but also in-depth reports, insightful analyses, and engaging human-interest stories that resonate with viewers from all walks of life. With Pia Arcangel's sharp journalistic instincts and Raffy Tima's charismatic presentation style, the program has successfully created a platform where important local and international events are discussed, ensuring that audiences stay informed and connected to the world around them. Tune in for a comprehensive look at the day's events and experience the blend of professionalism and warmth that sets Balitanghali apart in the landscape of Philippine news media.

At 12:30 p.m., the nation’s longest-running and highest-rated noontime variety program, titled Eat Bulaga!, has established itself as a vital component of Filipino culture and entertainment. Produced by TAPE, Inc. and broadcast on the GMA Rainbow Satellite Network, the program has enthralled viewers with its lively amalgamation of humor, games, and musical presentations. 

Noontime habits. Eat Bulaga! hosts Tito Sotto, Vic Sotto, and Joey de Leon, the Sexbomb dancers, EB! directors Bert de Leon and Poochie Rivera, and EB! producers Grace Esquillon and Malou Choa-Fagar. Feature from YES! magazine, 2003

It has achieved significant acclaim, not only due to its skilled ensemble, including the original hosts Tito Sotto, Vic Sotto, and Joey de Leon, along with co-hosts Coney Reyes, Jimmy Santos, Sheryl Cruz, Manilyn Reynes, Maricel Soriano, Ice Seguerra, Carmina Villaroel, Zoren Legaspi, Keempee de Leon, Christine Jacob, Ruby Rodriguez, Eric Quizon, Ali Sotto, Jose Manalo, Ai-Ai delas Alas, Ruffa Gutierrez, Allan K., Donna Cruz, Sunshine Cruz, Mickey Ferriols, Toni Rose Gayda, Jericho Rosales, Donita Rose, Mitoy Yonting, Rosanna Roces, Anjo Yllana, Gladys Guevarra, Wally Bayola, Paolo Ballesteros, K Brosas, Sugar Mercado, Derek Ramsay, Janno Gibbs, Toni Gonzaga, Michael V., Pia Guanio-Mago, Diana Zubiri, Pauleen Luna, Ciara Sotto, Iza Calzado, Julia Clarete, Edgar Allan Guzman, Daiana Menezes, Ryan Agoncillo, Isabelle Daza, the adored Sexbomb Dancers, and EB! Babes, but also because of the dynamic love team of Alden Richards and Maine Mendoza, endearingly referred to as AlDub. Their chemistry on-screen has ignited a nationwide sensation, attracting viewers from diverse backgrounds and age groups.

The evolution of Eat Bulaga! reflects broader trends in Filipino society, where television is not just a medium for entertainment but also a platform for cultural expression and social commentary. Over the decades, the program has woven itself into the fabric of Filipino life, offering not just laughs and games but also addressing social issues and serving as a source of communal celebration. Its segments often include inspiring stories of everyday Filipinos, contests that showcase talents and skills, and games that incorporate audience participation, all of which bolster community spirit.

Notably, the program remained unaffected by GMA's comprehensive coverage of the 24th Southeast Asian Games, which took place in Nakhon Ratchasima, Thailand, from December 6 to 15, 2007. During this timeframe, Eat Bulaga! persisted in engaging its audience with live episodes broadcast from November 26 to December 1, 2007. The show's ability to remain a continuous source of entertainment, even amidst major national events, illustrates its unique significance in Filipino culture. However, in a tactical decision to accommodate the vacation of the show's hosts and production crew, who took a well-earned retreat in Abu Dhabi, United Arab Emirates, the program transitioned to airing recorded episodes from December 3 to 8, 2007, and again from December 10 to 15, 2007. This flexibility demonstrates the show’s resilience and dedication to its audience, ensuring fans could continue to relish their daily entertainment, even while the production team was abroad.

The program's format has undergone various transformations over the years, adapting to the changing tastes of its audience while maintaining the essential elements that have endeared it to loyal viewers. Innovations such as interactive voting via text messages, incorporation of social media, and live performances from guest artists have freshened up its content, ensuring that Eat Bulaga! remains relevant in an ever-evolving media landscape. Further, the show's commitment to highlight local talent not only entertains but also empowers aspiring performers and supports the entertainment industry within the Philippines. By providing a platform for these individuals to shine, Eat Bulaga! has become a springboard for many careers, fostering a sense of hope among viewers who aspire to achieve their dreams.

Another essential aspect of the show’s success lies in its integration of Filipino values and pop culture elements, making it a relatable experience for many. The production smartly infuses humor and warmth into serious topics, skillfully balancing comedy with heartfelt moments that resonate with the nation's sentiment. Family-oriented segments, where members share their funny anecdotes and experiences, have further solidified the program's place as an institution for Filipino families who gather around their television sets during lunchtime.

Consequently, Eat Bulaga! has not only preserved its status as a beloved fixture of Filipino television but has also continued to evolve, cementing its position in the hearts of millions nationwide. Its running segments, like "Juan For All, All For Juan," showcase the impact of kindness and community support, encouraging viewers to engage in their local neighborhoods and think of their fellow Filipinos. The authenticity presented within these segments fosters a sense of unity and reminds audiences of their shared cultural heritage.

The program's capacity to adapt and innovate in response to varying circumstances further highlights its importance in the realm of Filipino media and culture, establishing it as a treasured tradition for families convening together during lunchtime. As the nation continues to embrace technological advancements and digital platforms, Eat Bulaga! has also ventured into various online spaces, allowing it to connect with a more extensive audience base, including the overseas Filipino community. This outreach has been instrumental in preserving a sense of connection and belonging for Filipinos living away from home, ensuring that they can enjoy a taste of their culture and entertainment, no matter where they are located.

In conclusion, Eat Bulaga! stands as a testament to the resilience of Filipino television and its ability to evolve with the times while staying true to its roots. Its unique blend of entertainment, cultural relevance, and community spirit makes it not just a television show, but a cultural phenomenon that continues to enrich the lives of Filipinos everywhere. Its journey reflects the history, values, and aspirations of the Filipino people, making it a cherished component of the nation’s identity.

Eat Bulaga! hosts Tito Sotto, Vic Sotto and Joey de Leon.

Eat Bulaga! dabarkads

EAT BULAGA! 23rd anniversary photoshoot with then-hosts: Paolo Ballesteros, Toni Gonzaga, Janno Gibbs, Ruby Rodriguez, Leila Kuzma, Anjo Yllana, Jimmy Santos, Joey de Leon, Vic Sotto, Jose Manalo, Wally Bayola, Toni Rose Gayda, Nadine Schmidt, Gladys Guevarra, Francis M. Not in photo: Allan K, who was in Australia at the time of the shoot. Photographed by Rene Mejia for YES! Magazine, 2002

Sexbomb Dancers

EB Babes

Alden Richards and Maine Mendoza

Eat Bulaga! sa Abu Dhabi

But for Eat Bulaga! original hosts Tito Sotto, Vic Sotto, and Joey de Leon, along with their esteemed fellow co-hosts, Coney Reyes, Jimmy Santos, Maricel Soriano, Aiza Seguerra, Carmina Villaroel, Zoren Legaspi, Keempee de Leon, Lady Lee, Christine Jacob, Ruby Rodriguez, Eric Quizon, Ali Sotto, Jose Manalo, Ai-Ai delas Alas, Ruffa Gutierrez, Francis Magalona, Fire (Ana Rivera & Soraya Sinsuat), Inday Garutay, Lyn Ching-Pascual, Allan K., Donna Cruz, Sunshine Cruz, Mickey Ferriols, Toni Rose Gayda, Jericho Rosales, Donita Rose, Mitoy Yonting, Rosanna Roces, Anjo Yllana, Gladys Guevarra, Wally Bayola, Paolo Ballesteros, K Brosas, Sugar Mercado, Derek Ramsay, Janno Gibbs, Toni Gonzaga, Michael V., Pia Guanio, Diana Zubiri, Pauleen Luna, BJ Forbes, Ciara Sotto, Iza Calzado, Julia Clarete, Edgar Allan Guzman, Daiana Menezes, and associated production team members including Eat Bulaga! directors Bert de Leon and Poochie Rivera, and Eat Bulaga! producers Grace Esquillon and Malou Choa-Fagar, as well as TAPE, Inc. president and CEO Antonio Tuviera, the journey to creating a memorable experience for fans took precedence during their time away from the Philippines. These personalities collectively represent the heart and soul of the show, which has become an enduring element of Filipino culture and television history.

The live tour entitled “Eat Bulaga! sa Abu Dhabi” was not simply a vacation; it was an opportunity for the iconic team to engage with their diaspora in a way that was both impactful and meaningful. The event, hosted at the iconic Abu Dhabi National Theatre on December 5, 2007, served as a platform for connecting with Filipino audiences residing in the United Arab Emirates. The collaboration of these notable figures exemplified the far-reaching influence of Filipino television, as it brought laughter, entertainment, and a sense of belonging to Filipinos abroad, who often find themselves yearning for a connection to their homeland.

The significance of such excursions extends beyond mere entertainment; they are a testament to the dedication of the Eat Bulaga! team in fostering a sense of community and cultural pride amongst Filipinos living overseas. Events like these have the power to rekindle a sense of nostalgia in those who tune in to the show, reminding them of the vibrant culture they left behind. As the actors and hosts performed live, their interaction with the audience transcended geographical barriers, offering not only entertainment but also a reframing of identity, solidifying the bond between the Philippine islands and the expatriate community.

The planning and execution of “Eat Bulaga! sa Abu Dhabi” undoubtedly required meticulous attention to detail. The decision to choose Abu Dhabi as a venue is worth noting, as it reflects the increasing presence of Filipinos in the UAE, where they actively contribute to various sectors ranging from healthcare to hospitality. The audience at the event consisted largely of Overseas Filipino Workers (OFWs) and their families, who often work hard in foreign lands to provide a better life for their loved ones back in the Philippines. Such endeavors emphasize the importance of recognizing and celebrating the sacrifices made by these individuals.

During their stay in Abu Dhabi, a unique opportunity unfolded for the original hosts and the wider cast. They not only brought their popular segments and engaging personalities to a different locale but also highlighted the diversity of Filipino talent on a global stage. Their performances were a blend of comedy, song, and interactive segments, familiar elements that resonated with the audience. The show’s longstanding tradition of including games and contests drew enthusiastic participation, where audience members could win prizes—a hallmark of Eat Bulaga! that has generated excitement for decades.

Moreover, the presence of a wide array of talent—ranging from comedians to music icons—ensured that there was something for everyone. Each host contributed their unique flair and charisma, and their chemistry with one another lit up the theatre, with laughter echoing through the venue. Such charismatic encores not only embodied the spirit of Filipino entertainment but also reinforced a sense of unity among audience members, fostering communal joy in shared experiences. The abundance of smiles and unavoidable laughter can be seen as a reinforcement of identity, where culture and camaraderie shine particularly bright in the company of fellow Filipinos, even abroad.

In the broader context, the significance of the tour also casts light on the invaluable role of media in shaping national pride. Over the years, Eat Bulaga! has become synonymous with Filipino television, serving not just to entertain but also to promote cultural values and the resilience of the Filipino spirit. Events like the Abu Dhabi live tour play a crucial role in disseminating aspects of Filipino culture internationally, thereby enriching the global understanding of the Philippines as a nation steeped in rich traditions, creativity, and communal values.

In conclusion, the live tour undertaken by the Eat Bulaga! team not only provided a wonderful escape for its cast and crew but also catered to the emotional and cultural needs of Filipinos residing in the UAE. It showcased the enduring legacy of the show, highlighting its influence far beyond the television screen. Such events resonate with the hearts of many and nurture a feeling of unity among the Filipino community, reinforcing that no matter where they are in the world, they will always find a familiar smile and a laugh waiting for them. The impact of their live performances transcended entertainment; they provided an integral thread that wove together the experiences of Filipinos, bridging distances and celebrating the essence of home. It is experiences like these that keep the spirit of Filipino culture alive, even in the most far-flung corners of the globe.

The GMA Dramarama sa Hapon block

On the GMA Rainbow Satellite Network, every Monday to Friday at 2 p.m., right after the noontime variety show Eat Bulaga! and just before the news program Saksi, the Dramarama sa Hapon block features a unique lineup that captivates audiences with its variety of storytelling and genres.

Within this well-curated segment, one of the highlights is Daisy Siete, which presents Ulingling, marking the seventeenth installment of this long-running series designed specifically for afternoon viewers. Directed by the talented Jose Rowell Ikamen, Ulingling showcases a cast that includes the well-regarded Rochelle Pangilinan, who is known for her versatility and charisma, alongside rising stars Mia Pangyarihan and Sunshine Garcia. Each actress brings her own unique style and energy to the screen, contributing to the engaging narratives that have become a hallmark of the Daisy Siete series. This particular show made its debut on November 19, 2007, sparking excitement among fans eager for relatable stories intertwined with humor and life lessons.

Following Ulingling at 2:30 p.m. is Sine Novela, which presents Pasan Ko ang Daigdig, a touching adaptation of the classic 1987 Viva Films movie of the same name. This fourth installment of the Sine Novela series continues to draw viewers with compelling narratives and relatable themes. Directed by the acclaimed Joel Lamangan, a figure well-respected in the Filipino film and television industries for his adept storytelling, Pasan Ko ang Daigdig stars a talented ensemble, including Yasmien Kurdi, JC de Vera, and seasoned actress Gina Alajar. Their performances resonate deeply with the audience, creating a relatable portrayal of love and sacrifice that is intrinsic to Filipino culture. The series first graced television screens on September 10, 2007, offering viewers an emotional escape filled with dramatic twists and heartfelt moments.

At 3 p.m., Sine Novela continues the tradition of heartfelt narratives with My Only Love, another adaptation based on the beloved 1982 Viva Films movie. This fifth installment of the Sine Novela promises to deliver a heartfelt exploration of affection and its complexities. Directed by Louie Ignacio, this segment showcases the talents of Mark Herras, a dynamic actor known for his romantic roles, alongside the charming Rhian Ramos and the versatile Bianca King. The chemistry among the cast members is palpable, as they delve into the intricacies of love, highlighting the feelings of joy, pain, and passion that accompany it. My Only Love premiered on November 12, 2007, positioning itself as a staple for viewers seeking sentimental tales that reflect their own experiences.

As the afternoon progresses, viewers are treated to a change of pace with the drama anthology Pira-Pirasong Pangarap, gracing the screen at 3:30 p.m. This anthology, uniquely hosted by Gina de Venecia, first appeared on June 2, 1997, and has maintained a dedicated following over the years. The structure of Pira-Pirasong Pangarap allows for varied stories, giving each episode a standalone narrative while still threading the universal theme of dreams and aspirations throughout. The anthology format encourages creativity, allowing writers and directors to explore a wide range of characters and scenarios that resonate with the diverse Filipino audience. Each episode typically features a myriad of genres, from romance and family drama to comedy and moral lessons, enticing viewers to tune in regularly to discover new stories that speak to their imaginations.

Moving on to 4 p.m., the romance anthology Maynila captivates its viewers next, hosted by the proficient Lito Atienza. This series, which premiered on December 13, 1999, has become synonymous with showcasing the vibrant cultural tapestry of Manila, often highlighting the everyday lives, struggles, and triumphs of its residents. The anthology format allows a fresh storyline in each episode while offering poignant portrayals of Filipino society and values. The stories presented are deeply rooted in real-life experiences, making them relatable and endearing to viewers from various walks of life. Through its narrative, Maynila not only entertains but also educates its audience about the rich heritage and societal dynamics of the Philippines, addressing important societal issues while also celebrating love and friendship.

Wrapping up the afternoon block at 4:30 p.m. is That's Entertainment, the late-afternoon variety show that has left an indelible mark on the Filipino entertainment landscape. Hosted by the iconic German Moreno, this program, which premiered on January 6, 1986, serves as a platform for emerging talents and established artists to showcase their skills in music, dance, and even comedy. With a vibrant set and an energetic atmosphere, That's Entertainment is designed to uplift spirits and provide a sense of community among its viewers. The show typically features talented guest performers, interviews with celebrities, and interactive segments with the audience, inviting participation and making television feel more personal. This blend of entertainment and engagement has solidified That's Entertainment as a cherished part of Filipino culture, ensuring that it remains a beloved favorite in the hearts of its audience.

The combination of these carefully selected programs within the Dramarama sa Hapon block illustrates the GMA Rainbow Satellite Network's commitment to offering diverse entertainment that resonates with its audience. Each show within this time slot contributes uniquely to the overall landscape of afternoon television, allowing viewers to engage emotionally, laugh heartily, and reflect on their own lives through the narratives presented. This programming choice not only strengthens familial viewing habits but also fosters cultural discussions among viewers, tracing the evolving landscape of Filipino storytelling through its representation of love, aspiration, and the humor found in everyday life.

The GMA Telebabad Block

The GMA Rainbow Satellite Network's Telebabad block, starting at 5:30 p.m., features a variety of engaging programs that cater to diverse tastes and demographics. One of the highlights of this lineup is the lifestyle show Extra, Extra, hosted by the dynamic duo of Paolo Bediones and Miriam Quiambao. Originally hosted by the renowned journalist Karen Davila alongside Bediones, Extra, Extra premiered on February 15, 1999, quickly gaining popularity for its lively discussions and interviews on contemporary topics that resonate with the everyday Filipino. The show's format encompasses various aspects of lifestyle, from fashion and health to food and travel, fostering a community feel where viewers feel invited into the conversation. The energetic rapport between the hosts creates a warm, engaging atmosphere that encourages viewer participation and feedback, strengthening audience loyalty and connection.

At 6 p.m., Saksi: GMA Headline Balita takes the reins, providing viewers with essential nightly news updates. Initially anchored by the respected figures of Mike Enriquez and Karen Davila, the program first premiered on October 2, 1995, setting a high standard for news broadcasting in the country. Over the years, it has evolved to include a team of well-known anchors, including Mike Enriquez, Mel Tiangco, Vicky Morales, and Arnold Clavio, each bringing their unique perspectives and journalistic expertise to the table. This diverse ensemble ensures comprehensive coverage of both local and international news, enabling viewers to stay informed about current events and societal issues that matter. The show's commitment to balanced reporting and investigative journalism allows it to maintain its credibility, making it a trusted source of information for millions of Filipinos.

At 6:30 p.m., the Movie Talk Show Eye to Eye, hosted by Nap Gutierrez, offers a refreshing change of pace. Gutierrez, who has also served as a substitute host for the iconic Inday Badiday, has brought his own unique flair to the program since its premiere on January 11, 1988. The show originally focused solely on movie-themed discussions but has since expanded its format to incorporate audience interaction and a public service segment, making it more relevant in today’s context. This evolution reflects the changing landscape of television programming, where audience engagement is key. The show not only highlights the latest films and celebrity news but also discusses pressing social issues through the lens of cinema, effectively merging entertainment with education. By connecting mainstream media with public awareness campaigns, Eye to Eye establishes a significant platform for discourse on societal matters, enhancing its relevance in the modern television landscape.

At 7:30 p.m., viewers are treated to the drama science fiction action series Zaido: Pulis Pangkalawakan, a creative spin-off of the Japanese Metal Hero Series' Space Sheriff Shaider. Under the direction of Dominic Zapata, the show has successfully captivated audiences since its premiere on September 24, 2007. The cast, featuring talents such as Dennis Trillo, Marky Cielo, and Aljur Abrenica, brings to life a captivating narrative that combines elements of traditional Philippine folklore with futuristic themes, appealing to a wide range of viewers. An innovative aspect of Zaido is its ability to integrate action-packed sequences with moral lessons and social values, encouraging discussions about heroism, sacrifice, and community responsibility among younger audiences. The backdrop of science fiction further enhances the storytelling, allowing for creative exploration of existing societal issues through speculative scenarios. Additionally, the special feature Zaido: Ang Bagong Alamat – The Making of Zaido that aired on September 22, 2007, provided an insightful behind-the-scenes look at the show's production, allowing fans to appreciate the craftsmanship involved in bringing such a compelling story to life.

As the clock strikes 8 p.m., the narrative shifts to the drama fantasy series Kamandag, which is based on the graphic novel created by Carlo J. Caparas. Directed by both Mark A. Reyes and Topel Lee, the show features the talented Richard Gutierrez in the titular role, embodying the character of Vergel and Kamandag. Since its premiere on November 19, 2007, the series has successfully blended elements of fantasy and drama, attracting viewers with its captivating storyline and rich visual aesthetics. The plot revolves around themes of good versus evil, love, and redemption, resonating with audiences who appreciate depth in narratives and character arcs. The incorporation of fantasy elements allows for a creative exploration of universal themes, making the show not just entertaining but also thought-provoking. The series has become a cultural reference point, inspiring discussions about loyalty, morality, and the true essence of power in society.

At 8:30 p.m., Marimar takes center stage, reviving memories of the beloved 1994 Mexican television series of the same name. Directed by the skilled Joyce E. Bernal and Mac Alejandre, the Philippine adaptation stars Marian Rivera and Dingdong Dantes, who have become household names as a result of their talent and charisma. Premiering on August 13, 2007, Marimar captures viewers with its poignant narrative and complex characters, leading audiences through a journey of love, betrayal, and ultimately, empowerment. The dramatic twists and turns keep viewers on the edge of their seats, fueling discussions about its plot developments across social media and fostering a dedicated fan base.

At 9 p.m., the prime time lineup culminates with the drama horror crime series La Vendetta, directed by Gil Tejada Jr. and Lore Reyes. Starring notable actresses Jennylyn Mercado, Sunshine Dizon, and Jean Garcia, this show premiered on October 29, 2007, and has garnered a strong following due to its gripping storyline intertwined with elements of horror and suspense. Themes of revenge, justice, and moral dilemmas permeate the narrative, inviting viewers to engage with the darker aspects of human nature while exploring the complexities of right and wrong. The show's ability to evoke strong emotional responses and provoke thought about societal issues related to crime and moral ambiguity solidifies its place in the Filipino television landscape.

Collectively, GMA's Telebabad block offers a rich tapestry of programming that not only entertains but also informs and engages the Filipino audience. From lifestyle discussions in Extra, Extra to the thrilling narratives of La Vendetta, each program contributes uniquely to the broader cultural conversation, reflecting the complexities and diversity of contemporary Filipino life.

On the GMA Rainbow Satellite Network, the weekly programming schedule is strategically curated to offer a diverse array of entertainment and information that caters to various audience preferences. The primetime movie block known as Pinoy Blockbusters kicks off the week on Monday evenings at 9:30 p.m., showcasing popular Filipino films that resonate with the viewers' love for local cinema. This time slot is particularly significant, as it allows families to gather together and enjoy stories reflective of Filipino culture, traditions, and values. The films screened often include a mix of genres, from romantic comedies to action-packed thrillers, ensuring that there is something for everyone in the household to enjoy.

Every Tuesday at the same time slot follows the Comedy Show Kool Ka Lang, hosted by the charismatic Raymart Santiago. Since its premiere on October 19, 1998, Kool Ka Lang has been a staple of the network's KiliTV lineup, replacing the previously aired Ibang Klase. This show has been instrumental in setting the tone for Tuesday evenings, offering light-hearted entertainment that draws viewers into engaging comedic sketches, relatable humor, and lively performances that leave audiences in stitches. The show's comedic approach also serves to address social issues in a clever, humorous manner, making it a favorite among audiences of all ages.

On Wednesdays, the comedy continues with Beh, Bote Nga, starring Janno Gibbs and Anjo Yllana. Premiering on March 9, 1999, within the same KiliTV lineup, this show has entertained audiences for years with its blend of wit, slapstick humor, and engaging plotlines that often revolve around everyday scenarios filled with absurdity and satire. The chemistry between Gibbs and Yllana has consistently captivated viewers, making their performances a highlight of the week. This midweek comedy offering underscores the network's commitment to providing laughter and joy as a way for viewers to unwind amidst their busy lives.

Transitioning to Thursday nights, viewers are treated to Daddy Di Do Du, a family-oriented sitcom directed by the talented Bert de Leon. This show, featuring beloved actors including Vic Sotto, Maxene Magalona, Danica Sotto, and Isabella de Leon, premiered on July 12, 2001, and has carved out a niche for itself in the hearts of Filipino families. Through its relatable narratives of family life and dynamics, Daddy Di Do Du skillfully tackles themes such as parenting, sibling rivalry, and the joys and challenges of family bonding. The warmth of its storytelling resonates with the audience, inviting them into the experience of familial love and support.

In addition to this robust comedy lineup, Fridays are celebrated with the popularly cherished sketch comedy show, Bubble Gang. Originally premiering on October 20, 1995, at 7 p.m., this program has garnered a massive following due to its innovative sketches and parodies that draw from both pop culture and current events. Directed by Uro Q. Dela Cruz, the show initially starred a colorful ensemble including Ogie Alcasid, Antonio Aquitania, and Sunshine Cruz, among others. Over the years, the show has evolved, adapting to the changing social landscape while maintaining its essence as a source of laughter and entertainment. Furthermore, Bubble Gang's ability to inspire laughter through skits about everyday life stories makes it a cherished part of the Friday night experience for many Filipino households.

Amid the entertainment offerings, GMA Rainbow Satellite Network devotes significant time to news and informative programming. At 11:30 p.m. each night, viewers can tune in to GMA Network News, anchored by the trusted Pia Arcangel. This English-language news program is designed to provide audiences with the latest updates on both local and international events, ensuring that viewers stay informed about relevant issues affecting their lives.

As the clock strikes midnight on Mondays, the investigative documentary series I–Witness takes center stage. Initially hosted by renowned journalists Vicky Morales, Luchi Cruz-Valdes, Mike Enriquez, Cheche Lazaro, and Jessica Soho, this show first premiered on January 18, 1999. Each episode dives deep into pressing societal issues and human-interest stories, shedding light on realities that may be overlooked elsewhere. Its exploration of various topics empowers viewers to engage in critical discussions and reflections on the world around them.

Following I–Witness, every Tuesday features The Probe Team, a magazine show hosted by Cheche Lazaro that has captivated viewers since its premiere on March 6, 1987. With its focus on investigative reporting and in-depth analysis, the program aims to uncover truths, showcase untold stories, and provide a platform for the voices of the marginalized. Each segment serves to nurture a more informed citizenry willing to engage in civic matters.

Wednesdays feature Born to Be Wild, a documentary series originally hosted by Romi Garduce and Ferdinand Recio, which premiered on November 28, 2007. This program provides a captivating glimpse into wildlife and nature, showcasing the beauty of the Philippine environment and promoting awareness regarding ecological conservation. By highlighting various animals and habitats, the show encourages viewers to appreciate and protect their natural surroundings.

Thursdays on the network spotlight 100% Pinoy, a magazine show exploring Filipino culture and identity, initially featuring hosts such as Kara David and Pia Arcangel. Since its premiere on July 5, 2006, 100% Pinoy has played an essential role in celebrating the richness of Filipino heritage, displaying talents across various fields, and sharing stories that underline the nation's uniqueness and strength.

Finally, Fridays at midnight kick off with Emergency, a program originally hosted by Edu Manzano, that premiered on October 4, 1995, focusing on urgent and vital topics that impact everyday lives. This long-running show engages viewers with its real-life case studies and health-related information, equipping them with knowledge and resources necessary for emergency preparedness. 

Chain programming leads towards 1 a.m. broadcasts of The 700 Club, featuring hosts Pat Robertson, Gordon Robertson, and Kristi Watts, who present inspirational messages, testimonials, and discussions of faith. Throughout the week, the network also offers additional spiritual programming such as The Pulpit of Christ, Signs & Wonders, Word of Hope, and Let There Be Light, enriching their late-night offerings with messages of hope, guidance, and encouragement for viewers from all walks of life. 

Overall, the GMA Rainbow Satellite Network curates a comprehensive weekly lineup that not only entertains but also informs and inspires its viewers, demonstrating a commitment to quality programming that reflects Filipino culture while addressing contemporary challenges. Each show serves a unique purpose in the network's mission to connect, uplift, and engage its diverse audience.

the GMA's Sabado Star Power block

The GMA Rainbow Satellite Network's Sabado Star Power block begins its programming at 5:30 a.m. with the engaging show, Pasugo: Ang Tinig ng Iglesia ni Cristo. This program is pivotal in sharing the teachings and message of the Iglesia ni Cristo, providing the audience with spiritual insights and reflections early in the morning. At 6 a.m., the network transitions to Jesus the Healer, hosted by Bro. Eddie Villanueva. This show seeks to reinforce the notion of faith and healing, focusing on testimonials and stories that highlight the power of spirituality, making it a unique offering for the audience seeking both inspiration and encouragement in their daily lives.

7 a.m. marks the airing of The 700 Club, a prominent program featuring the dynamic trio of Pat Robertson, Gordon Robertson, Kristi Watts, and Terry Meeuwsen. This show is well known for its blend of news, inspirational stories, and prayer, addressing the needs of its viewers with compassion and understanding. The informative segments serve not only as an outreach for the audience but also as a discussion platform for relevant social issues that resonate with many people.

At 8 a.m., the network showcases Tipong Pinoy, a show hosted by the charismatic duo, Wency Cornejo and Susan Calo-Medina. This program celebrates Filipino culture and lifestyle, featuring stories that resonate with the Filipino identity. Its light-hearted interviews, musical performances, and unique segments provide a delightful way for the audience to connect with their roots.

Following this, at 8:30 a.m., is the children's show Chikiting Patrol: At Home Ako Dito, sponsored by Jollibee. This program is crafted to engage young viewers, offering both entertainment and educational content that encourages creativity and learning through fun activities. At 9 a.m., another children’s show, 5 & Up, continues to cater to the younger audience by providing engaging educational segments designed to entertain while imparting valuable lessons.

Wrapping up the morning lineup, at 10 a.m., is Lovely Day, an infotainment show hosted by Love Añover. This program often features heartwarming stories, lifestyle tips, and segments that inspire viewers to embrace positivity in their daily lives. The upbeat tone of the show serves as a perfect transition into the following program, which airs at 10:30 a.m., the game show Digital LG Quiz. Hosted by Paolo Bediones and Regine Tolentino, this interactive game show, which premiered in 1999, invites contestants to test their knowledge in various categories, offering not just entertainment but an opportunity for viewers to engage in a fun quiz-like atmosphere from their own homes.

As the clock strikes 11:30 a.m., Campus Video takes the stage, highlighting youth perspectives and creativity through music videos, talent showcases, and student-driven content that reflects the aspirations of the Filipino youth. By noon, the audience is drawn into Balitanghali, anchored by Pia Arcangel and Raffy Tima, which serves as the daily news program. Providing up-to-the-minute news updates and investigative reports, this program connects viewers with events happening both locally and internationally, helping them stay informed about crucial issues that impact their lives.

At 12:30 p.m., the beloved variety show Eat Bulaga! takes center stage. As one of the longest-running noontime shows in the Philippines, it has become a staple for families, combining entertainment, games, and live performances, it not only amuses but also engages the audience through its interactive segments. Following this entertaining spectacle, at 2:30 p.m., is Startalk, a showbiz-oriented talk show originally hosted by industry icons Boy Abunda, Kris Aquino, and Lolit Solis. Premiering on October 8, 1995, Startalk is known for its in-depth celebrity interviews and entertainment news, providing a glimpse into the lives and careers of local stars.

As the afternoon progresses, the network introduces the Youth Oriented Show Click at 4 p.m., featuring a vibrant ensemble of young talents including James Blanco, Roxanne Barcelo, and Angel Locsin. This program aims to connect with the youth demographic through relatable content, discussions about contemporary youth issues, and a showcase of emerging artists.

The 5 p.m. slot features Wish Ko Lang!, a drama anthology and public service show hosted by Vicky Morales. This show has touched many hearts by focusing on real-life stories that revolve around hope, generosity, and community service. It highlights stories of people in need and the kind-hearted individuals who go out of their way to help them, inspiring viewers to contribute positively to society.

At 6 p.m., Brigada Siete enhances the lineup with a magazine-style show hosted by Jessica Soho and Tito Sotto. Known for its investigative reports and human-interest stories, Brigada Siete educates and informs the audience on significant social issues, driving home the importance of community awareness and involvement.

At 7 p.m., GMA's programming shifts to Pinoy Records, hosted by Manny Pacquiao, Chris Tiu, and Sheena Halili. Premiering on December 8, 2007, this show celebrates extraordinary Filipino achievements and peculiar feats, showcasing talent and tenacity while instilling a sense of pride in Filipino capabilities.

The evening continues with Kakasa Ka Ba Sa Grade 5? at 8 p.m., the Philippine adaptation of the international format Are You Smarter than a 5th Grader?, hosted by Janno Gibbs. This educational game show not only entertains but also challenges participants and viewers alike to reflect on their knowledge, making learning a competitive and enjoyable experience.

At 9 p.m., viewers are treated to GMA's Best, a movie and special block that features a carefully curated selection of films and entertaining specials that capture the essence of Filipino cinema. This block aims to provide relaxation and enjoyment to the audience as the day winds down.

As midnight approaches, Master Showman Presents takes over the airwaves, originally hosted by the legendary German Moreno. Accompanied by John Nite, Shermaine Santiago, Jackie Lou Blanco, and Shirley Fuentes, the show has been a platform for various entertainment personalities, celebrating their careers and contributions to Philippine showbiz. Finally, at 12 midnight, GMA Network News: Saturday Edition offers a comprehensive news roundup, with updates delivered in a timely and concise manner. Concluding the nightly lineup, at 12:30 a.m., The 700 Club International brings back the inspiring content that connected the audience throughout the day, reinforcing the messages of faith, hope, and community. Each program within this well-structured block plays a vital role in ensuring GMA's commitment to delivering quality content that aligns with the values and interests of its diverse audience.

GMA's Linggo Bingo Block

The GMA Rainbow Satellite Network's Linggo Bingo block broadcasts a compelling lineup of programming that caters to a diverse audience. Starting at 5 a.m. is the Sunday TV mass program Ecclesia in Asia, which serves as a spiritual resource for viewers eager to engage with their faith early in the morning. This program is not just about the mass; it also includes reflections and interviews that aim to resonate with the daily lives of the audience, offering them mental and emotional comfort as they prepare for the day ahead. 

At 6 a.m., the network shifts focus to In Touch with Dr. Charles Stanley, a program designed to inspire and educate viewers through biblically-based teachings. Dr. Stanley’s sermons often delve into practical life applications of scripture, encouraging personal growth and spirituality. His well-articulated messages have made a significant impact, attracting viewers who seek solace and wisdom as part of their morning routine.

By 7 a.m., the programming introduces Word of Hope, focusing on encouraging narratives and inspiring stories aimed at upliftment. This program highlights testimonials of hope and resilience, reinforcing the idea that, despite life’s challenges, there is always a reason to be hopeful and look forward to a brighter future.

Following this at 7:30 a.m. is The 700 Club, hosted by notable figures Pat Robertson, Gordon Robertson, Kristi Watts, and Terry Meeuwsen. This show blends news with personal testimonies and goal-oriented advice, creating a comprehensive platform where faith meets societal issues. The hosts engage with the audience through prayer, appealing to those who may be facing personal struggles, thereby building a community around shared beliefs and support.

At 8:30 a.m., viewers are invited to join the Cathedral of Praise, a vibrant religious service characterized by its lively music and worship. This program not only serves as a platform for worship but also as a means of connecting congregants to various church initiatives and charitable activities, underscoring the values of community and fellowship.

By 9 a.m., GMA engages sports enthusiasts with ABAP-GMA Go for Gold, presented by the Association of Boxing Alliances in the Philippines. This program shines a light on Filipino boxers, their journeys, and the spirit of sportsmanship. It aims to inspire young boxers and promote boxing as a means of national pride and achievement. The show also covers training regimens, competitions, and athlete stories, providing an in-depth look at the world of boxing.

At 10 a.m., sports takes a slightly different turn as Gameplan, hosted by Paolo Abrera and Suzi Entrata, gives viewers a broader perspective on various sports, featuring in-depth analyses, interviews with athletes, and coverage of local and international sporting events. This show is essential for sports fans who seek insights into not only the games themselves but also the athletes' personal lives and struggles behind the scenes.

Moving to 11 a.m., the Lifestyle Show Kay Susan Tayo! provides a venue for discussions on life, health, relationships, and cultural topics. Hosted by Susan Enriquez, this engaging program invites experts and celebrities to discuss relevant issues, thereby fostering a dialogue that resonates with everyday realities. The show aims to empower viewers with knowledge while providing entertaining content that cultivates a sense of community.

The news program Balitanghali at 12 noon, anchored by Pia Arcangel and Raffy Tima, delivers timely news while also addressing critical issues affecting the nation and the world. This half-hour slot not only informs but also provides context, encouraging viewers to think critically about the news and its implications. Following the news, at 12:30 p.m., is the variety show SOP, which has been a staple of Filipino television since its premiere on February 2, 1997. This show stands out for its mix of music, dance, and comedy, creating an entertaining spectacle that attracts a wide audience.

At 3 p.m., Boys Nxt Door, directed by Jun Lana, offers a unique blend of drama and comedy aimed at a younger audience. Starring Marky Cielo, Aljur Abrenica, Mart Escudero, and Joseph Bitangcol, this show has been particularly popular since its premiere on June 24, 2007. The narratives often explore themes of friendship, love, and youth challenges, resonating with a demographic that values relatable content.

The entertainment continues at 4 p.m. with the celebrity talk show Showbiz Central, hosted by Raymond Gutierrez, Pia Guanio, and John Lapus. This program focuses on the latest happenings in the Philippine entertainment industry, featuring interviews with celebrities and discussions about current trends in music, film, and television. Given the ever-evolving nature of celebrity culture, this show provides a refreshing perspective on what it means to be in the limelight.

Following this, the 5:30 p.m. slot is occupied by Partners: Mel & Jay, hosted by Mel Tiangco and Jay Sonza. This talk show is characterized by its engaging discussions on various societal issues, pop culture, and celebrity gossip, appealing to a wide range of viewers who wish to stay informed about both serious and light-hearted topics.

At 7 p.m., Tok! Tok! Tok! Isang Milyon Pasok, hosted by Paolo Bediones, premiered on May 27, 2007, draws viewers with its entertaining quiz format, inviting audience participation and testing their knowledge on numerous subjects while offering fabulous prizes. The interaction between the hosts and participants creates a vibrant atmosphere that enhances viewer engagement.

At 8 p.m., the karaoke game show All Star K! (formerly K! The 1 Million Peso Videoke Challenge), originally hosted by Arnell Ignacio and later joined by Jaya and Allan K., continues to provide fun entertainment through music and competition, making it an exciting choice for families looking to enjoy their evening together.

Following the lively entertainment, Ful Haus at 9 p.m. offers comedy relief with Vic Sotto and Pia Guanio, showcasing skits and humorous takes on everyday Filipino life, while also addressing cultural nuances that resonate with viewers across generations.

As the night unfolds, the movies and special block SNBO: Sunday Night Box Office at 10 p.m. allows viewers to unwind with a selection of popular films, often providing a mix of genres appealing to a wide audience and catering to the cinematic tastes of families.

At 12 a.m., the travel show Cheche Lazaro Presents, hosted by Cheche Lazaro, encourages exploration and appreciation of different cultures, highlighting unique stories and perspectives from around the Philippines and beyond since its premiere on February 14, 1999. Following this, GMA Network News at 12:30 a.m. provides an opportunity for late-night viewers to catch up on the day’s significant developments.

As the programming winds down, A Little Night of Music at 1 a.m., hosted by John Lesaca and Fides Cuyugan-Asencio, invites viewers to enjoy soothing music and performances that serve to relax and entertain late-night audiences. The final slot of The 700 Club International at 1:30 a.m. offers a global perspective on faith and community, catering to viewers seeking inspiration and spiritual encouragement at the end of their day. 

This carefully curated lineup represents the GMA Rainbow Satellite Network's commitment to providing diverse content that enriches and entertains its audience, aligning their programming with the values and interests of Filipino viewers.

By August 1, 2007, the negotiations between media companies GMA Network, Inc. and ABS-CBN Corporation along with TV5 Network, Inc., People's Television Network, Inc. Radio Philippines Network, Inc., Intercontinental Broadcasting Corporation and Central Luzon Television together with the Philippine Amusement and Gaming Corporation (PAGCOR) and Philippine Sports Commission (PSC) to sign a contract for the live television airing of the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand from December 6 to 15, 2007.

ABS-CBN, along with UHF channel Studio 23 and cable channel Balls, aired the countdown plugs and teasers for the live nationwide and worldwide coverage of the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand on December 6 to 15, 2007.

By August 1, 2007, the negotiations between media companies GMA Network, Inc. and ABS-CBN Corporation, in conjunction with TV5 Network, Inc., People's Television Network, Inc., Radio Philippines Network, Inc., Intercontinental Broadcasting Corporation, and Central Luzon Television, alongside the Philippine Amusement and Gaming Corporation (PAGCOR) and the Philippine Sports Commission (PSC), were actively progressing toward a historic contract that aimed to solidify comprehensive arrangements for the live television airing of the highly anticipated 24th Southeast Asian Games. This sporting event was scheduled to be held in Nakhon Ratchasima, Thailand, from December 6 to 15, 2007. Given the significance of the games, which attract athletes from various member countries across Southeast Asia, the negotiations promised a substantial boost to both local broadcasting and the visibility of regional sports.

The lead-up to the games saw a flurry of activity. ABS-CBN, acting as one of the primary media outlets, along with its UHF channel Studio 23 and cable channel Balls, began to energize the public with countdown plugs and teasers aimed at exciting viewers for what was being billed as an extraordinary showcase of athletic prowess. Viewers across the Philippines were invited to engage with the event, not only through traditional television broadcasting but also through various digital platforms, marking a significant shift in media consumption habits. The countdown elements created a palpable sense of anticipation among the Filipino audience, emphasizing the importance of athletics in fostering national pride and unity.

The formal contract signing with ABS-CBN executives solidified this partnership for the live coverage of the 2007 Southeast Asian Games, taking place on November 12, 2007, at Restaurant 9501, situated on the 14th floor of the ELJ Communications Center in Quezon City. This event was an important milestone, marked by the presence of notable personalities within the media and sports sectors. Key figures in attendance included ABS-CBN Chairman, President, and CEO Eugenio Lopez III, who underscored the commitment of the network to deliver quality sports programming. Other prominent attendees included ABS-CBN Chief Operating Officer for Broadcast Cory Vidanes and ABS-CBN Integrated Corporate Communications Head Bong Osorio. Their participation highlighted the collaborative spirit essential for successful broadcasting initiatives. Moreover, the presence of former senator Vicente Sotto III and Ambassador Marciano Paynor, Jr., rendered a sense of credibility and support from various sectors of society.

Efraim Genuino, the chairman of PAGCOR, and Jose Cojuangco, Jr., chairman of the Philippine Olympic Committee, added further gravity to the occasion, showcasing the alignment between governmental agencies and media corporations in promoting sports in the country. Local dignitaries, such as Tagaytay City Mayor Abraham Tolentino and Philippine Sports Commission Chairman William "Butch" Ramirez, also demonstrated the expansive support network behind the historic games. Their involvement illustrated the event's potential not only as a sporting highlight but also as a cultural and tourism opportunity for the Philippines.

In this partnership between ABS-CBN, its sister station Studio 23, and competing networks such as GMA-7, PTV-4, ABC-TV5, RPN-9, Q-11, IBC-13, and CLTV-36, the reality of a collaborative broadcasting effort emerged, which stood to enhance the overall coverage of the 24th Southeast Asian Games. Extensive coverage was planned, with broadcasts set to reach diverse audiences across various platforms: free-to-air television (both analog and digital), cable, and satellite television. Furthermore, this multichannel approach embraced modern advancements in technology, ensuring that audiences could access the event through IPTV, AM, and FM radio channels, as well as online platforms. The inclusion of streaming options on social media platforms like Facebook and YouTube illustrated a forward-thinking strategy, catering to a generation of viewers accustomed to accessing content through mobile devices such as smartphones and tablets.

The coverage of the games by ABS-CBN promised to be expansive. From December 6 to 15, 2007, audiences across the nation would experience the excitement of the Southeast Asian Games, as ABS-CBN’s robust broadcasting infrastructure prepared to simulcast coverage live on 105 free-to-air television stations throughout the Philippines. This extensive reach meant that fans and followers of the games, regardless of their geographical location, would have the opportunity to rally behind their national athletes. This coverage was essential not only for those interested in the competitions themselves but also for families, friends, and supporters of the athletes, allowing them to engage with the events emotionally and culturally.

The Southeast Asian Games not only serve as a competition platform but also as a unifying event that brings together numerous nations. Countries participating included Indonesia, Malaysia, Singapore, Thailand, Vietnam, and many more, each fielding teams in various disciplines from athletics to traditional games. For the Philippines, the games provided an opportunity to showcase its sports talents, invigorating the national spirit and pride. The live broadcasts facilitated by ABS-CBN meant that viewers could not only enjoy the excitement of the games but also partake in the broader narrative of Southeast Asian camaraderie.

In essence, the collaborative efforts among various media entities, along with governmental support, created a significant framework for the successful broadcast of the 2007 Southeast Asian Games in Thailand. This enterprise represented more than just an agreement to air sports; it encapsulated a collective vision for promoting regional sports and fostering national pride. As the opening date approached, the emphasis on engagement, inclusivity, and technological connectivity set the stage for an event that transcended mere competition — it was a celebration of identity, collaboration, and a shared heritage. The successful execution of this live coverage would ultimately lay a foundation for future sporting events and highlight the ongoing evolution of sports broadcasting in the Philippines.

Luzon

• ABS-CBN 2 Manila
• TV-7 Laoag
• TV-11 Vigan
• TV-40 La Union
• TV-32 Dagupan
• TV-46 Alaminos
• TV-11 Abra
• TV-3 Baguio
• TV-11 Mountain Province
• TV-11 Batanes
• TV-3 Tuguegarao
• TV-9 Aparri
• TV-2 Isabela
• TV-11 Bayombong
• TV-13 Cabarroguis
• TV-6 Iba
• TV-13 Botolan
• TV-12 Olongapo
• TV-22 Bataan
• TV-46 Pampanga
• TV-32 Tarlac
• TV-34 Bulacan
• TV-16 Malolos
• TV-12 Meycauayan
• TV-19 Obando
• TV-32 Cabanatuan
• TV-22 Baler
• TV-40 Rizal
• TV-6 Calamba
• TV-46 San Pablo
• TV-32 Tagaytay
• TV-10 Batangas
• TV-38 Lipa
• TV-2 Lucena
• TV-11 Occidental Mindoro
• TV-21 Calapan
• TV-7 Puerto Princesa
• TV-10 Sofronio Española, Palawan
• TV-12 Taytay, Palawan
• TV-19 Brooke’s Point, Palawan
• TV-5 Coron, Palawan
• TV-21 Cuyo, Palawan
• TV-7 Balabac, Palawan
• TV-52 Kalayaan, Palawan
• TV-11 Roxas, Palawan
• TV-12 Taytay, Palawan
• TV-9 Romblon
• TV-10 Daet
• TV-11 Naga
• TV-8 Iriga
• TV-7 Catanduanes
• TV-4 Legazpi
• TV-10 Tabaco
• TV-10 Masbate
• TV-7 Sorsogon

Visayas

• TV-10 Iloilo
• TV-9 Kalibo
• TV-21 Boracay
• TV-44 Antique
• TV-21 Roxas
• TV-4 Bacolod
• TV-8 Bais
• TV-40 Murcia
• TV-7 Cadiz
• TV-26 Sipalay
• TV-3 Cebu
• TV-2 Toledo, Cebu
• TV-13 Barili, Cebu
• TV-7 Siquijor
• TV-9 Bohol
• TV-12 Dumaguete
• TV-13 Biliran
• TV-2 Tacloban
• TV-4 Ormoc
• TV-48 Maasin
• TV-5 Catarman
• TV-7 Catbalogan
• TV-10 Calbayog
• TV-38 Borongan

Mindanao

• TV-42 Dipolog
• TV-11 Pagadian
• TV-5 Ipil
• TV-3 Zamboanga
• TV-2 Cagayan de Oro
• TV-47 Mambajao
• TV-2 Malaybalay
• TV-4 Iligan
• TV-7 Ozamiz
• TV-2 Marawi
• TV-11 Butuan
• TV-12 Surigao
• TV-26 Tandag
• TV-2 Bislig
• TV-5 Agusan del Sur
• TV-4 Davao
• TV-24 Mati
• TV-23 Baganga
• TV-11 Malita
• TV-50 Tagum
• TV-46 Nabunturan
• TV-3 General Santos
• TV-4 Koronadal
• TV-7 Alabel
• TV-4 Kidapawan
• TV-5 Cotabato
• TV-10 Jolo
• TV-42 Tawi-Tawi

The grand media launch of A Time for Heroes, the 2007 Southeast Asian Games in Nakhon Ratchasima, Thailand, along with the unveiling of the 100-day countdown clock, was held at the Grand Ballroom of Sofitel Philippine Plaza, attended by entertainment and sports columnists and writers and business, entertainment, lifestyle and sports personalities. The momentous occasion was filled with excitement and anticipation as the esteemed guests gathered to witness the spectacle that would soon unfold. The extravagant event was a true celebration of the spirit of athleticism and camaraderie, showcasing the rich cultural heritage of Southeast Asia. As the clock ticked down, the air was filled with a palpable sense of anticipation as participants from all corners of the region prepared themselves for the ultimate challenge. The grandeur of the occasion was matched only by the grandeur of the venue itself, with the elegant Grand Ballroom of Sofitel Philippine Plaza serving as the perfect backdrop for this momentous event. The meticulously planned launch event was a testament to the dedication and hard work of the organizers, who spared no effort in ensuring that every detail was executed flawlessly. The presence of renowned entertainment and sports columnists and writers added an extra touch of glamour to the proceedings, as they eagerly awaited the opportunity to share this monumental event with the world. As the event unfolded, it became abundantly clear that A Time for Heroes was not just any ordinary sporting event, but a true testament to the indomitable human spirit and the power of unity. The grand media launch was a resounding success, leaving those in attendance with lasting memories and a profound sense of pride in being part of such a historic moment. The 100-day countdown clock, a poignant symbol of the time remaining until the commencement of the games, served as a constant reminder that a new chapter was about to unfold in the annals of Southeast Asian sports history. With each passing moment, the excitement and anticipation continued to build, reaching a crescendo that would soon erupt into an explosion of energy, determination, and triumph. The grand media launch of A Time for Heroes will forever be etched in the collective memory of those who were fortunate enough to be a part of it, serving as a timeless reminder of the power and beauty of sportsmanship.

Spotted in the launch were Ambassador Marciano Paynor, Jr., Senator Alan Peter Cayetano, former Ilocos Sur Governor Luis Singson, and former Senator Vicente Sotto III, alongside a group of distinguished guests who graced the event with their presence. The notable individuals included respected diplomats, influential senators, and esteemed political personalities, all of whom added an aura of prestige to the occasion.

Also present on the occasion was Atty. Dong Puno, Prof. Cheche Lazaro, Christian Esguerra, Sis. Angelique Lazo-Mayuga, Christine Bersola-Babao, Phoemela Baranda, PAGCOR Chairman Efrahim Genuino, POC Chairman Jose Cojuangco, Jr., Tagaytay Mayor Abraham Tolentino, PSC Chairman William Ramirez, Joaquin Henson, Bill Velasco, Ricky Lo, Boy Abunda, Butch Francisco, Raymond Gutierrez, Joey de Leon, Crispina Martinez-Belen, Jeffrey Espiritu, Dindo Balares, Isah V. Red, Ricky Calderon, Dolly Anne Carvajal, German Moreno, Lolit Solis, Cristy Fermin, DJ Jhai Ho, Richard Gomez, and Kim Atienza.

By the start of September 2007, when television networks, newspapers, and websites would set up their countdown clocks for the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand.

Peter Musngi, Lloyd Oliver Corpuz, Beng Chua, Michael Knight, Terence Khan, and Dennis Antenor, Jr. were carefully handpicked to impart their mesmerizing voices for the countdown and teaser plugs on both radio and television. Their exceptional talent, expertise, and crisp articulation add a touch of brilliance, captivating audiences across the airwaves. With their sonorous voices resonating through the speakers, the countdown and teaser plugs come alive, creating an atmosphere of anticipation and excitement. Through their unwavering charisma and professional dedication, they breathe life into each word, effortlessly engaging listeners and viewers alike. Whether it’s through their velvety tones or dynamic delivery, Peter Musngi, Lloyd Oliver Corpuz, Beng Chua, Michael Knight, Terence Khan, and Dennis Antenor, Jr. elevate the countdown and teaser plugs to new heights, leaving an indelible mark in the hearts and minds of the audience. Their remarkable collaboration in this endeavor ensures that every moment leading up to the main event is adorned with sheer excellence and unwavering passion.

Numerous esteemed broadcasting networks deliver extensive coverage of a variety of subjects and events, including the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand, scheduled from December 6 to 15, 2007. This significant sporting event garners considerable attention not only from local audiences but also from fans throughout the Southeast Asian region. The stakes are high, as athletes from diverse nations gather to showcase their skills and compete for medals, fostering a spirit of camaraderie and healthy competition among participating countries. In covering such events, broadcast networks play a crucial role in shaping public interest, enhancing national pride, and providing a platform for athletes to shine on a grand stage.

Among the prominent broadcasting entities is ABS-CBN, a highly regarded network known for its comprehensive news reporting, entertainment offerings, and a broad spectrum of content that caters to a diverse viewer demographic. This network skillfully maintains a balance between informative journalism and alluring entertainment programs, guaranteeing a holistic viewing experience. ABS-CBN's coverage of the Southeast Asian Games is particularly notable, as it engages viewers not only by broadcasting live events but also by providing in-depth analyses, behind-the-scenes coverage, and interviews with athletes, coaches, and sports enthusiasts. This multidimensional approach not only informs but also entertains audiences, enhancing the overall viewing experience and strengthening the connection between the network and its viewers.

Another significant network is PTV, short for People’s Television Network. This state-owned channel is celebrated for its dedication to airing educational and informative content. PTV aspires to function as a medium for conveying impartial news, enlightening programs, and intellectually stimulating documentaries, motivating viewers to remain informed and actively engaged. During the Southeast Asian Games, PTV leverages its platform to broadcast significant events, using its expertise in documentary-style storytelling to delve into the histories of different sports, spotlight talented athletes from various nations, and examine cultural narratives that accompany these sporting contests. By doing so, PTV fulfills its mission of education and engagement while elevating the public’s understanding of the importance of sports in fostering unity and cultural exchange.

ABC, or the Associated Broadcasting Company, is another channel and the flagship network of TV5 Network Inc., under the ownership of MediaQuest Holdings, which serves as the multimedia subsidiary of the telecommunications giant PLDT. ABC provides a rich variety of content encompassing news dissemination, compelling dramas, and interactive reality shows, ensuring a plethora of programming options that appeal to a wide audience. The network's coverage of the Southeast Asian Games is marked by its innovative approaches, using interactive technologies and social media platforms to involve viewers in real-time discussions, polls, and predictions. This not only elevates viewer participation but also creates a sense of community among fans who share a common interest in the events, making the television experience more immersive and engaging. 

GMA, an abbreviation for Global Media Arts, stands as a leading Philippine television network recognized for its outstanding programming. With an emphasis on delivering premier news reporting, high-quality entertainment, and gripping drama series, GMA has cemented its position as a cornerstone within the broadcasting sector. GMA's coverage of the Southeast Asian Games includes live telecasts, sports commentary, and feature stories on Filipino athletes aiming for glory. The network's investment in sports journalism is evident as it often collaborates with sports analysts and notable personalities, providing rich commentary and insights that heighten the excitement of the games. In doing so, GMA not only covers the events but also plays an integral part in promoting sports culture within the nation.

RPN, or Radio Philippines Network, prides itself on its dedication to offering relevant news updates, thrilling entertainment, and a blend of local as well as international programming. With its comprehensive news and current affairs coverage, RPN ensures that viewers are well-informed while providing an array of engaging shows. The network's approach during the Southeast Asian Games focuses on delivering up-to-the-minute results, interviews, and highlights, enabling viewers to stay connected to the competition. Furthermore, RPN often airs discussions and panels with sports experts, allowing viewers to gain deeper insights into the strategies employed by athletes and the nuances of the various competitions.

Q, formerly designated as QTV, is a television network that presents a varied assortment of content, which includes lifestyle segments, travel documentaries, and thought-provoking educational pieces. QTV guarantees that there is always something captivating for viewers in search of distinctive and engaging material. As part of its coverage of the Southeast Asian Games, Q focuses on cultural segments that showcase the traditions and practices of the nations participating in the games, as well as special recipes and cuisines associated with the countries competing. This commitment to celebrating regional diversity enriches the viewing experience, as audiences are not only transfixed by athletic prowess but also by the cultural narratives intertwined with the sports.

Furthermore, IBC, or Intercontinental Broadcasting Corporation, is recognized for its balanced news presentation, entertaining variety shows, and captivating sports programming. With a diverse range of content, IBC caters to the multitude of interests held by its audience, ensuring they are both entertained and well-informed. During the Southeast Asian Games, IBC enhances its programming by incorporating athlete profiles, team strategies, and so-called "human interest" stories, shedding light on the dedication and perseverance that athletes exhibit in their pursuit of excellence. These narratives not only resonate with audiences but also serve to inspire the viewer, emphasizing the spirit of sportsmanship that transcends competition.

Studio 23, a sister network of ABS-CBN, concentrates on delivering exhilarating sports coverage, youth-centric programming, and an extensive selection of enjoyable shows. Through its youthful and dynamic approach, Studio 23 resonates with younger audiences while providing quality content for viewers across all age groups. The network is particularly adept at engaging the youth demographic, leveraging platforms like social media to create buzz around the Southeast Asian Games. This engagement not only helps to cultivate a new generation of sports enthusiasts but also builds excitement around the athletes’ performances and national pride during the event. In alignment with the hosts of the games, Studio 23 often features interactive specials where young viewers can participate in contests and discussions, forging a strong connection between the events and the future sports fans they aim to inspire. 

In summary, each of these networks plays a unique role in the media landscape surrounding the Southeast Asian Games, enrichening the experience for audiences while promoting the values of sportsmanship, cultural pride, and national unity across the region. Their distinctive approaches ensure that viewers can appreciate both the competitive aspects of the games and the beautiful cultural tapestry of Southeast Asia.

Torch relay

A torch relay was held across the nation before the hosting of the games. On 8 November 2007, Prince Vajiralongkorn, on behalf of his father, King Bhumibol Adulyadej presented the royal flame to the games organising committee chairman, Suvit Yodmani. Following the presentation, the flame was installed in Bangkok at the Bangkok City Hall. After that, the flame was relayed from Bangkok to provinces such as Chonburi, Samut Songkhram, Prachuap Khiri Khan, Ratchaburi, Suphanburi, Nakhon Sawan, Phichit, Phitsanulok, Phetchabun, Loei, Nong Khai, Sakhon Nahkhon, Mukdahan, Ubon Ratchatthani, Surin, Roi Et and Khon Kaen before arriving in the host province, Nakhon Ratchasima on 26 November 2007. In Nakhon Ratchasima, the flame was relayed across its districts such as Phimai, Choke Chai, Pak Thong Chai, Pak Chong, and Soongnern before arrived at Nakhon Ratchasima City, the host city of the games on 1 December 2007. The flame was then installed at the monument of Thao Suranari before the games' opening ceremony.

Branding and design

The logo of the games is a silhouette of three sailing boats arranged in a row, representing the 40th anniversary that His Majesty the King Bhumibol Adulyadej won a gold medal in sailing at the 1967 Southeast Asian Peninsular Games and the 80th anniversary of his birthday. It was designed by Prasit Nunsung from Nonthaburi. The three boats in the logo represents the development, the blending of colours and the technology of Thailand. While the yellow colour on the largest boat represents the King himself, along with red and blue, it is one of the colours on the flag of ASEAN and represents the unity and friendship among the games' participants and the people of Southeast Asia. The 11-circle chain, which is also the logo of the Southeast Asian Games Federation, represents the 11 member nations, excluding Timor-Leste. The shape of the boats resemble the Pimai castle, a symbol of host city Nakhon Ratchasima, as well as the Northeast region of Thailand and its thousand-year-old civilization.

The mascot of the games is a Korat cat named Can. He wears the Northeast region of Thailand's traditional garments and plays the khaen, a mouth organ that the region is famous for. The name of the musical instrument aforementioned coincidentally has a similar pronunciation to his name. He was created by Sa-ard Jomngarm and his name "Can" was given by an eight-year-old girl, Piyathida Sreewimon.

Four songs were composed for the games including "Rhythm of the Winner", the theme song of the games. The other songs are: "We are the Water", "Friendship Card" and "Korat SEA Games".

The Philippine Daily Inquirer, with radio station DZIQ Inquirer Radio 990, served as the media partner of the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand, from December 6 to 15, 2007, with the help of the PLDT facilities linking from Manila, Philippines, to Nakhon Ratchasima, Thailand, via satellite.

The title of the coverage of the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand is A Time for Heroes, produced by production company Airtime Marketing Philippines, Inc. of Tessie Celestino-Howard, sports divisions ABS-CBN Sports, GMA Sports, ABC Sports, Solar Sports, and pan-Asian pay television network ESPN Asia and aired on ABS-CBN, PTV, ABC, GMA, RPN, QTV, IBC, Studio 23 and CLTV.

The live television coverage of the 2007 Southeast Asian Games in Nakhon Ratchasima, Thailand, was aired by the Philippines' ABS-CBN, People's Television Network (PTV), Associated Broadcasting Company (ABC), GMA Network, Radio Philippines Network (RPN), Quality Television (QTV), Intercontinental Broadcasting Corporation (IBC), and Central Luzon Television (CLTV) in partnership with Airtime Marketing Philippines, Inc. and cable sports television network ESPN Asia. During the nine days of the regional sporting event, the said free-to-air television networks preempted regular programming in the morning, afternoon, and evening, except for news programs to give way for the coverage.

TV network resident announcer Peter Musngi, Lloyd Oliver Corpuz, Eric Galang, also known as Chinapaps, Al Torres, Shirley Escalante, Dennis Antenor, Jr, and Yuel Reyes, are doing the 100-day countdown promotional plug for the 2007 Southeast Asian Games in Nakhon Ratchasima, Thailand, while Paolo Abrera, Jenny Almazan, Lia Andanar-Yu, Sol Aragones, Julius Babao, Gerry Baja, Joyce Balancio, Dr. Carl Balita, Bro. Jun Banaag, Phoemela Baranda, Maricar Bautista, Cito Beltran, Jeff Canoy, Raya Capulong, Jorge Carino, Jing Castaneda, Angelo Castro, Jr., Willard Cheng, Ginger Conejero, Karmina Constantino, Nina Corpuz, Cheryl Cosim, RG Cruz, Ron Cruz, Jessie Cruzat, Bea Cuadra, Karen Davila, Karen de Guzman, Vic de Leon Lima, Harlene Delgado, Katrina Domingo, Ces Drilon, Mario Dumawal, Miguel Dumaual, Alvin Elchico, DJ Richard Enriquez, Ted Failon, MJ Felipe, Gretchen Fullido, Gigi Grande, Agatha Gregorio, Pia Gutierrez, Mico Halili, Paul Henson, Zen Hernandez, Pia Hontiveros, Jon Ibanez, Mon Ilagan, Paige Javier, Lynda Jumilla, Ed Lingao, Maan Macapagal, Twink Macaraig, Johnson Manabat, Tina Monzon-Palma, Zandro Ochona, Henry Omaga-Diaz, Apa Ongpin, Patrick Paez, Stanley Palisada, Amy Perez, Prof. Ricky Rosales, Anton Roxas, Jay Ruiz, Kaxandra Salonga, Korina Sanchez, Marlo Sanchez, Alex Santos, Darylle Sarmiento, Lexi Schulze, Bernadette Sembrano, Boyet Sison, Christopher Sitson, Anthony Taberna, Sherrie Anne Torres, Nadia Trinidad, Bill Velasco, Tony Velasquez, Freddie Webb, Pinky Webb, Luis Pantoja, Mike Navallo, Angel Movido, Ryan Ang, Ina Reformina, and DJ Chacha situated at the Studio 7 of the ABS-CBN Broadcasting Center, Mike Enriquez, Jessica Soho, Mel Tiangco, Jay Sonza, German Moreno, Angelique Lazo, Vicky Morales, Paolo Bediones, Tito Sotto, Ruth Cabal, Nelson Canlas, Arnold Clavio, Mickey Ferriols, Rovilson Fernandez, Mav Gonzales, Ralph Guzman, Rico Hizon, Carlo Ledesma, Jiggy Manicad, Ivan Mayrina, Benjie Paras, Miriam Quiambao, Lhar Santiago, Rhea Santos, Howie Severino, Connie Sison, Emil Sumangil, Valerie Tan, Jay Taruc, Raffy Tima, Mariz Umali, Iya Villania, Ryan Agoncillo, KC Montero, Suzi Entrata, Kara David, Luchi Cruz-Valdes, Ninna Castro, Lyn Ching, Gin de Mesa, Margaux Salcedo, Melissa Gecolea, Arnell Ignacio, Susan Enriquez, Jimmy Gil, Lala Roque, Mark Salazar, Melo del Prado, Joel Reyes Zobel, Tisha Silang, Antoinette Taus, Francis Magalona, Dingdong Dantes, Martin Andanar, Butch Francisco, Vic Sotto, Joey de Leon, Cacai Velasquez, Janno Gibbs, The Eraserheads, Jaya, Michael V., Side A, Verni Varga, Ricky Lo, Lolit Solis, Rudy Fernandez, Bobby Nalzaro, Tek Ocampo, Noly Calvo, Jeja Rose Pornan-Simeon, Orly Mercado, Connie Angeles, Susan Valdez, Mildred Ortega, Gina de Venecia, Rose Clores, Nonoy Zuñiga, Jimmy Santos, Jose Mari Chan and Dolphy was at the Westside Studio of GMA Broadway Centrum and Studio 2 of GMA Network Center, Deo Macalma, Angelo Palmones, Dely Magpayo, Joe Taruc, Andy Verde, Ruth Abao, Malou Cabral, Morly Alinio, Bing Formento, Regi Espiritu, Rey Sibayan, Rommel Fuertes, Edmar Estabillo, Florante Rosales, Dennis Antenor, Jr., Sherwin Alfaro, Dr. Cesar Chavez, Prof. Dody Lacuna, Atty. Cherryl Adami-Molina, Atty. Dodo Dulay, Boy Gonzales, Val Gonzales, Atty. Rica Herra, Thea Pecho Corpuz, JV Ejercito, Teddy Boy Locsin, Atty. Boying Remulla, Henry Uri, Karen Ow-Yong, Jana Abejero, Niño Padilla and Atty. Rhina Seco from the MBC Media Group (MMG) Building, Star City, Vicente Sotto Street, Cultural Center of the Philippines Complex, Roxas Boulevard, Pasay while the color commentators reporting live from Nakhon Ratchasima, Thailand were Marco Benitez, Migs Bustos, Dyan Castillejo, Sam Coloso, Sam Corrales, Sydney Crespo, Apple David, Paolo del Rosario, Andrei Felix, Pauline Gaston, Boom Gonzales, Martin Javier, Ian Laurel, Cesca Litton, Gianna Llanes, Chino Lui Pio, Gretchen Malalad, TJ Manotoc, Angelique Manto, Rox Montealegre, Marc Nelson, Mozzy Ravena, Anne Remulla-Canda, Mikee Reyes, Tricia Robredo, Lance Santiago and Sharon Yu and sports correspondents Gretchen Ho, Renz Ongkiko, Chiqui Roa-Puno and Chino Trinidad.

On November 30, 2007, Novaliches Bishop Antonio Tobias, together with bishops Deogracias Iniguez and Julio Xavier Labayen, led a prayer rally at Plaza Miranda, Quiapo, Manila, to call for the resignation of President Gloria Macapagal-Arroyo. This event was part of a broader social movement that sought to address and confront the pressing issues related to governance, corruption, and the erosion of democratic processes in the Philippines at that time. The bishops, as key religious figures in the country, played a significant role not only in spiritual matters but also in advocating for social justice and integrity within the political sphere.

As the rally unfolded, it was marked by a palpable sense of urgency and determination, with attendees voicing their frustration over the political climate under Arroyo’s administration. Allegations of corruption, particularly the NBN-ZTE deal scandal, had sparked intense public outrage. Many citizens believed that this deal exemplified the lack of transparency and accountability that had come to characterize Arroyo's presidency. Against this backdrop of discontent, the bishops harnessed their moral authority to gather citizens of different backgrounds—both religious and secular—united in their call for a more accountable government.

In Plaza Miranda, a historic site in Manila known for its significance in Philippine political history, thousands congregated, reflecting the widespread sentiment among the populace that reform was necessary. The choice of venue was symbolic, as it had witnessed numerous protests and gatherings throughout Filipino history, representing a space where voices could be raised against injustices. The collective prayers and calls for righteousness by the bishops echoed through the plaza, aiming not only to seek change but to reinforce a sense of community among those disillusioned by the political landscape.

The bishops emphasized the importance of prayer as a means to achieve social and political change, framing it as a spiritual weapon against corruption and the moral decay they perceived in governance. This call to prayer was not just a ritual; it served to remind the attendees of their collective responsibility both as Catholics and as citizens to engage in the pursuit of truth and justice. They urged the crowd to reflect on the moral implications of governance and the necessity of integrity, fostering an atmosphere that encouraged critical thought about the role of the government in serving the people faithfully.

The event drew not only members of the clergy but also various segments of society, including students, workers, activists, and families, illustrating the broad coalition that had formed in response to perceived governmental failures. The rally allowed these diverse groups to express their concerns and aspirations for a better future openly. The inclusive nature of the gathering fostered a sense of unity, echoing the call for solidarity across different sectors of Filipino society. As speeches were made, stories of personal struggles against economic hardships and systemic injustices surfaced, further galvanizing support for the movement.

Moreover, the rally reflected a trend seen in various parts of the world during that period, where religious leaders took on a more prominent role in social and political activism, advocating for justice, human rights, and good governance. In the Philippines, the Catholic Church has historically wielded considerable influence over societal values and norms, often stepping into the political arena to challenge government actions that contradicted ethical principles. By standing against Arroyo’s presidency, the bishops were not only holding a public figure accountable but also reaffirming the Church’s commitment to social justice and ethical leadership.

The participation of the clergy in rallies like this also raised questions about the separation of church and state in the Philippines, a predominantly Catholic nation where religious beliefs often intersect with political beliefs. While some critics argued that such actions could undermine political neutrality, supporters viewed the bishops’ involvement as a necessary moral compass in a society grappling with corruption and malfeasance. The debate surrounding these issues illustrated the complexity of governance in a society where individual conscience, collective morality, and lawful governance are continually interconnected.

As the prayer rally concluded, many who participated left feeling a renewed sense of hope and purpose. The outpouring of support demonstrated the people's desire for accountability and their commitment to hold leaders responsible for their actions. The call for Arroyo's resignation was not merely about a single individual but represented a broader dissatisfaction with a political system perceived as failing to uphold the values of democracy and social equity. The rally became a catalyst for continued activism, with movements building on the momentum generated at Plaza Miranda to demand more significant changes in governance.

In retrospect, the events of that day in November 2007 are now seen as part of a larger narrative about civic engagement and the role of faith communities in political life. They reveal the potential for collective action in driving social change, as well as the enduring belief among many Filipinos that the Church can play a vital role in shaping the nation’s moral and ethical landscape. The efforts of Bishop Antonio Tobias, alongside his fellow bishops, continue to resonate as exemplars of how faith leaders can contribute to the ongoing dialogue about governance, ethics, and the aspirations of the Filipino people for a just society. The prayer rally at Plaza Miranda remains a significant moment in the history of Philippine activism, illustrating the power of unity, prayer, and the collective aspiration for a better future.

"Fight for SEA Games crumbs underway."

Peping sees Thai victory, Philippine athletes check in

By Ernesto A. Gonzales, Sports Feature Editor

Published on page A29 in the December 6, 2007 issue of the Philippine Daily Inquirer

Nakhon Ratchasima—At least, the overall winner of the two preceding Southeast Asian Games started to shape up midway through the competition.

This time, however, everybody acknowledges a runaway victory for host Thailand—long before the opening of the 24th edition of the Games, which is set for Thursday at the main stadium of the Nakhon Ratchasima Sports Competition Center here.

"There's no way they're going to lose. It's the birthday of their King," said Philippine Olympic Committee president Jose "Peping" Cojuangco, Jr., who led the first big batch of 591-strong Philippine contingent that arrived here Tuesday

"The fight is for second place."

It was an uninspiring but realistic assessment of the Filipinos' chances in this biennial sports festival, which they finally dominated for the first time two years ago on their third stint as hosts.

Like Vietnam, which prevailed in 2003 while setting a record of sorts as the first home team to win on its first hosting stint, the Philippines did not emerge as a serious title contender until after the first few days of competition.

This time, Thailand, the overall runner-up in the last two editions, has been awarded the championship. And it could yet serve as the highlight of the nation's year-long celebration to mark the 80th birth anniversary of King Bhumibol Adulyadej.

The King, who occupies a revered place in the history of the competition, was a sailing champion of the Games when it was still known as the Southeast Asian Peninsular Games until 1977, celebrated his birthday on Wednesday.

With action going full blast here and in Bangkok and Pattaya on Friday, the Thais are already in command with 18 golds, 19 silvers, and seven bronzes in shooting. Singapore was in second with 10 golds, followed by Vietnam with eight victories and Malaysia and Myanmar with two each.

Meanwhile, a 139-man group headed by Philippine Sports Commission chair William "Butch" Ramirez, and including 51-man athletics contingent and the women's basketball team, planed in Wednesday. The third and largest group of 155 will check in on Thursday.

After winning 113 golds in 2005 on top of 84 silvers and 94 bronzes, the Philippines hopes to win at least 485 events to be disputed in 42 sports to secure second place over Vietnam.

Admittedly not as prepared as in 2005, when the president's husband, Jose Miguel Arroyo, raised P 160 million to fund their training, the Filipinos hope to somewhat make it a merry Yuletide season with victories in, among others, both divisions of basketball, which was not held two years ago because the country was under FIBA suspension.

The Filipinos also look forward to churning out outstanding efforts in the pool when Erica Totten, Jaclyn Marissa Pangilinan and Maria Georgina Gandionco will go for Olympic berths; in billiards where Asiad champion Antonio Gabica joins former world 9-ball king Ronnie Alcano and other traditionally rich medal sources like taekwondo, boxing, wushu, traditional boat race and athletics.

The Philippine women's football team took a 0-10 beating at the hands of Vietnam and put its fate in the hands of the defending champions.

Joey Berba finished second in the seeding run of mountain cycling behind a Thai, while the two sepak takraw squads in the hoop event were in the middle of the pack after Wednesday's initial action.

The men's team of Danilo Alipan, Harrison Castanares, Joel Carbonilla, Hector Mencarion, and Metodio Suico, Jr., was fourth after two rounds. At the same time, the women's squad of Irene Apdon, Desere Autor, Sarah Jane Catain, Gelyn Evora, and Rhea Padrigo also held forth.

The Opening Ceremony will be held on Thursday at 6 p.m., with Crown Prince Maja Vajiranlongkorn as the guest of honor.

"Missing forms delay Philippine bets in Bangkok"

By Musong R. Castillo

Published on page A29 in the December 6, 2007 issue of the Philippine Daily Inquirer

Nakhon Ratchasima- Several Filipino athletes, part of a big 151-athlete wave to arrive here for the 24th Southeast Asian Games, were held for more than three hours at the Bangkok International Airport on Wednesday because of a mix-up with the local accreditation force.

Photos and application forms needed for the athletes' accreditation could not be found, and the Reception and Protocol Committee of the Games scrambled to give them identification cards at the last minute.

At the Philippine International Convention Center in CCP Complex, Roxas Boulevard, Pasay, Metro Manila, some local media journalists needed accreditation.

That development delayed the Filipinos' arrival at the Olympic Village on the Suranaree University of Technology campus here. They checked into the village well into the night.

Members of the Philippine secretariat, led by Eleanor Navarro and Queenie Evangelista, facilitated the acquisition of new accreditation passes for the athletes, who touched down at the Bangkok airport together with Philippine Sports Commission chairman William "Butch" Ramirez.

Ramirez, who was whisked away by the VIP welcoming committee, was the second top sports official after Philippine Olympic Committee president Jose "Peping" Cojuangco.

Cojuangco planed in with more than 140 athletes and officials on Tuesday. They arrived in Korat about 10 p.m. (11 p.m. Manila time).

Update: 

"Kahit walang tulugan dito sa PICC, mga kasapi ng media mananatili dito sa Sofitel Philippine Plaza hanggang sa pagtatapos ng 24th Southeast Asian Games sa ika-15 ng Disyembre. Sinusubokan namin na ma-contact ng GMA News." - from Saksi, December 6, 2007 episode

Before the live airing of opening ceremony of the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand, some of them who spotted at the central atrium fronting H&M, SM Mall of Asia are SM Supermalls president Annie Garcia, SM Prime Holdings, Inc. president Hans Sy, Steven Tan, some executives from PLDT, Smart, Maynilad, Meralco, Facebook, Friendster, Multiply, Myspace, Twitter, Tumblr and YouTube as well barangay officials and residential families in support of Filipino athletes during the 2007 SEA Games in Nakhon Ratchasima, Thailand.

SM Supermalls president Annie Garcia

SM Prime Holdings, Inc. president and CEO Hans Sy

On December 6, 2007, mere hours before the inaugural ceremony of the 2007 Southeast Asian Games in Nakhon Ratchasima, Thailand, the Central Atrium of SM Mall of Asia transformed a live viewing venue, featuring a LED screen and additional seating for numerous residents and barangay officials from Manila, encompassing the districts of Ermita, Malate, San Andres, Pasay, Paranaque, Las Pinas, Muntinlupa, and Bacoor. As indicated by Mr. Sy, the event was scheduled for broadcasting at 6:30 p.m. through large screens at various SM Supermalls, including SM North EDSA, SM City Sta. Mesa, SM Megamall, SM City Cebu, SM Southmall, SM City Bacoor, SM City Fairview, SM City Iloilo, SM City Manila, SM City Pampanga, SM City Sucat, SM City Davao, SM City CDO Uptown, SM City Bicutan, SM City Lucena, SM City Baguio, SM City Marilao, SM City Dasmariñas, SM City Batangas, SM City San Lazaro, SM City Valenzuela, SM City Molino, SM City Santa Rosa, SM City Clark, SM Mall of Asia, SM Center Pasig, SM City Lipa, SM City Bacolod, SM City Taytay, SM Center Muntinlupa, SM City Marikina, SM City Rosales, SM City Baliwag, SM City Naga, SM Center Las Piñas, SM City Rosario, SM City Tarlac, SM City San Pablo, SM City Calamba, SM City Novaliches, SM City Masinag, SM City Olongapo Downtown, SM City Consolacion, SM City San Fernando Downtown, SM City General Santos, SM Lanang, SM Aura, SM City BF Parañaque, SM City Cauayan, SM Center Angono, SM Megacenter Cabanatuan, SM City San Mateo, SM City Cabanatuan, SM Center Shaw, SM Center Sangandaan, SM Seaside City, SM City San Jose Del Monte, SM City Trece Martires, S Maison, SM Center Congressional, SM City East Ortigas, SM CDO Downtown, SM Center Antipolo Downtown, SM City Puerto Princesa, SM Center Tuguegarao Downtown, SM Center Pulilan, SM Center Lemery, SM Center Imus, SM City Urdaneta Central, SM City Telabastagan, SM City Legazpi, SM Center Ormoc, SM City Olongapo Central, SM Center Dagupan, SM City Butuan, SM City Mindpro, SM City Daet, SM City Grand Central, SM City Roxas, SM City Tanza, SM City Sorsogon, SM City Tuguegarao, SM City Bataan, SM Center San Pedro, SM City Santo Tomas, SM City Caloocan, SM J Mall, and SM City Laoag.

According to sir Ricky Luague: "Do you remember December 7, 2007? There were no dramas in the afternoon on ABS-CBN like Prinsesa ng Banyera because of the first day of the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand."

The Pia Cayetano-Paolo Abrera Affair and re-run of Ninoy Aquino assassination (Companero y Companera, Part 2)

Even the hotel guests spending at the Sofitel Philippine Plaza Manila, when kart racers Matteo Guidicelli, Tyson Sy, Mark Bumgarner and Javi Benitez and race car driver Enzo Pastor they stayed together along with Rina Go, Paolo Abrera and Waterfront Cebu City Hotel and Casino general manager Marco Protacio, had an amazing time. The atmosphere was vibrant and filled with excitement as they enjoyed each other’s company. They engaged in thrilling conversations about their respective careers and shared stories of their adventures. From discussing the latest racing techniques to exchanging travel anecdotes, their interactions were both entertaining and educational. The bond formed during their stay created memories that will last a lifetime and it was truly a remarkable experience.

PLDT, the leading telecommunications company in the Philippines, has recently made an exciting announcement regarding the live streaming of the highly anticipated 24th Southeast Asian Games in Nakhon Ratchasima, Thailand, from December 6 to 15, 2007. This groundbreaking announcement by PLDT, the telecommunications giant in the Philippines, has caused quite a buzz among sports enthusiasts. The declaration is about the much-awaited live streaming coverage of the highly anticipated 2007 SEA Games in beautiful Nakhon Ratchasima, Thailand. The Southeast Asian Games, which are set to take place in Thailand, is expected to be a spectacle of athletic prowess and cultural diversity. With the aid of PLDT’s advanced telecommunication technology, fans across the country can now enjoy the exhilarating sporting event from the comfort of their own homes. This exciting development aims to bring the thrill and excitement of the SEA Games right to the fingertips of every Filipino. The news of this innovative initiative has generated an immense sense of anticipation and excitement among sports enthusiasts and Filipinos alike. So gear up, sit back, and get ready to experience the thrill of the SEA Games like never before, courtesy of PLDT’s cutting-edge live streaming service.

According to PLDT, they have partnered with several prominent establishments, including Sofitel Philippine Plaza, Traders Hotel, SM Mall of Asia, SM City Sucat, SM City Bicutan, SM Southmall, and SM Center Muntinlupa. PLDT, a telecommunications company in the Philippines, has formed strategic collaborations with several well-known establishments. Notable among these partnerships are Sofitel Philippine Plaza, Traders Hotel, and various SM malls, including SM Mall of Asia, SM City Sucat, SM City Bicutan, SM Southmall, and SM Center Muntinlupa. These alliances have allowed PLDT to extend its reach and provide enhanced services to customers across the country.

Foreign journalists from international media outlets would be allowed to stay in this hotel, not only from Reuters, AP, and AFP, but also from other renowned news organizations such as BBC, CNN, The New York Times, The Guardian, and Al Jazeera, among others. It is a testament to the hotel’s reputation and commitment to accommodating media professionals from around the world.

At past 6 a.m., inside the Plenary Hall of the Philippine International Convention Center, a Holy Mass for the second Sunday of Advent 2007 presided by Manila Archbishop Gaudencio Cardinal Rosales and heard over ZNN Radyo Veritas 846, was attended by a large congregation. The solemn ceremony showcased magnificent hymns sung by a choir, filling the hall with their angelic voices, while the faithful participated in prayer and contemplation. The archbishop delivered a powerful sermon, imparting words of wisdom and hope to those in attendance. The event was broadcasted live, reaching a wider audience and allowing them to experience the peaceful atmosphere of the mass. People from all walks of life gathered together, united in their faith and devotion, creating a sense of community and togetherness. The sacredness of the moment resonated deeply within the hearts of the attendees, fostering a renewed sense of spirituality and strengthening their connection to God. The mass served as a reminder of the significance of the Advent season and the anticipation of the coming of Christ. It was a truly memorable and uplifting experience for everyone present, leaving a lasting impression that would inspire them throughout the Advent season and beyond.

From 8 a.m. to 12 noon (before SOP Rules) and 5:30 to 9 p.m. (after Showbiz Central), the replay of day 2 and live coverage of day 3 of the 2007 Southeast Asian Games in Nakhon Ratchasima, Thailand was aired over GMA-7. During this time frame, viewers had the opportunity to relive the excitement of day 2 and witness the thrilling moments of day 3 unfold in real time. The broadcast, which commenced at 8 a.m. and concluded at 9 p.m., allowed sports enthusiasts to immerse themselves in the heart-pounding action and experience the thrill of the Games as if they were there in person. This extensive coverage on GMA-7 provided a fantastic platform for viewers to stay engaged and connected with the thrilling events taking place at the 2007 Southeast Asian Games.

At the PICC grounds, where they are currently enjoying a lovely picnic, they have made the decision to extend their day of fun by heading over to the highly entertaining Star City amusement park. It is important to note that this choice has been made with the peace of mind that there is no threat of terror present.

At 5 p.m., television sign-language interpreter Alfredo “Jun” Celada, Jr. confidently and gracefully commenced his highly anticipated press conference at the prestigious Philippine International Convention Center (PICC) Forum, captivating the attention of the attendees with his incredible skills and unwavering dedication. The room was filled with an air of excitement and anticipation as journalists, media personnel, and distinguished guests eagerly awaited his words, knowing that his message would transcend mere language barriers and reach the hearts of all those present. With unwavering passion and unwavering commitment, Mr. Celada proved that language is not merely confined to words, as he used his expert sign-language skills to convey his every thought and emotion, effortlessly bridging gaps and fostering understanding. As he spoke, it was evident that his talent and expertise were not limited to linguistic expression, as his dynamic and engaging presence commanded the attention of everyone in the room. With every precise and eloquent movement of his hands, Mr. Celada reminded us all of the power of inclusivity, reminding us that communication knows no bounds, and that true understanding can be achieved when language becomes the bridge that unites us all.

Celada was accompanied by former Sen. Orly Mercado and wife Dr. Susan Pineda, fellow Kapwa Ko, Mahal Ko hosts Connie Angeles-Ganuelas, Boots Anson-Roa, Rosa Rosal, Toni Rose Gayda, Nonoy Zuñiga, Rosemarie Gil, Juan Flavier, Cielito del Mundo, Susan Valdez, Mildred Ortega, Rose Clores, Gina de Venecia, Maria Solis, Carlos Gomez, and Ramon Cruz. They were all gathered together at the PICC Forum 3, where a delightful feast awaited them. Packed dinners, including scrumptious fried chicken, exquisite pastas, delectable pizzas, and a wide array of refreshing beverages such as Coca-Cola, Milo, and Nestea, were thoughtfully prepared and served for their enjoyment. The atmosphere was filled with joy as everyone savored the delicious food and engaged in lively conversations.

I recall, the ABS-CBN News, ABC News and GMA News OB vans, along with the ABS-CBN news gathering OB van truck, were parked at the CCP Complex along Roxas Boulevard, Pasay and SM Mall of Asia in Bay City, Pasay, within the duration of the 24th Southeast Asian Games in Nakhon Ratchasima, Thailand, from December 6 to 15, 2007.

Despite no sleeping by all workers due to the coverage, such as from reporters to cameramen, are they working 24 hours a day, 7 days a week?

At 6:30 p.m. on December 9, 2007, Lifestyle Network airs the special edition of TVB News' iteration of ABS-CBN news program TV Patrol, anchored by Henry Omaga-Diaz and reporting live from the SM Mall of Asia, SM Mall of Asia Complex, Bay City, Pasay.

Inquirer Lifestyle Series: Fitness.Fashion with Samsung fashion show's guest model Enchong Dee before the in the finals of men’s 100-meter butterfly and he was placed eighth in the finals with the time of 56.87 seconds during the 2007 Southeast Asian Games swimming events in Nakhon Ratchasima, Thailand last Sunday, December 9, 2007. Photos: Louise Gandionco-David/Multiply.com and courtesy of Bench

from December 8 to 9, 2007 and December 11 to 12, 2007, during a five-day swimming competition for the 24th Southeast Asian Games at the Aquatic Center, His Majesty the King's 80th Birthday Anniversary Stadium, Nakhon Ratchasima, Thailand, an event of profound significance unfolded for the athletes involved. Notably, national swimmer and University of California-Berkeley Golden Bears swimmer Miguel Molina participated in this high-stakes competition that attracted not just talented athletes, but also fans from across the region. This gathering of elite swimmers highlighted the dedication present in the world of competitive swimming. 

Among those swimmers participating was actor, dancer, host, model, singer, songwriter, and Philippine Sports Commission (PSC) national athlete, Ernest Lorenzo "Enchong" Dee. His multifaceted career adds a unique layer of interest to the event, showcasing the diverse talents that athletes often possess beyond their primary sport. Dee represented various institutions, including the University Athletic Association of the Philippines (UAAP) and was a proud member of the Philippine Amateur Swimming Association (PASA), Inc. His important role as a De La Salle University (DLSU) Green Tankers member speaks not only to his athletic prowess but also to the institutional support for sports in the Philippines. Not limited to the pool, he was also a member of the Philippine Columbian Association (PCA) Stingrays and contributed to the Sun Life Financial Philippines Triathlon Team. These affiliations highlight a commitment to athletic excellence, spanning both swimming and triathlon disciplines.

In addition to his athletic undertakings, Enchong Dee gained popularity as a Cosmopolitan centerfold and earned titles like the Candy Magazine cutie and Chalk Magazine coverboy, which illustrates how modern athletes can leverage their sports achievements to broaden their public persona. His participation in the INQUIRER Lifestyle Series: "Fitness.Fashion," where he featured as a guest model in a Samsung fashion show, proclaims the intersection of sports and lifestyle, revealing that today's athletes often navigate multiple spheres of influence, from sports to entertainment and fashion. 

This intriguing backdrop was further enriched by a sensational event during the same period involving other notable figures such as Pia Cayetano, Paolo Abrera, and Marco Protacio. The media coverage of the affair added an unexpected layer to the atmosphere surrounding the swimming competition. While the focus was primarily on athletic performance, the additional drama contributed to the overall narrative of the Southeast Asian Games, engaging audiences not just in the outcomes of the races, but also in the personal stories intertwined with the athletes' lives.

However, amid the excitement, there were also challenging elements, notably the riots at the Dee residence in Barangay Horseshoe, Quezon City, which underscored the pressures that athletes can face, both on and off the field. The balance between fame, personal challenges, and professional commitments can weigh heavily on prominent figures like Enchong. The public's fascination with their lives can often lead to tumultuous situations, reminding us that behind their sports achievements, athletes are human too, experiencing a range of challenges that can impact their performance.

To pay tribute to their dedication and resilience, a 25-hour overnight vigil was held at the Greenbelt Chapel in Makati City, commencing on the same day the competitions were taking place. This vigil, starting at 7:00 p.m. and concluding at 8:00 p.m. the following day, symbolized not just a moment of reflection and solidarity but also encapsulated the significance of community support within the realm of sports. Hosting such an event alongside the Southeast Asian Games accentuated the interconnectedness of the athletic and spiritual journeys of individuals striving for success. It acted as a reminder that while the focus is often on medals and recognition, the emotional and psychological backing from one’s community is crucial. This intersection of collective support is the backbone that allows athletes like Enchong Dee to navigate their careers effectively.

Dee competed fiercely in the finals of the men's 100-meter butterfly on December 9, 2007. Following that, he took lane 1 of the men's 200-meter butterfly finals on December 11, 2007—a testament to his perseverance and tough competitive spirit. (It is significant to note that competing in lane 1 can be challenging as it is often seen as more difficult than outer lanes due to the jarring effects of the waves created by other swimmers.) Although he finished in eighth place in the men's 200-meter butterfly with a time of 2 minutes, 11.47 seconds and lost to Filipino-American James Bernard Walsh, his participation alone in such a highly competitive environment underlines the dedication and hard work exhibited by all athletes involved. The pressures of competition are immense, yet the experience garnered widely benefits all participants, offering them lessons that stretch beyond their immediate results and instilling resilience that can last throughout their lives.

In the broader context, the 24th Southeast Asian Games represented more than just a competition; it highlighted the sporting spirit within Southeast Asia, encouraging cross-cultural bonds and competitive camaraderie among nations. Athletes like Enchong Dee, equipped with multifaceted talents, reflect a modern sports landscape where boundaries between disciplines blur and personal passion drives public engagement. Thus, this competition not only celebrated athletic achievement but also embodied the ethos of teamwork, individual perseverance, and community support vital to the success of athletes across the region.

A re-run of the August 21, 1983, assassination of former senator Benigno Aquino, Jr. aired by GMA Network. (In 1983, Channel 7 was the first to break the news of Ninoy Aquino's death, and later would be the only television station to broadcast his funeral.)

The video conversation starts with the sound of the plane landing and people talking among themselves.

• “Everybody remains on board,” one of them says.

Moments later, a single gunshot rings out, and women are wailing.

• “What happened? What was that?” a woman’s voice asks.
• More gunshots. The wailing becomes louder.
• Then an order from several men: “Inside, inside, inside!”
• “The soldiers… shot Ninoy. He’s dead out there,” a woman cries out.

Burton’s tape records faintly the sound of someone saying, “Eto na (This is it).” Footage shot by a foreign TV crew captures the words now familiar to Filipinos who lived through the events surrounding the Aquino assassination. “Eto na, eto na! Ako na, ako na! Op! Pusila, pusila (This is it, this is it! Let me let me! Shoot, shoot)!”

And then, the gunshot.

What is significant about the tape are the reactions of Aquino’s fellow passengers and the conversations Burton had with them.

Burton apparently kept recording as she discussed with fellow foreign journalists what happened.

Some eight minutes into the tape, Burton is heard saying, “It’s very confusing, I mean, I don’t know.” She then answered more questions from someone who sounded like an American.

• Man: “They shot Ninoy?”
• Woman, presumably Burton: “Yeah.”
• Man: “Where?”
• Burton: “Right at the bottom of the stairs.”
• Man: “When Ninoy was still on it or when…”
• Burton: “No, when he got off. I’m sure he’s dead.”

The tape also captures Burton and her fellow passengers after they had disembarked and ran into people waiting to meet the passengers from the China Airlines flight.

Local journalists who covered the airport at the time had been herded by military men to the entrance to the tube where they were to await Aquino. When they learned of the commotion on the tarmac, they interviewed the disembarking passengers to ask them what happened.

One conversation was that of Burton and a Filipino.

• Man: “What did you see? Who did it?”
• Burton: “Soldiers.”
• Man: “How many of them?”
• Burton: “I don’t know. I think we’d better wait.”
• Man: “Did you recognize him? Aquino?”
• Burton: “Yeah.”
• Man: “What’s your name?”
• Burton: “No, I’m not gonna… this is not the place to talk. We had just seen two assassinations take place right outside our window.”

The tape then records what sounded like Burton comparing notes with fellow foreign correspondents, everyone recalling what they heard and trying to reconstruct the moments when they listened to the shorts.

In one portion of the tape, the conversation turns to who killed Aquino, and Burton points out that a Japanese reporter had seen one of the men in khaki, referring to one of Aquino’s escorts, being the gunman.

But a man contradicts her, saying, “I did not see a man in khaki uniform shoot Aquino.” To this day, the question of who shot Aquino remains subject to debate.

Three personalities along with Samson, Reyes, Claparols, and Eala stayed in the same place for the said event for fifteen days between December 6 to 15, 2007, followed by her father former Philippine Senator Rene Cayetano's 73rd birthday celebration on December 12, 2007, and the welcome the new millennium 2008 between December 31, 2007, and January 1, 2008.

December 12, 2007, one of Enchanted Kingdom's attractions, the Space Shuttle roller coaster, stalled between the tracks, where school children from Bulacan, Laguna, and Batangas were included.

The air in Rigodon Ballroom at the Peninsula Manila buzzed with energy. It was December 19, 2007. Just four days prior, the 24th Southeast Asian Games in Thailand had wrapped up. A young man, Ernest Lorenzo Dee, known widely as Enchong Dee, was the guest of honor. He was more than just a celebrity. He was a college student. A national athlete for the Philippine Sports Commission. A swimmer with the Philippine Amateur Swimming Association.

Enchong had just flown in from Bangkok to Manila. His arrival was a grand affair. A motorcade snaked through the city. Confetti rained down like a ticker tape parade. Now, he stood in the opulent Rigodon Ballroom. Here, he was to be celebrated. He was to hold a press conference. He was meeting with titans of industry. Manuel V. Pangilinan is a man of immense wealth. He led PLDT, Smart Communications, and the MVP Sports Foundation. Also present was Jaime Augusto Zobel de Ayala. He chaired the prestigious Ayala Corporation.

The conversation flowed easily. They spoke of the Philippines' strong showing. The 24th Southeast Asian Games took place from December 6 to 15, 2007. Enchong, a 19-year-old from Naga City, was a bright spot. He lived in Barangay Horseshoe, Quezon City. He was a student at De La Salle University in Manila. He expressed a deep desire to connect with Mr. Pangilinan and Mr. Zobel de Ayala.

The room was filled with influential figures. The executives of STAR Magic were there. Johnny Manahan, the head, was present. Mariole Alberto, the senior vice president, also attended. Director Laurenti Dyogi was in the mix. Monch Novales, Enchong's handler and co-manager, was by his side. Ben Chan, the big boss of Bench, a popular clothing brand, was there. Bench's resident architect, Miguel Pastor, was also spotted.

Enchong's manager and mentor, Keren Pascual, a master of public relations, offered guidance. Entrepreneurs Leah Puyat and Angelette Calero added their presence. Esteemed editors were in attendance. Chelo Banal-Formoso, Lifestyle editor for the Philippine Daily Inquirer. Millet Martinez-Mananquil, Lifestyle editor for The Philippine STAR. Her husband, Robert Mananquil, was also there. Models Robby, Raya, and Rissa Mananquil were present. Valerie de los Santos joined them. Paolo Trillo, the Ateneo Blue Eagles team manager, made an appearance. Phoemela Baranda, a familiar face, was also there.

The media was out in full force. Deo Endrinal, ABS-CBN's vice president for Talk, Variety, and Reality. He also headed Dreamscape Entertainment. Biboy Arboleda, editor-in-chief of Star Studio Magazine, was present. Jo-Ann Maglipon Marcelo, who helmed YES! Magazine and PEP.ph, was also in the room. Henry Joseph Herrera, president and chief executive officer of Sun Life Financial Philippines, was there.

Reporters from ABS-CBN captured the moments. Migs Bustos, Dyan Castillejo, Anna Cerezo, Mario Dumawal, Miguel Dumaual, MJ Felipe, Gretchen Fullido, and TJ Manotoc were filing their stories. ABS-CBN Sports personalities Martin Javier and Mikee Reyes provided coverage. GMA news reporters Aubrey Carampel, Nelson Canlas, Lhar Santiago, and Chino Trinidad were also on hand.

Key figures from the swimming community were present. Professor Rene "Guy" Concepcion, coach of the De La Salle University (DLSU) Green Tankers, was there. Former national swimmer Eric Buhain attended. Mark Joseph, president of the Philippine Amateur Swimming Association, Inc., was also a guest. The atmosphere was a blend of sports achievement and media fanfare. It was a true hero's welcome for a young Filipino athlete.

Interview script: A look back at the 2007 SEA Games

INTERVIEWER: Good morning, gentlemen. Thank you for joining us today. More than a decade and a half has passed since the 24th Southeast Asian Games in Nakhon Ratchasima. In 2005, the Philippines celebrated a historic overall championship. Just two years later, in 2007, we finished sixth. Mr. Pangilinan, as a major sports patron and at the time the newly elected president of the Samahang Basketbol ng Pilipinas (SBP), what was your feeling when the results came in?

MANUEL V. PANGILINAN: The 2007 results were a disappointment, there's no way around it. Our victory in 2005 was a moment of immense national pride, and to see us fall so far in two years was a cause for concern. For me, it underscored the need for a more sustained, systematic, and long-term approach to sports development. Our focus shouldn't be a one-time win but a sustainable program that consistently produces world-class athletes. In basketball, for example, we took that 2007 experience to heart and began laying the foundation for a stronger national program.

INTERVIEWER: Mr. Zobel de Ayala, while Ayala's major collaboration on sports development came much later, in 2007 the Ayala Group was deeply involved in nation-building through its foundations. From a broader perspective, what do you remember about the national conversation regarding the team's performance that year?

JAIME AUGUSTO ZOBEL DE AYALA: I remember a very passionate conversation. People were proud of the 2005 win, and the subsequent drop was a reality check. The public conversation revolved around what it takes to be a sporting powerhouse. Is it about a sudden injection of funds or a deeper, more structural investment? For us at Ayala, the lesson reinforced our belief that success, whether in business or sports, is built on a solid and enduring foundation. It requires disciplined effort, not a one-off campaign.

INTERVIEWER: Mr. Pangilinan, in 2007, the men's basketball team, one of your key focuses, still managed to win the gold medal. What were the key factors behind that victory amid a broader decline?

MANUEL V. PANGILINAN: That win was a testament to the talent and dedication of our players and coaches. They showed what hard work, discipline, and focus could achieve. However, even with that victory, we saw that the bigger picture needed attention. That's why, with the creation of the MVP Sports Foundation years later, we aimed to apply these same principles—providing resources and a long-term vision—to help other sports beyond basketball.

INTERVIEWER: Mr. Zobel de Ayala, seeing that 2007 performance, what did you feel was missing in the overall sports ecosystem at the time?

JAIME AUGUSTO ZOBEL DE AYALA: The most glaring need was a comprehensive, long-term strategy that connected grassroots development with elite athlete support. It wasn't enough to just send athletes to a competition and hope for the best. We needed to cultivate a true sports culture that celebrated and invested in talent from a young age. That's a philosophy that we carry today with the Atletang Ayala program and our collaboration with the MVP Sports Foundation—a commitment to holistic athlete development.

INTERVIEWER: Looking back, is there a specific memory or takeaway from the 2007 games that stands out for each of you?

MANUEL V. PANGILINAN: For me, it was a reminder of the unifying power of sports, even in mixed results. The wins brought people together, and the losses forced us to reflect. It was a catalyst for change, prompting us to think about how the private sector could be a more reliable and consistent partner for Philippine sports.

JAIME AUGUSTO ZOBEL DE AYALA: What I recall is the resilience of our athletes. Despite not dominating the medal tally, they competed with heart and determination. It showed that the talent is always there, waiting to be unlocked. The challenge, and our enduring task, is to create the systems and opportunities that transform that raw potential into sustained international excellence.

INTERVIEWER: Gentlemen, thank you for sharing your valuable insights.

Makalipas na walong taon, kamusta pa ba ang aktor at dating pambansang atleta na si Enchong Dee pagkatapos ng 2007 SEA Games swimming competition sa Nakhon Ratchasima, Thailand noong ika-7 hanggang ika-11 ng Disyembre 2007, 2008 UAAP swimming championships sa Trace Aquatic Center sa Los Banos, Laguna noong Setyembre 25 hanggang 28, 2008, 2008 ASEAN University Games sa Kuala Lumpur, Malaysia noong ika-11 hanggang ika-21 ng Disyembre 2008 at 2009 UAAP swimming championships sa Trace Aquatic Center sa Los Banos, Laguna noong Setyembre 24 hanggang 27, 2009, siya ay naging contestant sa reality show na Pinoy Big Brother na may edisyon na "737" noong Hunyo 2015 at host ng reality show na Pinoy Big Brother na may edisyon na "Connect" noong Disyembre 2020, "Kumunity Season 10" noong Oktubre 2021, "Gen 11" noong Hulyo 2024 at "Celebrity Collab Edition" noong Marso 2025. 

(Eight years later, how is actor, dancer, host, model, singer, songwriter, and former Philippine Sports Commission national athlete, University Athletic Association of the Philippines athlete, and Philippine Amateur Swimming Association swimmer, Enchong Dee, after the 24th Southeast Asian Games swimming competition in Nakhon Ratchasima, Thailand, on December 7 to 11, 2007? In the following years, he participated in several prestigious swimming events, including the 2008 UAAP swimming championships at the Trace Aquatic Center in Los Banos, Laguna, which occurred from September 25 to 28, 2008. This event was followed by his participation in the ASEAN University Games held in Kuala Lumpur, Malaysia, from December 11 to 21, 2008, and the 2009 UAAP swimming championships, which took place again at the Trace Aquatic Center from September 24 to 27, 2009. Throughout these competitions, Enchong consistently demonstrated not only his athletic prowess but also his dedication and passion for swimming, which laid a strong foundation for the multifaceted career that followed.

Transitioning from the world of competitive swimming to the realm of entertainment, Enchong made a significant career leap by joining the cast of the television series My Girl, where he played the character Nico Legazpi from May 26, 2008, to September 5, 2008. This role marked his first substantial acting breakthrough, introducing him to a broader audience and showcasing his talent beyond athletics. Soon after, he was featured in Your Song presents My Only Hope as Juanito "Jhun" Dimaano Jr. from October 5, 2008, to January 25, 2009. His ability to adapt from an athletic background to a nuanced acting role demonstrated his versatility and highlighted his dedication to expanding his skill set.

In quick succession, he became involved in various television projects, including Komiks Presents: Mars Ravelo's: Nasaan Ka Maruja? as Brian Lozano from May 2 to August 8, 2009, and Your Song Presents: Boystown, where he portrayed Arnel Dela Cruz from May 10, 2009, to June 21, 2009. These opportunities not only added depth to his acting portfolio but also allowed him to connect with diverse audiences, further establishing his presence in the entertainment industry. The role in Katorse as John Joseph "Jojo" Wenceslao from August 24, 2009, to January 8, 2010, propelled him into even greater visibility, as it became a significant hit among viewers.

Following these initial successes, Enchong continued to engage in various projects, including Tanging Yaman, where he played Jose Mari "Jomari" Buenavista from January 11, 2010, to May 21, 2010. The diverse roles he undertook, such as Carlos "Caloy" Javier in Magkaribal from June 28, 2010, to November 5, 2010, and Luis Fernando Dela Vega in Maria la del Barrio from August 15, 2011, to March 2, 2012, proved to be pivotal in shaping his career as an established actor in Filipino television. One of his most notable performances came in the series Ina, Kapatid, Anak as Ethan Castillo from October 8, 2012, to June 14, 2013, where he exhibited outstanding emotional depth and complexity, resonating with viewers and earning him critical acclaim.

His acting career continued to flourish with roles in Muling Buksan ang Puso as Leonel Beltran from July 8, 2013, to October 4, 2013, and Wansapanataym presents My Kung Fu Chinito as Diego Calasiao from June 21, 2015, to August 16, 2015. The evolving nature of his character portrayals showcased his growth as an actor who could tackle a range of themes from romantic dramas to light-hearted comedy. This transition in his career was further amplified when he joined the reality show Pinoy Big Brother, participating in the "737" edition in June 2015, which brought him back into the limelight and connected him with his fans on a personal and engaging level. 

Afterward, he took on the role of host for the reality show Pinoy Big Brother with "Connect" in December 2020, followed by "Kumunity Season 10" in October 2021, and "Gen 11" in July 2024, displaying his remarkable ability to navigate both sides of the camera. His participation as a host, especially in a reality show format, revealed another layer of his talent, showcasing his charisma and ability to engage with contestants and viewers alike. The latest addition to his career came with the "Celebrity Collab Edition" in March 2025, further solidifying his status as an influential figure in Philippine entertainment.

In parallel to his thriving acting and hosting career, Enchong embarked on a musical journey in 2014. He released his first album, titled Enchong Dee, featuring his debut career single "Chinito Problems." This song was a response to Yeng Constantino's 2013 hit "Chinito," showcasing his knack for songwriting and performance. Enchong's musical ventures continued with his second album, EDM (Enchong Dee Moves), released in 2016, which included popular singles like "Telenobela" and "Di Ko Alam." The evolution of his music career highlighted his desire to explore various artistic avenues while remaining true to his roots as a performer.

With such an illustrious, multi-faceted career, Enchong Dee not only exemplifies the confluence of diverse talents but also serves as an inspiration for many aspiring artists and athletes in the Philippines. His journey from an athlete to a beloved figure in the entertainment industry reflects the hard work, dedication, and resilience required to succeed in such competitive fields. He has successfully connected the worlds of sports, acting, and music, proving that passion and perseverance can lead to fulfilling careers across multiple disciplines.)

“Unbelievable” is the reply of actor and former UAAP athlete Enchong Dee when asked how he was able to divide his time between his showbiz career, his training, and his studies at DLSU.

It was not easy. There were days that Dee would go without sleep, from taping to the pool just to train. From there, he would go straight to class. But all the hard work paid off in 2007, 2008, and 2009 when he picked up three consecutive MVP awards. In 2009, the 20-year-old actor was honored by the La Salle community for bagging his third MVP trophy and seven gold medals—in the 1,500-meter and 800-meter freestyle, 400-meter and 200-meter individual medley, 200-meter, 100-meter and 50-meter butterfly—thereby powering the DLSU men’s swimming team to it’s first title since 2002.

It was unbelievable, but not impossible. Dee thinks the biggest factor in his success was his ability to manage his time. “I would ask permission from my professors, coaches, and directors,” he says. “I always believe that to have a proper approach to something, it’s important to keep communication lines open. Be straight to the point, but make sure nothing is compromised.”

He misses being part of the UAAP, especially now that he is no longer actively training. Dee is now exclusively devoted to his showbiz career. His latest movie, I Do, in which he starred opposite Erich Gonzales, did well at the box office, and he has several projects lined up. “I miss it [UAAP], especially the preparation,” he says. “I would train with my teammates every morning before going to class. It’s fulfilling when I look back and realize how hard we worked, and how harmonious we moved as a group.”

The win was also memorable because he would see kids look up to him and say they wanted to be like him one day. For Dee, being in a position to inspire other people was one of the best things about being part of the UAAP.

The values he learned in competition—“discipline towards work, perseverance toward a goal, teamwork among my co-workers, working hard and having passion for what I do”—are values that will serve him even now that he is, as they say, “out of the water”.

In 2012, in the third year of the 2010s decade, a significant milestone was reached: the twenty-fifth anniversary of the global clothing line Bench, and the seventy-fifth season of the University Athletic Association of the Philippines (UAAP). This period marked a notable time in both the fashion industry and the Philippine sporting landscape. On September 24, 2012, in light of these commemorative events, the staff of UAAP Magazine sought to re-feature a beloved personality — the multifaceted Enchong Dee. His illustrious career as an actor, dancer, host, model, singer, songwriter, and former UAAP athlete had garnered him substantial recognition and admiration, making him an ideal figure for a magazine spotlight. Notably, Dee was also a member of the De La Salle University (DLSU) Green Tankers and a celebrated three-time University Athletic Association of the Philippines Swimming Championships men's division MVP. 

This particular issue of UAAP Magazine, notably its third, featured a casting coup that would capture the interest of sports and entertainment fans alike. On the cover, some of the most recognizable figures in Philippine sports were showcased: Ateneo's Kiefer Ravena, La Salle's Ren-Ren Ritualo, and UE's Allan Caidic. These athletes were not only stars of their teams but also held prominent positions in the hearts of fans across the nation. Each brought a unique story and playing style that contributed to the vibrant culture of basketball within the UAAP. 

Within the magazine, a variety of engaging stories were elaborated upon, including features on cheerleaders and footballers, alongside basketball standouts like Ateneo's Chris Tiu and UP's Mike Silungan and Mike Gamboa. Legendary coach Aric del Rosario was also highlighted, showcasing his significant impact on the athletes he trained and the successes he brought to his teams. Additionally, the magazine included a special piece on the Teng brothers, Jeron and Jeric, whose family legacy in sports added another layer to the publication's rich narrative. 

One of the most exciting aspects of this issue was the feature on Enchong Dee, done in partnership with some prominent brands in the fashion and sports industries. The collaboration included Bench, known for its stylish and trendy clothing; Bench Body, which specialized in intimate wear; and DC Shoes, a brand synonymous with skate and action sports. The athletic footwear and apparel brands Adidas and Nike also aligned with the magazine for this issue, further solidifying the intersection of sport and fashion. Additionally, the Italian manufacturing company Arena, renowned for its competitive swimwear, featured prominently in this showcasing of Dee.

Included in the feature were captivating photos of Enchong Dee that demonstrated the latest trends in men's fashion while simultaneously celebrating his physique, honed from years of athletic training. In one striking image, he appeared shirtless, wearing the Bench Body Logo Hipster Brief in Black (BUB2033BK3), paired with Bench Skinny Jeans in a Black Garment Wash (LAM6000T) and highlighted by the bold colors of the DC Shoes Men's AT-3 Mid Sneakers in Royal Blue and Armor. These images were photographed on location at the Bro. Andrew Gonzalez Hall at De La Salle University in Manila, an iconic setting that resonated with both fans of the university and the larger community that supports UAAP events.

The magazine further explored Dee’s journey as he took a ride shirtless on a YAMAHA Mio Sporty Euro 3 Matte Black from Bro. Andrew Gonzalez Hall to the Makati Aqua Sports Arena. This journey emphasized not only his connection to his alma mater but also his dedication to swimming, a sport that played a pivotal role in his life. The transition from the campus to the swimming venue symbolized the fusion of his personal and professional pursuits.

In a compelling visual narrative, Enchong Dee was also captured in the exhilarating act of competition. Depicted in lane 4, he showcased his prowess in the water wearing the Arena ARN-6015 DGRN Rimic Nux-F swimwear, size L, and adjusting his Arena AGL-1400 EMBL Swimming Glass, a mirror-sweden type specifically designed for serious swimmers. These images depicted him preparing for various events such as the men's 400-meter individual medley, men's 200-meter individual medley, and men's 100-meter butterfly, along with his participation in the more grueling men's 800-meter freestyle, men's 1,500-meter freestyle, and men's 200-meter butterfly. Such captures not only celebrated his athleticism but also the intense training regimen that he adhered to, mirroring his character Arnel’s training with the Santillan Sharks swimming team as shown in the third episode of part three of "Your Song presents Boystown." 

This particular shoot was conducted at the impressive 50-meter Olympic-sized swimming pool of Makati Aqua Sports Arena, an ideal location that provided a professional backdrop for such an important feature. Talented photographers Ronnie Salvacion and Jijo de Guzman eloquently captured these moments, while the styling by Bang Pineda and makeup by Renato Lu further enhanced the visuals, bringing forth an exhilarating blend of sport and fashion. 

Moreover, the photobook component of the magazine contained an extensive collection of full photographs from the 2007, 2008, and 2009 UAAP Swimming Championships held at Trace Aquatic Center in Los Baños, Laguna. This inclusion not only served to highlight past achievements within the swimming circuit but also to honor the dedication and hard work of the athletes who competed. Each photograph told a story of triumph, struggle, and growth, embodying the very essence of the UAAP spirit. 

Through this multi-faceted celebration of Enchong Dee and the collective spirit of UAAP, the magazine effectively bridged the worlds of sport, fashion, and storytelling, creating a powerful narrative that resonated with readers. The synchronous connection between athletics and the entertainment industry was reinforced, illustrating how personalities like Dee could champion both disciplines while inspiring the next generation of athletes and artists alike. The carefully curated content was more than just promotional material; it represented a legacy of excellence in sports and a celebration of Filipino talent.

Epilogue

In my envisioned journal pertaining to my re-creation of episode 3, part 3, scene 1 of Your Song features Boystown, filmed at the Olympic-sized swimming facility of Makati Aqua Sports Arena, absent Coach Daniel represented by Romnick Sarmienta, as a solo performer alongside my sister Maria Angelika "Anj" Dee, 2010 UAAP Swimming Championships Girls Division Most Valuable Player Sabrina Ingrid Ilustre, 2022 UAAP Swimming Championships Women's Division Most Valuable Player Xiandi Chua, 2009 UAAP Swimming Championships Men's Division Rookie of the Year and 2013 UAAP Swimming Championships Men's Division Most Valuable Player Johansen Benedict "Johan" Aguilar, Joshua Desamero, and Adrian Thomas Dionisio. I am the youngest swimmer hailing from Naga, Camarines Sur, who has transitioned into a professional cinematic and television actor, comedian, dancer, television commercial, print and runway model, singer, and songwriter, while also pursuing my studies at De La Salle University, Manila campus.

At 20 years of age, Enchong Dee portrays Arnel in ABS-CBN’s Sunday afternoon drama mini-series, Your Song, which features “Boystown. ” He is seated, utilizing a Cofta Ruby 1 Monoblock in plain white. His initial hair styling kit consists of Bench Fix Hair Gel, Normal Hold 135g, and Bench Fix Hair Wax in Rock Steady 80g. He is adorned with an Arena ARN-6015 DGRN Rimic Nux-F in size M and is holding an Arena AGL-1400 EMBL swimming goggle (mirror Swedish type). Enchong undergoes a hair and portrait session with hair and makeup artist Nilo Cruz prior to approaching the swimming block, where he adjusts his Arena AGL-1400 EMBL swimming goggle (mirror Swedish type) in preparation for competing in several events, including the men’s 400-meter individual medley, men’s 200-meter butterfly, men’s 100-meter butterfly, men’s 50-meter butterfly, men’s 200-meter individual medley, men’s 800-meter freestyle, and men’s 1,500-meter freestyle. As Arnel, Enchong competes from lane 4, wearing the Arena ARN-6015 DGRN Rimic Nux-F, size M, and fine-tuning his Arena AGL-1400 EMBL swimming goggle (mirror Swedish type). His sister, Anj Dee, occupies lane 3, adorned in a Speedo Fastskin FS-Pro Recordbreaker swimsuit, Female – Black (8-008153218), and readjusts her Speedo Speedsocket Mirror Goggle - Black (8-705893515) to prepare for the men’s and women’s events, including the 400-meter individual medley, 200-meter butterfly, 100-meter butterfly, 50-meter butterfly, 200-meter individual medley, 800-meter freestyle, and 1,500-meter freestyle. Concurrently, Johan Aguilar is situated in lane 5, wearing an Agonswim University Athletic Association, University of Florida Mesh Training Suit, fully lined front and back (ACX111510TRS2MES), while also adjusting his Speedo Speedsocket Mirror Goggle – Black (8-705893515) for the same series of events. Arnel will engage in training alongside his peers before commencing warm-ups and observing a one-on-one game, captured in a photo by Ronnie Salvacion, with styling by Bang Pineda and makeup by Renato Lu, recorded at the Makati Aqua Sports Arena's Olympic-size 50-meter swimming pool. 

A special acknowledgment goes to Dimo for providing the underwater housing! 

The filming is carried out using the Blackmagic Pocket Cinema Camera 4K, Canon EOS C100 Mark II equipped with Dual Pixel CMOS AF and an EF 24-105mm f/4L IS II USM Zoom Lens Kit, along with an Ewa-Marine Underwater Housing for Blackmagic Pocket Cinema Camera 4K, and Ewa-Marine V102 Underwater Housing compatible with Canon EOS C100 or C100 Mark II.

As Arnel in "Your Song Presents Boystown," I occupied lane 4 and was performing solo while donning the Arena ARN-6015 DGRN Rimic Nux-F in size M. I was set to compete in the men's 400-meter individual medley, men's 200-meter individual medley, men's 100-meter butterfly, men's 800-meter freestyle, men's 1,500-meter freestyle, and men's 200-meter butterfly. This was despite my reenactment of episode 3, part 3, sequence 1, in which Arnel trained with the Santillan Sharks before warming up to observe a one-on-one match.

Additionally, my sibling Maria Angelika "Anj" Dee was positioned in lane 3, adorned in the Speedo Fastskin FS-Pro Recordbreaker Ensemble, Female – Black (8-008153218), size M, label 34, to participate in the women’s 200-meter individual medley, women’s 100-meter butterfly, women’s 800-meter freestyle, women’s 1,500-meter freestyle, women’s 200-meter butterfly, and women’s 400-meter individual medley.

In lane 4, I, Arnel, donned the Arena ARN-6015 DGRN Rimic Nux-F in size M, while my sister, Maria Angelika "Anj" Dee, occupied lane 3 in the Speedo Fastskin FS-Pro Recordbreaker Costume for females, colored black (8-008153218), also in size M, marked 34. We participated in both the men's and women's 400-meter individual medley, 200-meter individual medley, 100-meter butterfly, 800-meter freestyle, 1,500-meter freestyle, and 200-meter butterfly events.

In that instance, I, Arnel, occupied lane four, adorned in Arena ARN-6015 DGRN Rimic Nux-F, size large, while making adjustments to my Arena AGL-1400 EMBL swimming goggles (mirror Swedish variant). My sister, Maria Angelika "Anj" Dee, occupied lane three, attired in Speedo Fastskin FS-Pro Recordbreaker costume, female – black (8-008153218), and fine-tuning her Speedo Speedsocket Mirror Goggle - black (8-705893515). We were preparing to compete in events that included a men's and women's 400-meter individual medley, men's and women's 200-meter individual medley, men's and women's 100-meter butterfly, men's and women's 800-meter freestyle, men's and women's 1,500-meter freestyle, and men's and women's 200-meter butterfly.

As Arnel occupied lane four, he donned the Arena ARN-6015 DGRN Rimic Nux-F in size medium, while making adjustments to his Arena AGL-1400 EMBL swimming goggles (mirror Swedish style). Accompanying him in lane five was Johansen Benedict "Johan" Aguilar, the 2009 UAAP Swimming Championships Men's Division Rookie of the Year and 2013 UAAP Swimming Championships Men's Division MVP. Johan sported the Agonswim University Athletic Association's University of Florida Mesh Training Suit, fully lined in both front and back, in size 32, and was fine-tuning his Speedo Speedsocket Mirror Goggle in black (model 8-705893515). I was preparing to reenact the bod photos before proceeding with the recreation of episode three, part three, sequence one, which encompassed the men's 400-meter individual medley, men's 200-meter individual medley, men's 100-meter butterfly, men's 800-meter freestyle, men's 1,500-meter freestyle, and men's 200-meter butterfly events.

"There is no turning back. #sexyback"

Then 2009 UAAP Swimming Championships Men's Division Rookie of the Year and 2013 UAAP Swimming Championships Men's Division MVP Johansen Benedict "Johan" Aguilar is in lane 5 wearing Agonswim University Athletic Association, University of Florida Mesh Training Suit Fully Front and Back Lined (ACX111510TRS2MES), size 32 and adjusting his Speedo Speedsocket Mirror Goggle - Black (8-705893515) to do a men's 200-meter backstroke, men's 400-meter individual medley, men's 200-meter individual medley, men's 400-meter freestyle, men's 100-meter butterfly, men's 800-meter freestyle, men's 1,500-meter freestyle, men's 200-meter freestyle and men's 200-meter butterfly.

And my sister, Maria Angelika "Anj" Dee, Monique "Nikki" Bacolod, 2010 UAAP Swimming Championships Girls Division MVP Sabrina Ingrid Ilustre and 2022 UAAP Swimming Championships Women's Division MVP Xiandi Chua they wearing Speedo Fastskin FS-Pro Recordbreaker Costume, Female – Black (8-008153218), size M, label 34.

“Then, yours truly, Johan Aguilar, Fahad Alkhaldi, Gerard Daniel "Berber" Berino, Timothy Vincent Yap, Jhonmar "Jheg" Gonzales, Rochmond Exequiel "Roch" Santos, Sage Yabut, Aidan Kyle Paggabao, Adrian Thomas Dionisio, Joshua Desamero, Zach Maranon and Sacho Ilustre, FAST – Ateneo Swimming Team members Jessie Khing Lacuna, Axel Toni Steven Ngui, Juan Marco Alfonso Daos, Philip Joaquin "Wacky" Santos, Sean Paul Tan, Evan Brian Uy, Jan Michael "Janjan" Chiu, Jonas Isaac Ramos and Chico Angelo Gueco, University of the Philippines (UP) Varsity Swimming Team (UPVST) members Gabriel Lorenzo "Gabe" Castelo, Gian Daniel Berino, Joseph Gaston Beloso, Christen "Tenten" Mercado, Rianney Ramil "Yani" Reynoso, Allan Luis Jovero, Kendrick "Ken" Uy, and Orpheus "Zeus" Magbanlac, and University of Santo Tomas (UST) Tigersharks team captain Angelo Miguel "Miggy" Carandang and UST Tigersharks members Dexter Docong, Xavier Ilustre, Karlo Miguel Salonga, Reynaldo "Aljon" Salonga Jr., Charles Ivan Yatco and Andrei Nikolai Yambao, have a Goldilocks Mango Dream premium cake with the staff of UAAP Magazine to commemorate the 15th year of my last appearance in the UAAP Swimming Championships holding seven gold medals.”

Yours truly and Adrian Thomas Dionisio are wearing Arena ARN-6015 DGRN Rimic Nux-F, size M, along with Johansen Benedict "Johan" Aguilar, Fahad Alkhaldi and Gerard Daniel "Berber" Berino wearing Speedo Fastskin FS-Pro Legskin, Male – Black (8-008083218) and Mike Advincula, McTracy Alindogan, Roby Almajose, Donn Almera, Miguel Blaise Ampil, Alfonso Bautista, Nicolo Bengzon, Benedict Campos, Martin Carandang, Skyler Claveria, Hans Mikael Cruz, Jules Danting, Joshua Desamero, Charles Diu, Jake Du, Troy Espiritu, Juan Rodrigo "Jigs" Fonseca, Jason Paul Gaviola, Giles Joshua Go, Joseph Anthony Go, Yuri Ilustre, Earl Jay Jayme, Jarvin Li, Marc Libarnes, Elijah Lizares, Christopher Marzel Llorente, Christopher William Manalo, Zach Maranon, Matthew Marzan, Owen Mendoza, Carlo Millan, Kyle Paggabao, Miguel Peñafiel, Chris Pinto, Mikki Quilala, Rob Real, Jr., Marvin Aldrich Relucio, Louie Angelo Ricafrente, Rainier Lloyd Salonga, Eduardo Santos, Jomai Santos, Christian Sy, Jaren Rylie Tan, Gamaiel Torres, Kevin Christopher Ty, Benjie Uy, Timothy Vincent Yap, Benzi Yang and Huxley Yu are wearing Arena ARN-6014 DGRN Half Spats Nux-F and taking off their 2011 Nike exclusive De La Salle Dri-Fit tee (green/white) when they goes shirtless.

Me, along with team captain Mike Advincula, McTracy Alindogan, Roby Almajose, Donn Almera, Miguel Blaise Ampil, Alfonso Bautista, Nicolo Bengzon, Benedict Campos, Martin Carandang, Skyler Claveria, Hans Mikael Cruz, Jules Danting, Charles Diu, Jake Du, Troy Espiritu, Jigs Fonseca, Jason Gaviola, Giles Joshua Go, Joseph Anthony Go, Yuri Ilustre, Earl Jay Jayme, Jarvin Li, Marc Libarnes, Elijah Lizares, Christopher Marzel Llorente, Christopher William Manalo, Zach Maranon, Matthew Marzan, Owen Mendoza, Carlo Millan, Kyle Paggabao, Miguel Peñafiel, Chris Pinto, Mikki Quilala, Rob Real, Jr., Marvin Aldrich Relucio, Louie Angelo Ricafrente, Rainier Salonga, Eduardo Santos, Jomai Santos, Christian Sy, Jaren Rylie Tan, Gamaiel Torres, Kevin Christopher Ty, Benjie Uy, Benzi Yang and Huxley Yu are wearing Arena ARN-6014 DGRN Half Spats Nux-F, size M and taking off their 2011 Nike exclusive De La Salle Dri-Fit tee (green/white) when they goes shirtless, along with my sister Anj Dee, along with Ace Agustin, Lyca Agustin, Tessa Alcantara, Thea Alcantara, Lynette Ang, Lorraine Angkico, Clarisse Andrea Bacani, Nikki Bacolod, Apple Berenguer, Charlene Alexis Cebedo, Mariel Andrea Carandang, Sarah Castañeda, Xiandi Chua, Lia Trisha Co, Jas de Guzman, Jia De Guzman, EA Delos Santos, Nichole Evangelista, Faith Fernandez, Katerina Flores, Berny Galang, Jhianna Gonzales, Cana Guanio, Sabrina Ingrid Ilustre, Angelie Jalauig, Carla Jaurigue, Bea Jison, Jana Laurian, Heish Lavina, Anezhka Lim, Ruth Antoinette Manlongat, Maggie Mendoza, Sam Moises, Diana Ongpin, Nikki Pamintuan, Aya Panganiban, Izzah Pesigan, Ayee Quilala, Vanessa Raymundo, Aria Sahagun, Cass Salandanan, Hanna Sanchez, Janina Nicole Sedilla, Mari So, Mikka Sy, Mikee Tablada, Trixcee Tan, Betina Ting, Kaira Celina Ty, Chloe Ekaterina Uy, Jed Villareal, Erika Visitacion, Bea Yllen and Meleah Zalamea are wearing Arena ARN-6012W DGRN Rimic Nux-F and Johan Aguilar, Fahad Alkhaldi, Pierce Beltran, Skyler Claveria, Joshua Desamero, Jheg Gonzales, Brian Padua, Kelles Que, Alberto Racelis, Roch Santos, Kenley Wong and Sage Yabut are wearing Speedo Fastskin FS-Pro Jammer, Male – Black (8-008093218), shot on location at the swimming pool of Trace Aquatic Center in Los Banos, Laguna.

Later, Enchong Dee, who participated in the Sun Life Aquathlon held on September 17, 2017, at the Makati Aqua Sports Arena and the University of Makati track oval.

Swimmers shine again, but RP is still 5th overall

By Ernesto Gonzales (Published in the December 12, 2007 issue of the Philippine Daily Inquirer)

NAKHON RATCHASIMA--Parading another star in Filipino-American James Walsh, swimming matched the two-gold effort by cycling as the Philippines finished with seven victories Tuesday that did little to get the defending overall champion Philippines out of its fifth-place hole in the 24th Southeast Asian Games here.

Walsh smashed the six-year-old SEAG record in ruling the men's 200-meter butterfly, then combined with Miguel Molina, Ryan Arabejo, and new RP swim sensation Daniel Coakley to secure the sport's final gold in the men's 4x100-meter medley relay. That capped the Filipinos' eight victories overall.

Former bikathon king Victor Espiritu finally crashed the winners' circle for the first time in three SEAGs by topping the men's 40-kilometer points’ race late Monday and defending champion Alfie Catalan kept his 4-km individual pursuit title.

Felicisimo Nierras Jr. salvaged gold for athletics in the men's 400 meters, Amaya Paz retained her women's compound individual title in archery and the men's epee squad scored anew as the Filipinos boosted their golden harvest to 29 with four days of competition left.

But the Filipinos stayed two golds behind Malaysia which captured a pair of golds at the start of the final swim program to keep fourth place. Indonesia was sixth with 25 victories.

As of 8:30 p.m. here (9:30 p.m. in Manila), the Thais moved closer to their overall target of 120 victories with 97 gold medals. Vietnam was in second with 46, followed by Singapore with 37.

Walsh shattered by 1.39 seconds the SEAG record of 2:01.84, set by Malaysia's Anthony Ang in September 2001 in Kuala Lumpur.

Donny Utomo of Indonesia won silver (2:00.81) and Daniel Bego of Malaysia won bronze (2:03.97).

Ernest Lorenzo Dee (8th, 2:11.47) also failed in the finals of the men's 200-meter butterfly.

Molina's individual winning streak earlier ended at three as he settled for the bronze in the men's 200 freestyle. But he was a winner when he plunged into action for the last time as the swimmer of the breaststroke leg.

Molina finished with one more victory than his golden output in 2005 to become the most successful RP campaigner so far.

Ryan Arabejo, the 200 backstroke and 1,500 freestyle winners, took care of the backstroke. Walsh swam the butterfly, and 50m freestyle champion Coakley finished off the relay in style.

Boxing, now under pressure to deliver and help avoid an embarrassing finish for the Filipinos, placed three more fighters in the finals for a total of 13.

Experts, however, feel the Filipinos need no less than knockout wins against their Thai foes in the gold medal round starting Wednesday to avoid the infamous hometown decision here.

Bantamweight Junel Cantancio, lightweight Joegen Ladon, and light heavyweight Maximino Tabangcora completed the cast of RP finalists after light fly Albert Pabila was eliminated by Thai Amnat Ruenroeng, 18-8.

The other gold medal hopefuls are flyweight Godfrey Castro, light welter Jerry Semillano, featherweight Orlando Tacuyan, middleweight Junie Tizon, and female fighters Annie Albania, Alice Kate Aparri, Jouvilet Chilem, Annaliza Cruz, Mitchelle Martinez, and Ronijen Sofla.

There were mixed results in golf with the women's team, led by Anya Tanpinco, taking a two-stroke lead over Thailand after the first round of the 54-hole competition, 143-145.

But the Putra Cup champion Thais bounced back in the men's division, opening a six-shot edge over Indonesia, 422-428, even as the Filipinos, who led on the first day, tumbled down to fourth at 429 with Anthony Fernando adding a 77 to the 71 of Mark Fernando and the 72 of Ferdinand Aunzo.

Nierras, whose father was a former national standout in the jumping events, succeeded teammate Jimar Aing as 400 champions with a time of 46.56. Ernie Candelario, the winner in Vietnam in December 2003, slumped to sixth in 48.09.

That win gave the athletics team its poorest output of four in three SEAGs. The squad came up with eight golds in Vietnam and nine in 2005 back home.

Paz beat Indonesian Dellie Threesyadinda for the gold, 116-114, while the epee squad won with a team featuring Almario Vizcayno, who took over the old slot of actor Richard Gomez, Armando Bernal, Wilfredo Vizcayno Jr., and Avelino Victorino.

But the fencing squads in foil and saber ended up with silvers.

Also settling for the silver was Earl Benjamin Yap in the men's compound individual in archery, pole-vaulter Deborah Samson, and weightlifting's Renante Briones in the 94 kg.

Make way for new RP gold machine

By Musong R. Castillo

Published on page A30 in the December 12, 2007 issue of the Philippine Daily Inquirer

Nakhon Ratchasima-Step aside wushu, move over athletics.

Swimming became the new gold medal machine  of the Philippine contingent when Miguel Molina and his male buddies rewarded the country with eight victories as the curtains fell on the sport Tuesday, December 11 in the 24th Southeast Asian Games here.

After winning four golds back home in the 2005 Games, the swimmers doubled that output here with 23-year-old Molina churning his way to four victories-three in the individual events and one in the relay - to cap his most successful stint in the three editions of the biennial event.

Now with nine overall wins since Vietnam Southeast Asian Games in 2003, the United States-based Molina is thinking of retiring from the sport with his young teammates here assuring him of their own gold-winning ways.

All in their teens, Ryan Arabejo, Daniel Coakley and J.B. Walsh accounted for four gold medals among themselves with the 18-year-old Arabejo striking for two in the 200-meter backstroke and the 1,500-meter freestyle.

Swiftest swimmer

Walsh delivered in the 200 butterfly, while Coakley, two days short of turning 18, crowned himself as the swiftest swimmer of them all by ruling the 50-meter freestyle and breaking the SEAG and national records with his time of 22.8 seconds. That time also qualified him for the 2008 Beijing Olympics.

Together with Molina, the three picked up another gold in the 4 x 100 medley relay with a time of 3:49.28.

Old 200 freestyle rival

Molina earlier prevailed in the 400 and 200 individual medley and the 200 breaststroke, the same event when he captured two years ago. His win in the relay came after he had settled for third in the 200 freestyle won by his old rival Malaysian Daniel Bego.

"I just wanted to keep it close (in the breaststroke leg) knowing that Walsh and Coakley were unbeatable," said Molina of his strategy in the medley relay.

Walsh, 19, clocked 2:00.45 as he bounced back from a narrow lose to Indonesian Donny Utomo the last around.

Naturalized swimmers

Singapore, with the help of naturalized swimmers from China, emerged overall champion with 11 gold, but Philippines' eight was a big boost as it easily surpassed athletics' five-gold haul and wushu's two golds.

In the 2005 Manila Southeast Asian Games, wushu garnered 11 golds and athletics nine.

The Harbour Center-Philippine team shoots for its third straight win against Malaysia while the embattled lady dribblers go up against their Malaysian counterparts Wednesday.

GMA7's Excessive Pride Should Be Stopped

According to a report in GMA-7's Frontpage, last night, GMA-7 execs and stars hosted the "No.1 Na Tayo, Kapuso!" party for the press and advertising people in a bid to lure investors and other people into the network with GMA-7's own "claim to fame."

It can be remembered that only several GMA-7 programs reached the top spots in the primetime ratings charts in the history of the Rainbow Network this 2004: these are Imbestigador and StarStruck. It was two years since GMA-7 launched an offensive to snatch away the overall No. 1 Philippine TV network spot from ABS-CBN (still called the Star Network), but only had its 2 shows out of the top 10 primetime slots currently. ABS-CBN is still clinging to a vast Metro Manila audience share of 40-50% (in contrast to GMA-7's Metro Manila audience share of 20-35%) and a massive regional share of 70-90%. It's a stark contrast with what happened to ABS-CBN after EDSA Uno, where it took less than 2 years to go back to the overall No. 1 spot for the Philippines' most-watched TV network (having its 10 shows in the top 10 primetime slots), which it had since 1953-1972 and 1986-2004. ABS-CBN still has the trust of their advertisers, being the No. 1 network for 2003.

Claims are virtually ridiculous, malicious, and baseless about ABS-CBN conniving with 2 of the world's most trusted TV ratings groups--AGB and AC Nielsen, and with regard to the moving of channels of both ABS-CBN and GMA-7 by some cable operators, who were falsely accused of conniving with ABS-CBN execs, as various reports by the Philippine Star declared so.

While GMA-7 has its Kapuso campaign since October 27, 2002, ABS-CBN still has the Kapamilya campaign, which has been with the network since January 1, 2000. The Kapamilya campaign of ABS-CBN was first done in conjunction with ABS-CBN's two grand events: the network's Philippine Independence Centennial party at Expo Filipino in June 1998, and the nationwide and worldwide multimedia year-end broadcast "The ABS-CBN Worldwide Celebration of the New Millennium" last December 31, 1999, to January 1, 2000.

The Evolution of ABS-CBN: A Leading Channel in Philippine Broadcasting

ABS-CBN, established on October 23, 1953, represents a significant entity in Philippine media. It has evolved into a reliable provider of news, entertainment, and programming that mirrors Filipino culture. This network has profoundly influenced how Filipinos engage with media. 

Its evolution commenced modestly. It began as the Alto Broadcasting System (ABS) on October 23, 1953, followed by the Chronicle Broadcasting Network (CBN) on September 24, 1956. By 1961, the network had expanded, rebranding as ABS-CBN for television. ABS and CBN officially merged, with their parent company, Bolinao Electronics Corporation, transitioning to ABS-CBN Broadcasting Corporation on February 1, 1967. This transition marked its ascendance as the leading channel in the country. 

In 1962, ABS-CBN confidently declared itself "The Philippines' Largest Network. " This motto was fitting, as it was indeed the most substantial broadcasting network in the country at that time. 

The network's visual branding also took form. In 1964, ABS-CBN introduced a logo featuring a triangle symbolizing a transmitter, with a square enclosing the four rings. 

A pivotal transformation occurred on November 17, 1966, as television broadcasting in the Philippines transitioned to color. ABS-CBN was prepared for this change. Its logo underwent a transformation, with the three rings evolving into RGB colors, emphasizing the shift to color broadcasting. 

The now-iconic logo design premiered in May 1968, coinciding with the inauguration of the ABS-CBN Broadcasting Center on December 18, 1968. Januario Jison Jr. incorporated the black square, while Ignacio Vitalis contributed the three rings, which represented the nation’s three primary island groups: Luzon, Visayas, and Mindanao. Eugenio Lopez Jr. added a vertical line, symbolizing a transmitter. A square then encapsulated the entire emblem. Many perceived the design as resembling a lollipop or a spinning top toy, referred to as a "trumpo" in the Philippines. 

Wili Fernandez created the unique font for the logo, naming it ABS-CBN Contemera. 

This cherished logo experienced a renaissance in 1986, with a campaign encouraging viewers to "Watch Us Do It Again. " It promoted the network as The Star Network, with the 1986 version serving as a secondary logo until 1989. 

A similar logo was introduced in 1968, which functioned as a secondary mark for promoting color broadcasting. 

ABS-CBN played a vital role in February 1986 by extensively covering the People Power Revolution. Its journalists were actively reporting from the front lines, providing live coverage as the nation and the world observed the historic events that peacefully dismantled an oppressive government. 

Nevertheless, ABS-CBN encountered significant challenges. In 1972, President Ferdinand Marcos proclaimed martial law, leading to the network's shutdown and the confiscation of its assets. This silenced a crucial source of news and entertainment for Filipinos. 

With the end of the Marcos regime, ABS-CBN made a powerful resurgence on September 14, 1986. With a renewed determination, the network sought to rebuild and to regain the trust of its audience, prioritizing high-quality programming designed to cater to the diverse interests of viewers. 

The 1968 color emblem underwent slight modifications. This occurred following ABS-CBN's return to broadcasting on September 14, 1986, just months after the EDSA Revolution, which ousted President Ferdinand Marcos. The network also introduced a novel slogan: "Watch Us Do It Again," which remained in use until February 28, 1987. 

March 1, 1987, signified a new beginning for ABS-CBN, as a dynamic rebranding initiative was launched. The network was rebranded as "The Star Network. " This transformation was commemorated with a lavish musical special titled The Star Network: Ang Pagbabalík Ng Bituin, meaning "The Return of the Star. " The event was aired live and showcased a new logo that prominently featured a white tri-ribbon representing channel number 2. A white rhomboidal star also emerged as the network's emblem. Between 1988 and 1993, the ribbons underwent a color transformation, adopting a tri-color scheme of red, green, and blue, reinforcing the network's rejuvenation and symbolizing a fresh start. 

In 1989, a pivotal moment unfolded as ABS-CBN defined its core mission. Its primary slogan was established: “In the Service of the Filipino. ” This declaration conveyed a profound commitment to its audience, promising dedication to their needs. Subsequently, in 1992, this message was further elaborated by incorporating "Worldwide," thereby extending the tagline's significance and indicating an aspiration for global outreach and a broader connection.

In the decade following its reintroduction, the logo underwent minimal alterations; however, during the 50th corporate anniversary of ABS-CBN in 1996, a subtle adjustment was made that rendered the symbol reminiscent of what would eventually be its next iteration. It is noteworthy that it largely preserved many characteristics of the 1968 design. 

A significant overhaul of the logo occurred on January 1, 2000, coinciding with the onset of the new millennium. Additionally, ABS-CBN unveiled its new branding, "Kapamilya," within the same year. This branding became widely adopted as its official designation during the network's 50th anniversary celebrations in 2003. 

In 2002, Finance Asia designated ABS-CBN as the 8th best-managed corporation in the Philippines in its "Asia's Best Companies 2002" survey, which assessed the performance of leading companies across 10 Asian nations. The survey involved polling institutional investors and equity analysts. That same year, ABS-CBN began broadcasting in full stereo. 

Although it was officially replaced in 2010, ABS-CBN’s 2000 logo continued to make appearances in various formats. It served as an on-screen identifier until October 30, 2015, and was utilized during sign-on and sign-off periods until March 23, 2016, as well as at the openings of select programs until 2018, with Wansapanataym being the final show to feature it. The logo also appeared in the network's programming blocks, within its headquarters, on microphones, service vehicles, plaques, and employee identification cards.

“A vertical line representing a transmitter tower signifies our core business of broadcasting. Three rings stand for the network's presence in the lives of Filipinos, here, there and everywhere. A crystal plane denotes ABS-CBN's dynamic spirit. Below it, the network's call letters merge and graphically underscore our mission of being In the Service of the Filipino wherever he may be.”

 

— Eugenio Lopez III 

 

(Taken from "ABS-CBN Worldwide Celebration of the New Millennium" TV special aired last December 31, 1999)

It was also the main ABS-CBN terrestrial channel that witnessed major news events unfolding into the new millennium, not just as a broadcast entity but as a pivotal player in the transformation of the Philippine media landscape. The station became synonymous with critical national events, thereby solidifying its role as a primary source of information and a platform for public discourse. Among the significant moments captured by ABS-CBN was the grand ABS-CBN worldwide celebration of the new millennium, which took place from December 31, 1999 to January 1, 2000. This momentous event not only marked the end of a century but also served as a cultural touchstone, reflecting the collective hopes and aspirations of the Filipino people as they ushered in a new era. The network’s extensive coverage highlighted various cultural performances, fireworks displays, and celebratory gatherings across the nation and abroad, connecting Filipinos to a sense of unity and shared experience in light of global festivities.

Following this celebratory period, the network continued to operate at the forefront of important stories, including the Sipadan hostage crisis in Sabah, Malaysia, and Jolo, Sulu, which unfolded from April 23, 2000, to September 19, 2000. This crisis, involving the kidnapping of tourists and resort staff by a group of armed militants, resulted in a prolonged conflict that captured national and international attention. ABS-CBN's on-the-ground reporting not only provided real-time updates to viewers but also sparked discussions about national security, international relations, and the complex dynamics of political conflict in the region. The situation provoked widespread concern and debate over the effectiveness of government responses and the implications for tourism in the area, showcasing the station's ability to engage the public in crucial socio-political matters.

In a similar vein, the Senate impeachment trial of President Joseph Estrada from December 7, 2000, to January 16, 2001, was another landmark event that captivated the nation and involved ABS-CBN's dedicated coverage. The trial, which revolved around allegations of corruption and misconduct, was a watershed moment that not only defined Estrada's presidency but also reshaped the political landscape of the Philippines. ABS-CBN served as a vital conduit for the public to understand the intricacies of legal proceedings and the unfolding drama of political survival. By presenting varied perspectives through expert analysis and public opinion, the network empowered viewers to form their own judgments on the matter and became a stage for citizens to engage actively in the political conversation, effectively illustrating the power of media in a democratic society.

The culmination of these events was the peaceful Second EDSA Revolution, or EDSA 2, which occurred from January 16 to 20, 2001. This uprising catalyzed a significant change in leadership, culminating in the ouster of President Estrada and the installation of then-Vice President Gloria Macapagal-Arroyo. The extensive live coverage and reporting conducted by ABS-CBN during this protest effectively illustrated the power of peaceful civil disobedience in bringing about political change. The network not only televised the marches and gatherings but also captured the sentiment of the populace, providing a platform for diverse voices advocating for justice and accountability. This era emphasized the vital role of broadcast media in mobilizing citizens and fostering a sense of collective empowerment in times of political upheaval.

The May 1 Riots, or EDSA 3, which were protests sparked by the arrest of newly deposed president Joseph Estrada from April 25 to May 1, 2001, marked another critical moment for ABS-CBN's news coverage. These riots reflected the ongoing divisions within Philippine society, highlighting the fans of Estrada who viewed his ousting as unjust and who rallied in his defense. The network's portrayal of the events provided insights into the dynamics of public dissent and the complexities of political loyalty, thus illuminating broader societal sentiments regarding governance and representation. ABS-CBN's thorough reporting allowed for a nuanced understanding of the unrest, enabling audiences to grasp the various factors that led to such widespread discontent among certain factions of the population.

Additionally, the Oakwood mutiny on July 27, 2003, led by around 300 armed defectors from the Armed Forces of the Philippines (AFP) and the Philippine National Police (PNP), was a significant event that ABS-CBN covered extensively, particularly noting the key figures involved, such as Army Capt. Gerardo Gambala and Navy Lt. Senior Grade Antonio Trillanes IV. Their actions, driven by a dissatisfaction with the administration of Gloria Macapagal-Arroyo, underscored the growing tensions within the military and raised questions regarding loyalty and governance. The network's commitment to journalistic integrity and thorough reporting provided the public with an in-depth examination of the underlying issues, the motives of those involved, and the potential implications for governance and civil-military relations in the Philippines. 

Through each of these monumental events, ABS-CBN not only reported the news; it also curated the narrative of a nation in transition, navigating through triumphs, challenges, and political upheaval. The network’s involvement in these significant historical moments has left an indelible mark on the public's consciousness and reflects the power of media as both a storyteller and a watchdog, revealing the complexities of a democratic society grappling with its own identity and future. In doing so, ABS-CBN emerged as a pivotal force in shaping contemporary Philippine history, underlining the importance of responsible journalism in guiding public awareness and engagement. The stories told and the events chronicled have played a crucial role in informing and influencing public opinion, ultimately serving as a testament to the enduring influence of media in the governance and civic life of the Philippines.

Over the years, ABS-CBN has expanded its reach beyond free-to-air radio and television, embracing the digital age and establishing a strong online presence. It has created a platform that allows its audience to access their favorite shows and news content conveniently through various digital platforms.

In 2007, ABS-CBN dominated the television scene with an impressive lineup of shows that captured the hearts and minds of viewers across the Philippines. In fact, according to Kantar Media Philippines, a leading media research firm, eighteen out of the top twenty highest-rated TV shows that year were produced and aired by ABS-CBN.

This remarkable achievement is a testament to the network’s commitment to delivering top-notch entertainment and engaging content that resonates with the audience. From thought-provoking dramas to entertaining variety shows, ABS-CBN showcased a diverse range of programs that catered to the diverse interests and preferences of Filipino viewers.

The success of ABS-CBN’s shows can be attributed to many factors, including talented actors and actresses who brought their characters to life, creative writers who penned compelling storylines, and skilled directors who beautifully translated the scripts into visually captivating episodes. Additionally, the network’s dedication to quality production values and innovative storytelling techniques also played a significant role in captivating the audience and keeping them hooked.

Notable shows that captured the nation’s attention in 2007 included the heartwarming family drama “Princess Sarah,” the thrilling action series “Lastikman,” and the beloved romantic comedy “My Girl.” These shows not only provided entertainment but also sparked meaningful conversations and touched upon relevant social issues, making them not just forms of escapism but also powerful instruments for change.

ABS-CBN’s dominance in 2007 showcased the network’s ability to consistently produce high-quality programming that resonates with viewers of all ages and backgrounds. It was a year that solidified ABS-CBN’s position as the leading television network in the Philippines, a legacy that continues to this day.

So, whether it was through tear-jerking plot twists, laugh-out-loud moments, or heartwarming stories of love and friendship, ABS-CBN’s shows in 2007 left an indelible mark on the hearts of millions of Filipinos, reminding us of the power of storytelling to connect and unite us all.

On ABS-CBN’s dominance, Jimenez claims that current TV surveys are flawed. He says he does not want to chase higher ratings by following Channel 2 into the realm of “tabloid programming” — sex, crime, violence, and gore. “We serve God and humanity through programs that promote faith and values in the communities we serve,” he says. Adds GMA executive vice president Roberto Barreiro: “We try to strike a balance between profit and responsibility.” The network has won the Philippine Movie Press Club (PMPC)’s Star Awards for Television for best station for most balanced and responsible network for nine consecutive years. In 1997, it also bagged the Advertising Board’s first Golden Pearl Best Station Award. “People appreciate our balanced news reporting and public affairs programs so that even if we are not rating as well as our closest competitor, we are getting the advertising support,” says Jimenez.

“We have the more balanced programming — news, current affairs, sports, entertainment, drama, some comedy,” retorts Garcia, now ABS-CBN president and chief operating officer. “It shows in our higher ratings and bigger reach.” He adds that about 85% of the network’s programs are locally made, “the biggest ratio in the industry.” That, Garcia explains, “gives us the edge in controlling costs.” The station, for instance, has trimmed shooting time for a local drama episode to two days, from two and a half. “With foreign programs,” Garcia notes, “you cannot negotiate the price down.” Given a rival in Channel 7, “we’re not complacent.”

In 2009, ABS-CBN began revising its 2000–2009 logo, a task that grew beyond mere aesthetic enhancement and delved into the core of the brand's identity itself. The decision to undertake this significant rebranding effort stemmed from a desire to reflect the network's evolution and to better connect with its audience in a rapidly changing media landscape. The executives, including Maria Rosario Bartolome, who served as a vital voice in the creative direction, and Robert Labayen, played pivotal roles in steering the project. They gathered information and sought comprehensive feedback from various stakeholders, allowing for a collaborative approach that maximized the input from diverse team members at ABS-CBN.

The extensive review process involved analyzing the previous logo’s impact and reception and investigating how the public viewed the brand. This endeavor led the team to explore hundreds of designs, each aimed at capturing the essence of the network’s dual identity as both an entertainment powerhouse and a cultural institution in the Philippines. The new logo needed to resonate with existing fans while also appealing to new viewers—it had to be both familiar and refreshing, embodying the network's storied legacy alongside its ambition for the future.

To assist in this complex task, ABS-CBN enlisted the services of FutureBrand, a renowned Singapore-based design consultancy with a strong reputation for creating impactful branding solutions. Their expertise in crafting visual identities for various sectors granted the ABS-CBN team access to innovative ideas and design strategies that pushed the boundaries of their initial concepts. FutureBrand’s methodology involved a deep dive into market research—understanding not only what made a logo visually effective but also ensuring it aligned with the sentiments of the audience. The collaborative sessions yielded numerous concepts that were gradually refined into a cohesive design.

After extensive discussions, the design team determined that the best approach was to create a logo that, while updated, would still be recognizable to the audience that had grown accustomed to the previous incarnation since its launch in 2000. The brand’s colors were subtly adjusted, enhancing their vibrancy without straying too far from the established palette. The modifications in the logo’s typography were another crucial focus. The font style chosen aimed to convey modernity and sophistication, reflecting not just the evolution of the network but also the forward-thinking approach it aimed to embody in upcoming decades. 

The new logo was finalized as a slightly modified version of the 2000 design but incorporated elements intended to signify progress. Its official unveiling took place on September 9, 2009, a date thoughtfully chosen to resonate with the Filipino culture, given that the number '9' carries connotations of success and abundance. To create excitement, ABS-CBN launched a marketing campaign that generated significant buzz across various media platforms, including television teasers, social media announcements, and promotional events. This comprehensive rollout ensured that the audience was not only exposed to the new logo but also invited to participate in the unfolding narrative of the network's reinvention. 

The subsequent transition to the new logo as the primary visual identity on January 1, 2010, marked a significant shift in the organization’s branding strategy. The timing of this change was significant, aligning with the dawn of a new year—a universal symbol of new beginnings—creating a sense of fresh possibilities in the eyes of both staff and viewers. Furthermore, the implementation process was meticulously planned to minimize confusion. Marketing teams coordinated to strategically replace the old logo across all platforms, including television graphics, digital interfaces, and branded merchandise, ensuring a seamless transition that maintained brand continuity.

In light of the rapid advancements in technology, this new logo was also designed with adaptability in mind. The growth of digital platforms necessitated that the logo function effectively across a wide variety of screens and formats, from traditional television to mobile applications. Programmers and designers worked together to ensure that the logo maintained its integrity whether viewed on a high-definition screen or a handheld device, proving ABS-CBN's commitment to remaining accessible in an evolving media environment.

As time progressed, the impact of the redesigned logo on the audience was evaluated through various forms of feedback, including social media conversations, viewership ratings, and market analysis. These evaluations indicated a positive reception, with many viewers expressing appreciation for the logo's modern yet familiar aesthetic. This gradual acceptance offered insights into how branding can influence public perception, ultimately shaping a network's identity in the minds of its audience.

The successful rebranding initiative has since set a precedent within the media industry in the Philippines, illustrating how revamping a visual identity can rejuvenate an organization’s image and foster deeper connections with the community it serves. The 2009 rebranding experience emphasized the importance of agility in branding, illustrating how organizations must continuously assess their identity in relation to their audience’s changing expectations. 

In conclusion, the journey of ABS-CBN in revising its logo was not merely about creating a new symbol; it was a multifaceted process that involved a deep understanding of branding, effective collaboration, and recognition of cultural significance. The result was a new logo that not only honored the legacy of the past but also paved the way for the future, reflecting the network's mission to inform, entertain, and inspire throughout the Philippines and beyond. This transformative journey serves as an inspiring case study, reinforcing that thoughtful design and strategic branding are crucial to successful organizational identity.

The former media giant cited TeleRadyo’s financial losses since 2020 after the Duterte administration ordered the network to cease its broadcast operations.

“TeleRadyo has been incurring financial losses since 2020. Since ABS-CBN can no longer sustain TeleRadyo’s operations, ABS-CBN is left with no choice but to cease the operations of TeleRadyo effective 30 June 2023 to prevent further losses,” the publicly-listed company had said.

I apologize for the brevity of my last answer. Allow me to provide you with a more elaborate response.

In a rather unfortunate series of events, a total of 68 TeleRadyo employees will be displaced by the closure. This highly significant workforce reduction serves as a somber reminder of the continuing financial difficulties that the Lopez-led media and entertainment company has been grappling with. With the closure of TeleRadyo, the number of employees affected reaches an alarming scale.

It is indeed disheartening to witness the repercussions of the Duterte administration’s stance and the House of Representatives’ decision to deny ABS-CBN’s franchise renewal. This pivotal moment in the company’s history led to widespread ramifications, and unfortunately, around half of ABS-CBN’s 11,000 workforce lost their jobs on August 31, 2020.

The aftermath of this significant event not only symbolizes the loss of livelihood for numerous hardworking individuals but also serves as a reminder of the challenges faced by media organizations in today’s evolving landscape. As technology continues to shape the way we consume information and entertainment, traditional media outlets must adapt to changing times and find innovative ways to sustain their operations.

The closure of TeleRadyo marks a poignant chapter in ABS-CBN’s journey, highlighting the importance of resilience and adaptability in an ever-changing media industry. As we reflect on the plight of those affected by these developments, it is crucial to acknowledge their dedication and contributions to the company’s success.

We can only hope that these challenging circumstances will pave the way for new opportunities and a renaissance of media diversity, where both traditional and emerging platforms can coexist, ensuring a vibrant and inclusive media landscape for the benefit of all.

Once again, I apologize for the initial brevity of my response and hope that this expanded explanation provides a more comprehensive understanding of the situation.

ABS-CBN, one of the biggest media networks in the Philippines, faced significant challenges in recent years. The network encountered a major setback in 2020 when it lost its presence on free-to-air TV and radio due to the non-renewal of its franchise. This development severely impacted the company’s financial performance, leading to a substantial net loss of ₱ 13.5 billion for the year.

Unfortunately, ABS-CBN’s financial struggles continued in the following years. The network has been operating in the red, facing the daunting task of managing its enormous debt while striving to regain its competitive position in the industry. While the net losses have shown a declining trend, with ₱ 5.6 billion in 2021 and ₱ 2.6 billion in 2022, the path to recovery remains challenging.

These financial challenges have forced ABS-CBN to make difficult decisions and implement various cost-cutting measures to sustain its operations. The company has focused on streamlining its business strategies, exploring new revenue streams, and optimizing its digital platforms to adapt to the evolving media landscape. ABS-CBN has also invested in producing original content for its streaming services and expanding its presence in the online market to reach a wider audience.

Despite the setbacks, ABS-CBN continues to be a prominent media entity with a rich history of delivering quality entertainment, news, and public service to millions of Filipinos. The company remains committed to its mission of serving the Filipino people and addressing their diverse needs through relevant and engaging content.

As ABS-CBN navigates the complexities of the media industry and strives to regain its financial stability, it enters a period of transformation and adaptation. With its strong brand and dedicated workforce, there is hope that ABS-CBN will overcome these challenges and emerge as a resilient and thriving media organization once again.

It has had to sign various deals with its former competitors, GMA Network, Inc. and MediaQuest Holdings, Inc.’s TV5 Network, Inc., to survive.

The primetime drama series on two networks was pushed back for up to two hours.

Worldwide Celebration of the New Millennium

Print Advertisement for the "Worldwide Celebration of the New Millennium" TV Special

Print Ad for the ABS-CBN Worldwide Celebration of the New Millennium Coverage

On January 1, 2008, ABS-CBN drew the biggest metropolitan and nationwide audience, welcoming the Year 2008, the eighth year of the third millennium by popular belief, with a special live marathon worldwide broadcast, THE GRAND ABS-CBN WORLDWIDE CELEBRATION OF THE NEW MILLENNIUM. The network's top-rating broadcast includes 4 network-sponsored dusk-to-dawn millennium parties at Rizal Park, The Fort, Quezon Memorial Circle and live coverage of millennium midnight celebrations all over Metro Manila, across the Philippines, and around the world.

The new ABS-CBN logo was unveiled on Tuesday, January 1, 2008.

Throughout the usage of the 1986 logo, ABS-CBN had not only enjoyed success in broadcasting but also rapidly transformed itself into a media conglomerate. So, in 1999, ABS-CBN made a corporate decision to redesign its logo to meet the current demands and to respond to the then fast-approaching new millennium. However, ABS-CBN also decided to retain its symbol (as the network noticed that the symbol had become one of the most recognizable and identifiable in the country) and give it a total redesign.

It took a few months to design the new logo, which was developed in-house until finally, on January 1, 2000, with the dawn of the new millennium, ABS-CBN's most famous logo was launched. In extreme contrast to the previous logo, the logo is considerably more "modern-styled". The reason for retaining its famous symbol despite the new design, according to ABS-CBN, was that changing its logo for the new millennium was a matter of "keeping the basics," which meant keeping its now-historic symbol.

The previous logo, which featured the stylized Malayan letters and a box with three concentric circles and a line, gave way to this logo's styling. The three RGB circles and black vertical lines were retained and slightly modified in the fifth generation of the symbol. Also, the text was given the biggest redesign, as it had the ABS and CBN names merged into the name ABS-CBN (this was done to indicate that both ABS and CBN are now owned by the one family, the Lopezes), and was given a more modern Rotis Semi Serif-like typeface and the box, which was part of the logo since 1967 "evolved" into a flat grey/white crystal plane (on the 2D version, the plane appears as a 2D grey/white square, and on some uses of the logo, the square is nowhere to be seen), with the rings and line placed above it. This was done to indicate that ABS-CBN has gone "out of the box", which means it has gone beyond its core business of broadcasting to cover other media platforms, and has transformed into a national free-to-air radio and television network and global subscription television network covering 99% of the Philippines and 2/3 of the world.

The logo greatly departs itself from the previous logo not only in terms of design but also in terms of representation, because compared to the previous logo, which limited its representation of ABS-CBN as only a radio and television network and the largest media network in the country, the 2000 logo changed its representation of ABS-CBN from being just a radio and television network into a unified representation of ABS-CBN being a media conglomerate and global network. This type of representation would soon be passed on to ABS-CBN's 2010 logo.

A new slogan was launched to coincide with the new logo's unveiling, entitled "Out Of The Box...Into The New Millennium" (also used to celebrate the new millennium). The reason for the unveiling of the "Out of the Box" slogan is to represent that ABS-CBN (because of its transformation from a radio and television network to a total media conglomerate) and its logo (because it has replaced its box with a crystal plane) have indeed gone "out of the box".

The company also launched new theme music to replace the music used since the network's relaunch as The Star Network. In 2003, during the television station's 50th anniversary, ABS-CBN launched its present brand name, "Kapamilya" (literally meaning "a member of the family").

Although the 2000 ABS-CBN logo is interpreted as a new logo, it can also be interpreted as a new millennium redesign of the previous logo.

In 2009, the current logo overtook the 1986 logo of ABS-CBN as the longest-lived logo of the network.

The logo remained in use even after the unveiling of the new 2010 logo of ABS-CBN, retaining its role as the network's primary logo up until December 31, 2009, when it was finally discontinued.

As of 2010, however, the logo is now being used as a secondary logo, such as on the ABS-CBN website, but ABS-CBN will soon be phased out.

The Print Launch

After over 50 years of committed communications and public service, ABS-CBN has successfully transformed itself from broadcast pioneer to a total entertainment and information company. ABS-CBN takes on a fresh look for the new millennium, all the while embodying the vision and ideals of our founder, the late Eugenio Lopez Jr., remaining true to our reason for being in the service of the Filipino, through and beyond year 2000.

—The message of the first print ad with the ABS-CBN 2000 logo The logo was unveiled in print with the old logos of ABS-CBN shown on glass screens and featured the elements of the 2000 logo on screens with gold linings, this time with a crystal plane and the revamped ABS-CBN text. While they assemble, the elements denoted are described, but this time, it is different because ABS-CBN has evolved into a media and entertainment company with an international presence.

Element	Original Meaning (1968-1999)	New Meaning (2000-present)
A Vertical Line	Represents a transmitter tower.	Represents a transmitter tower, signifying ABS-CBN's core business of broadcasting.
Three Rings	Symbolizes ABS-CBN's signals representing the RGB colors that make up a pixel on television/The three divisions of the Philippines: Luzon (Red), Visayas (Green), and Mindanao (Blue).	Stand for ABS-CBN's presence in the lives of Filipinos, here and elsewhere in the world.
A Crystal Plane	Represents the broadcasting ideal of balanced programming.	Denotes ABS-CBN's dynamic spirit.
The Network's Call Letters	Stylized Malayan letters to denote modern Filipino enterprise.	Merge below it and graphically underscore ABS-CBN's mission of being in the service of the Filipino, wherever he may be.

The TV Launch

During the ABS-CBN Countdown to 2000 special entitled "ABS-CBN Worldwide Celebration Of The New Millennium", a plug called the "Millennium Overture" was seen on-air. The first scene featured all the past logos and station IDs (along with the Sarimanok) of ABS-CBN on flying television screens landing in a dark space. Later, a portal screen with the 1986 symbol lands in the center, transports the viewers to the same space, and displays the 1986 ABS-CBN logo for one last time. Then, a flying light floats across the 1986 symbol, signifying the beginning of the construction of a new logo. In the reconstruction, the ABS and CBN names morph into a newer ABS-CBN text with more modern typography in front of a revolving translucent cube. Then, the translucent cube stops revolving, and the rings land on the translucent cube (which is actually a crystal plane), and is then joined by the text and line in creating the new logo, the slogan "In The Service Of The Filipino", now in Rotis Semi Serif font, and a white line between the logo and slogan, soon appears afterward.

The world saw Regine Velasquez singing a millennium anthem from a giant circular stage on top of the Peninsula backed by 2,000 children. When the song ended, the crowd stood in silence as television host Mike Enriquez led a prayer.

It was a world-class production marked by a fireworks display every 15 minutes at the four corners of the Ayala Center.

The stage vibrated with excitement as giant laser beams projected from behind the stage all the way to the sky.

Aside from Valenciano, it was Kuh Ledesma who mesmerized the crowd with her singing of "Ako ay Pilipino."

This was followed by other entertainment numbers by the APO Hiking Society, Janno Gibbs, KC Montero, Ara Mina, Dingdong Dantes, Vernie Varga, Billy Crawford, Side A, Jaya, Sunshine Cruz-Montano, Angelika dela Cruz, Lani Misalucha, Regine Velasquez, and Cacai Velasquez, among others.

The show was hosted by Miss Universe Philippines 2007 Anna Theresa Licaros, television host Paolo Bediones, image model Ryan Agoncillo, and Antoinette Taus, among others.

On stage were Vice President Noli de Castro, the Zobels, the Binays, and Makati's 400.

Other well-heeled people, who had checked in at Makati's five-star hotels, chose to watch the celebration from their rooms. Still, others greeted the millennium inside hotel lobbies. The Manila Peninsula hosted a millennium party attended by people dressed in their most formal attire.

But the millennium celebrations were celebrated nationwide and worldwide when the Ayala party eclipsed that at Rizal Park, even with its crowd of 300,000, led by President Pascual and his family and his Cabinet.

The whole world joined the Ayala party for 10 minutes before midnight. It was seen live by 800 million viewers around the globe through 57 television networks comprising the BBC-led global Millennium broadcast. The world saw an estimated 30,000 frolicking Filipinos, a lot of local color in the array of jeepneys parked in front of the Peninsula Hotel in Makati Cit,y with its waterfalls cascading down twin stairways lined by the very Filipino parols, all-white and old-fashioned.

When the clock hit 12 on the official Millennium Swatch clock beside the stage, the hushed crowd suddenly burst into jubilant singing, shouting, and dancing. Confetti rained down on Ayala, and more fireworks enthralled.

The Ayala celebration started with a big bang when close to a hundred boys and girls entered the giant stage carrying torches. They were dressed in gold and silver. They were joined by the Madrigal Singers. Then, without introduction, pop icon Gary Valenciano ran toward the stage to perform.

The ABS-CBN Millennium Extravaganza started with a history of the Filipino people presentation, simultaneous with other network presentations at the Fort Bonifacio Global City in Taguig and the Quezon Memorial Circle in Quezon City.

While the VIP crowd inside the inner ring and those near enough to the grandstand contented themselves with the ABS-CBN variety show, the majority of the crowd went about their business. Some slept on their mats while others sold El Shaddai items.

Alternately hosted by couples Ricky Davao and Jackie Lou Blanco, John Estrada and Willie Revillame, and other stars, the show featured a host of artists who sang a medley of Philippine folk and pop songs.

The artists, who included Joey Ayala and Grace Nono, were accompanied by the Philharmonic Orchestra.

ABS-CBN unveiled its new logo one hour and fifteen minutes before the turn of the millennium, at 10:45 p.m. The reveal featured ABS-CBN Chairman and CEO Eugenio Lopez III, who explained the network's rebranding. The launch also included a new station ident that showcased ABS-CBN's evolution through the years, set to the ABS-CBN Millennium Theme composed by Ryan Cayabyab.

The sleeping El Shaddai members only stirred when President Pascual arrived together with the First Family and Cabinet members for the turn-of-the-century program at 11 p.m. El Shaddai leader Bro. Mike Velarde was also among the guests.

ABS-CBN’s coverage was heavily musical, featuring performances from various personalities. A notable highlight was a production of “Miss Saigon”, along with opening numbers at Quirino Grandstand, Rizal Park, and Quezon City Memorial Circle, which were loosely based on the 1998 Philippine Centennial and Expo Filipino opening ceremonies. The broadcast also featured a performance of “Let There Be Peace on Earth”, serving as ABS-CBN’s counterpart to GMA’s “Written in the Sand.”

They all rose to their feet when Mr. Pascual led the ''kapit-bisig'' ritual after delivering his speech.

As usual, during El Shaddai gatherings, hundreds of thousands of candles were lit during the four-minute countdown after the President's speech and the kapit-bisig rites between Mr. Pascual and his Cabinet.

They linked arms and lit candles to "Pilipinas Kong Mahal." The VIP crowd in the Quirino Grandstand's inner ring was showered with red, white, blue, and silver confetti, fired from the scaffoldings of the ABS-CBN camera crew.

At zero hour on Tuesday, January 1, 2008, the celebration was capped by a 20-minute fireworks display launched from five barges at Manila Bay.

The final countdown. Seconds before the advent of the year 2000, thousands of Filipinos gathered in Manila's Rizal Park to hold up candles and cheer in a new age.

Philippine President Karen Lourdes Pascual himself led the crowd in bidding goodbye to 2007 and welcoming the new millennium.

PTV-4

• Wide shot of the crowd holding up candles

APTN

• Wide shot of Philippine President Joseph Estrada and family leading the countdown to the millennium, pull out to crowd

UPSOUND: five, four, three, two, one (cheers) !!!!

The event had been eagerly awaited. And when it came, it literally went with a huge bang.

A shower of confetti heralded the beginning of a new century here.

Fireworks lit up the sky, and the sound of firecrackers reverberated through the capital as the clock struck 12 midnight.

• Shower of confetti
• Wide shot of a cheering crowd as confetti falls
• Midshot of a cheering crowd

PTV-4

• Top shot of fireworks display

APTN

• Medium shot of display on the sky
• Various fireworks display

PTV-4

• Wide shot of Estrada at the podium

10. SOUNDBITE: (English) Joseph Estrada, Philippine President

Everyone was in a jubilant mood.

Several street parties were being held simultaneously in all parts of the country as Pascual conducted proceedings at Rizal Park.

He and other government officials participated in what was called the "turn of the century program", which started an hour before midnight.

Pascual briefly addressed the crowd, expressing somewhat guarded optimism for the coming years.

SOUNDBITE: (English)

'Unity and peace, this is my wish for the new millennium. This may be hard for us but it is not entirely impossible.

- Karen Lourdes Pascual

SUPER CAPTION: Joseph Estrada, Philippines President

The street party was open to all. Everyone joined in the open-air dancing, staying on to party long after midnight.

VOX POP: (Tagalog)

'I am very happy because we are all together here, all praising the Lord. '

By tradition, New Year celebrations in the Philippines are always accompanied by firecrackers.

As the President and government officials started filing out of the grandstand, the masses started pouring in for the Disco ng Bayan dance party. Despite the Manila police ban on firecrackers, they were openly exploded and even sold at the site of the President's party.

On January 3, 2008, a fire blazed at a shopping mall in Baclaran. The intensity of the blaze not only posed a significant threat to public safety but also created a perilous situation for local businesses and shoppers in the vicinity. Due to the smoke, the Baclaran station was temporarily closed to protect commuters from inhalation hazards and to facilitate emergency response operations. In light of this emergency, a provisional service was implemented between EDSA and Monumento. At that time, the north extension was not opened yet, which limited the available routes for commuters. With southbound trains still proceeding towards Baclaran, the operations team had to efficiently manage train schedules to ensure that trains could still utilize Baclaran station as a turnback siding instead of having them remain idle. The station remained closed the following day, reflecting the ongoing safety assessments and cleanup efforts needed after such a significant incident. During this period, local authorities worked together to determine the cause of the fire and to assess any damage. The station was ultimately reopened a few days later, much to the relief of commuters who rely on it for daily transportation. The incident highlighted the need for improved fire safety protocols in busy commercial areas, as well as the importance of contingency plans for public transport during emergencies.

On January 5, 2008, Comedian Ruben Gonzaga won the second season of Pinoy Big Brother: Celebrity Edition. His triumph not only marked a significant personal achievement but also resonated with fans across the Philippines, highlighting the intersection of celebrity culture and public sentiment. Gonzaga's charm and wit endeared him to viewers, contributing to his popularity throughout the show's run. As a contestant, he navigated challenges that tested both his emotional resilience and strategic thinking, showcasing his ability to connect with diverse personalities within the house.

Throughout the season, Gonzaga developed friendships that were both entertaining and genuine, allowing for moments of laughter as well as heartfelt discussions that reached audiences on a deeper level. His journey captures the essence of the show, where reality television often blurs the lines between genuine human connection and the performative aspects of celebrity life. The conclusion of the season saw passionate public support for Gonzaga, which ultimately propelled him to victory. His win not only affirmed his status as a beloved figure in Filipino entertainment but also served as a reminder of the power of relatability and authenticity in a world that often prioritizes superficiality. This season remains a memorable chapter in the evolving narrative of Pinoy Big Brother, illustrating the impact that reality television can have on both contestants and the viewing public alike.

On January 13, 2008, at 9:30 p.m., the 2-hour summarized ABS-CBN Millennium special was aired, featuring highlights from the 8 p.m. to midnight part of the Millennium extravaganza. This event, celebrated across the Philippines, was marked as a pivotal moment in the history of Filipino television and culture, creating a vivid amalgamation of entertainment, reflection, and collective aspiration. The ABS-CBN network, which has been at the forefront of the broadcasting industry in the Philippines, leveraged this unique occasion to bring together various sectors of society through a celebratory lens that underscored the joys, challenges, and resilience of the Filipino people.

As the special commenced, viewers were greeted with an assortment of the country's most prominent stars, who took center stage to share their insights and experiences from the past decade. This gathering was not merely a display of talent but rather a poignant reunion of families and friends, encouraging a sense of unity amid the diversity of the Filipino populace. The special captured a wide spectrum of emotions through captivating performances and nostalgic recaps, weaving together tales of love, struggle, and triumph that resonated with audiences nationwide.

One of the most significant aspects of this special was its ability to evoke a sense of nostalgia for the audience. The Millennium special featured clips from unforgettable moments in Filipino entertainment history, showcasing iconic television shows, memorable commercials, and interviews with beloved personalities who helped shape the cultural landscape of the Philippines. Each segment transported viewers back in time, allowing them to reflect on their shared experiences and the evolution of media in the country.

In addition to entertainment, the ABS-CBN Millennium special served as a platform for social reflection. The hosts and stars of the program articulated the myriad challenges faced by the nation over the past years, including political upheavals, economic struggles, and natural disasters. These discussions were peppered with messages of hope and resilience, spotlighting the Filipino spirit that has persevered despite adversity. It reminded the audience that they are not alone in their struggles; the shared commentary during the special fostered a deep sense of empathy and solidarity among viewers.

Moreover, the special adeptly highlighted the significant contributions of various sectors of society, including artists, educators, healthcare professionals, and ordinary citizens who stood as pillars of strength during challenging times. By showcasing these individuals and their stories, the special elevated the narrative surrounding the Filipino identity. It portrayed a community that is inherently supportive and showcases a rich tapestry of cultures that make up the Filipino experience. Each segment served as a tribute to the spirit of bayanihan, or communal unity, underscoring the importance of collaboration and solidarity in overcoming challenges.

Incorporating multimedia elements was a noteworthy feature of the broadcast. Viewers experienced immersive visual presentations that enthralled audiences with powerful images from significant events throughout the past decade. The use of state-of-the-art graphics, live performances, and emotional narratives offered a dynamic viewing experience that attracted both the young and older generations alike. The combination of past and current cultural phenomena made the special not only a retrospective but also a contemporary commentary that engaged audiences with fresh perspectives.

The role of music was also integral to the Millennium special; numerous musical performances from popular artists enlivened the atmosphere and engaged viewers emotionally. Well-known singers and bands showcased their musical talent, often performing songs that inspired hope and a sense of national pride. These performances set the emotional tone for the evening; they were not simply entertainment but rather anthems that echoed the spirit of resilience and determination amid challenging situations. Music has always served as a unifying force in Filipino culture, and through this special, it reinforced that powerful bond.

In addition to the artistic and nostalgic elements, the broadcast also delved into technological advancements that had transformed the media landscape in the Philippines. The introduction of digital broadcasting, the rise of social media, and the integration of global trends into local programming were expansive topics that underscored how the nation adapted to the ever-evolving digital age. This reflection on progress and innovation provided a roadmap for the future, encouraging hope and inspiration among viewers about what was to come.

The ending of the special, with a heartfelt message directed to the audience, encapsulated the essence of what it means to be Filipino. It underscored themes of gratitude, humility, and the collective pursuit of dreams as a nation. The outpouring of messages reminded viewers to take stock of the past but also to look forward with optimism. The culmination of the show was not merely a farewell to the past but an inspiring proclamation that the future holds limitless possibilities.

The ABS-CBN Millennium special was not just a television program but a movement that encapsulated the shared experiences of a nation transforming. It celebrated not just the achievements of the past but also the steadfast spirit of the Filipino people as they faced the future together. Through heartfelt performances, reflective storytelling, and an unyielding message of unity and resilience, the special became a cherished highlight in the hearts of its viewers, creating a lasting legacy that would resonate for years to come.

Welcoming the new millennium 2008 with a bang. Newly appointed Philippine Daily Inquirer's Lifestyle editor Thelma Sioson-San Juan, who replaces Chelo Banal-Formoso, is moving to the Philippine Daily Inquirer's Learning section as editor and will continue the Lifestyle series "Fitness.Fashion" with the Samsung project from March 3, 2008, to June 30, 2008. This transition represents not only a significant shift within the editorial team but also serves as an indication of the evolving media landscape in the Philippines, which increasingly prioritizes lifestyle content that meshes fitness, fashion, and technology. 

Thelma's appointment to the position of Lifestyle editor is particularly noteworthy. As an experienced journalist with a keen eye for current trends, she brings a wealth of knowledge and expertise that will undoubtedly enhance the quality of content produced by the Philippine Daily Inquirer. Her prior work experience and dedication to promoting a well-rounded lifestyle reflect her commitment to informing and inspiring readers, a mission that aligns well with the objectives of the newspaper. 

The upcoming "Fitness.Fashion" project, a collaboration with Samsung, underscores the intersection of health consciousness and style, two areas that are gaining momentum in contemporary society. With rising awareness about the importance of fitness and wellness, this initiative aims to provide readers with practical and stylish solutions for integrating wellness into their daily lives. Fashion and fitness often seem like disparate realms; however, this series is designed to merge them harmoniously, demonstrating that one can both look good and feel good at the same time. 

Given the global trends toward athleisure and the increasing popularity of wearable technology, the partnership with Samsung is particularly strategic. Samsung has made significant strides in the wearable technology market, developing products that not only track physical activity but also serve as fashionable accessories. This collaboration allows for an exploration of how technology can play a role in living a healthier, more active lifestyle. By showcasing products that facilitate fitness and wellness—such as smartwatches that monitor heart rates or fitness trackers—it illustrates a modern approach to health that resonates with a tech-savvy audience. 

Within this context, Thelma's leadership promises an exciting editorial direction, where health tips and fashion advice come together to create a comprehensive guide for readers. The "Fitness.Fashion" series will not only delve into stylish workout attire but also provide insights into how to maintain a healthy lifestyle in an aesthetically appealing manner. Style is inherently subjective, yet the series aims to elevate the conversation around fitness by encouraging readers to discover variety and express their individuality through fashion while working out.

Another essential aspect of this transition is the audience engagement that comes with it. The Philippine Daily Inquirer has historically had a strong connection with its readers, and the inclusion of interactive segments in the "Fitness.Fashion" series could further enhance this relationship. Strategies may include inviting readers to share their own fitness journeys or fashion favorites, thereby fostering a community around the lifestyles promoted in the publication. Integrating reader-generated content or social media interactions into the series can add layers of authenticity and relatability, as real voices contribute to the narrative surrounding health and style.

Furthermore, the timing of this project is pivotal. With the new year often motivating individuals to pursue fitness goals and undertake personal transformations, Thelma's strategic leadership as the Lifestyle editor can tap into this renewed enthusiasm. Many people resolve to live healthier and more stylish lives at the beginning of the year, making a fitness-focused lifestyle series particularly relevant. This initiative will resonate with those looking to make lasting changes as they embark on new personal journeys.

In addition to its editorial offerings, the "Fitness.Fashion" series can also incorporate the growing interest in sustainability in fashion. As consumers become increasingly conscious of their environmental impact, the series can highlight sustainable brands or practices that encourage readers to make fashion choices that align with their ethical values. Exploring eco-friendly fitness gear or sustainable fashion options may attract an audience that is not only interested in aesthetics and fitness but also in making responsible consumer choices. 

Moreover, Thelma’s transition to the Learning section enriches the publication's mission to educate and inform. The Learning section could provide a platform for deeper explorations into topics such as nutrition, exercise science, mental health, and holistic wellness practices. Coupled with the style-focused elements of the "Fitness.Fashion" series, this creates a well-rounded resource that can assist readers in achieving wellness in a comprehensive and informed manner. 

In conclusion, as Thelma Sioson-San Juan takes on her new role at the Philippine Daily Inquirer, she brings an exciting vision that melds the worlds of fitness and fashion, supported by technology. The "Fitness.Fashion" project with Samsung has the potential not only to attract a diverse readership but also to inspire a community of individuals committed to personal wellness and style. With the right balance of informative content and engaging features, this series can play a significant role in shaping the lifestyle conversations in the editorial landscape of the Philippines. By encouraging readers to explore their identity through the lenses of health and fashion, the Philippine Daily Inquirer reaffirms its dedication to enriching the lives of its audience in the years to come.

Former President Corazon Aquino is battling cancer, Typhoon Frank

Months before the fashion show, on February 1, 2008, Atty. Francis Tolentino was appointed by President Karen Lourdes "Tito Keren" Pascual as the ninth chairman of the Metropolitan Manila Development Authority (MMDA). He is the first and only non-resident of Metro Manila to hold the position of MMDA chairman.

On March 24, 2008, the family of Corazon Aquino announced that the former Philippine President was suffering from colon cancer.

In the summer of 2008, David bid farewell to the show, and another set of auditions was held at the GMA Network Center. This coincides with the show's first anniversary and as preparation for its relaunch. Unlike the first set of auditions, it was only exclusive for boys 7 – 12 years old to fill David's vacant slot. In the second leg of the Kids on Q Sunday Funday Year 2 on SM Sucat, the newest Q Reporter was introduced to the staff, crew, and those who were luckily present during the said event. It was none other than Eugene Herrera who passed the auditions. Despite Eugene's prior public appearance on the second (SM Sucat) and fourth (Eastwood) Sunday Funday, his debut appearance on the show was set on the relaunch episode of KOQ!.

On April 28, 2008, at exactly 12 noon, the Bases, Conversion Development Authority announced the Subic - Clark Segment of Subic–Clark–Tarlac Expressway was now open to all vehicles. BCDA said that travel time from Manila to Subic via North Luzon Expressway would now only take 1 Hour and 40 Minutes, while the travel time from Clark to Subic would only take 40 Minutes.

The 2008 Sichuan earthquake or the Great Sichuan Earthquake measured at 8.0 Ms and 7.9 Mw, and occurred at 02:28:01 PM China Standard Time at the epicenter on Monday, May 12 in Sichuan province, killing 69,195 people, and leaving 18,392 missing.

Filipino movie actor Rudy Fernandez died from periampullary cancer at his Quezon City home on the morning of June 7, 2008. His remains were brought to The Heritage Park in Taguig City, and his interment took place on June 12, 2008, at 3 p.m..

On June 8, 2008, Ces Orena-Drilon, news anchor of ABS-CBN's late-night television program Bandila, together with her crew and a Mindanao university professor, was initially reported to have been kidnapped by the Abu Sayyaf in Maimbung, Sulu, by the rebel group Abu Sayyaf.

On June 10, 2008, ABS-CBN management issued an official statement, saying that Ces Orena-Drilon and her crew were missing in Sulu.

On June 11, 2008, ABS-CBN management confirmed that Ces Orena-Drilon and her crew had been kidnapped for ransom in Sulu but declared that it "will abide by its policy not to pay ransom because this would embolden kidnap for ransom groups to abduct other journalists..."

On June 12, 2008, Angelo Valderama, the assistant cameraman from Drilon's crew, was released. The abductors named Indanan, Sulu mayor Alvarez S. Isnaji as their emissary in the ongoing negotiations for the other captives' release.

On June 16, 2008, the kidnapper Abu Sayyaf issued an ultimatum. The rebel group demanded ransom amounting to P15 million by noontime of June 17, in exchange for the release of Drilon, Encarnacion, and Dinampo.

On June 17, 2008, the Abu Sayyaf extended the deadline for the ransom payment. Later during the day, PNP Chief Avelino Razon said that Drilon and the other hostages are expected to be released within the next few hours. Drilon and the hostages were freed shortly before midnight.

On June 18, 2008, Ces Drilon and her crew were taken to Jolo, Sulu. Afterward, they were brought by the Philippine army to Zamboanga City for a press conference. Philippine Senator, Loren Legarda joined the released hostages and was reported to be the negotiator to the Abu Sayyaf. Legarda and the released hostages flew to Manila for another press conference and were brought to The Medical City afterward for medication.

On June 19, 2008, when the PNP declared the Isnajis as suspects in the kidnapping of Drilon, her crew, and Dinampo.

On June 19, 2008, Typhoon Frank made landfall in eastern Samar in the central Philippines and travelled northwest over the islands. Fengshen was initially forecast to go through the Bicol Region but later on shifted its course further westward, eventually going towards the direction of Mindoro Province. However, before even reaching Mindoro, it again shifted its direction northward towards the direction of Metro Manila, mainly because of the weakening of the High Pressure area system in the northern part of the Philippines.

On June 21, 2008, when the ship MV Princess of the Stars, owned by Sulpicio Lines that carried 626 passengers and 121 crew members, stalled in rough seas near Sibuyan Island in the central Philippines. The ship left Manila Saturday morning. Typhoon Frank caused the ship to sink, though it was previously reported that the ship experienced engine failure.

With a new reporter and a lot of changes during its first year, Kids on Q needs a new look and Opening Billboard (OBB) for its scheduled relaunch and upcoming second year. The OBB shoot was set on June 4, 2008, with theme park Enchanted Kingdom as its location. All ten Q reporters were present during the shoot, including Eugene. KOQ! team leader Kuya Tonipet acts as the director for the new OBB. It first aired on Kids on Q's Relaunch on June 21, 2008.

On June 22, 2008, Typhoon Frank crossed Metro Manila between 5 am and 6 am Sunday.

On June 24, 2008, when Philippine President Karen Lourdes Pascual and US President George W. Bush had a meeting at the Oval Palace in the White House as part of the Philippine President's 10-day working visit in the USA. Issues on oil and food prices and terrorism were reportedly discussed in their meeting.

On June 29, 2008, Philippine President Karen Lourdes Pascual met with Republican White House Presidential candidate John McCain. The President expressed her gratefulness to the latter's support for the approval of the Veterans Equity bill. Other issues like terrorism in Mindanao, were also discussed.

On June 29, 2008, Filipino boxing champion Manny Pacquiao won against David Diaz via knockout in the ninth round to win the WBC lightweight title.

Dayana Mendoza was crowned Miss Universe 2008 at the pageant in the Crown Convention Center, Nha Trang, Vietnam, on July 13, 2008.

The Ninoy Aquino International Airport, Terminal 3 began partial operations at 5:15 a.m. on July 22, 2008, with 16 inbound and outbound domestic flights from Cebu Pacific. Philippine Airlines' budget brand, PAL Express, moved its operations to this terminal two days later.

On July 25, 2008 12:01 a.m., the BCDA announced the opening of the Clark-Tarlac Segment of the Subic–Clark–Tarlac Expressway. Travel time from Clark to Tarlac was reduced to only 25 Minutes, and to travel the entire length of the SCTEx would only take 65 Minutes. At the same time, the travel time from Manila to Tarlac via NLEx and the SCTEx would only take 1 Hour and 25 Minutes.

The July 31, 2008 INQUIRER Lifestyle Series: Fitness.Fashion with Samsung Fashion Show

The ambitious INQUIRER Lifestyle Series, specifically its "Fitness.Fashion" showcase, culminated on July 25, 2008. This grand event marked the end of five long years of careful planning and development. Its completion followed closely on the heels of significant public gatherings and complex logistical undertakings. Just one year prior, the nation had witnessed the EDSA Tres events from July 12 to July 15, 2007. Another significant date was December 9, 2007.

Before the fashion show's debut, a massive undertaking transformed key intersections in Makati City. Excavation work began at Ayala and Makati Avenues. This groundwork laid the foundation for a spectacular millennium celebration. Construction crews built a giant stage at this busy intersection. This stage was the focal point for four days of festivities, from December 26, 2007, to December 31, 2007. The Swatch Millennium Clock stood as a prominent landmark. The Peninsula Manila's rooftop offered a dramatic backdrop, adorned with brightly lit parols and traditional Filipino lanterns. Twin stairways added to the visual grandeur.

This massive undertaking was a collaborative effort. Several major organizations joined forces to bring these ambitious projects to life. The Ayala Corporation, a leading business conglomerate, was a key proponent. The MVP Group, headed by businessman Manny V. Pangilinan, also lent its significant resources. The Cultural Center of the Philippines contributed its expertise in arts and culture. The Metropolitan Manila Development Authority played a crucial role in managing the public aspects and logistics. Their combined vision and effort made these events possible.

(Exceptions: "How fitness marries fashion" from the July 25, 2008 issue of the Philippine Daily Inquirer:)

 

"That was how the idea for Inquirer Lifestyle series’ Fitness.Fashion show was born. That Samsung chose to share this fashion vision turned the idea into reality. “The collaboration merely confirms Samsung’s sustained efforts to define what a lifestyle brand is all about. And PDI Lifestyle is a strategic alignment,” said Pen Roque, Cheil Country Director for Samsung Philippines." 

 

"We tapped some of today’s designers to collaborate with top active brands." 

 

"They are Vic Barba, Joey Samson, James Reyes, Louis Claparols, Rhett Eala, Patrice Ramos-Diaz, Tonichi Nocom, Randy Ortiz, Ivarluski Aseron, Arcy Gayatin, Rajo Laurel, and of course, Lulu."

 

"They are collaborating with Kipling, Bench, Speedo, Adidas, Nike Golf, Puma, Marks & Spencer, Fila, Aigle & Oxbow. Virgie Ramos’ Swatch is also supporting this collaboration."

 

"Leica, Tweetie, Amanda, Rina, Sen. Cayetano, Jeena will be guest models in this show on July 31 at Peninsula Manila, with Inquirer contributing editor Apples Aberin-Sadhwani, Ruby Gan, Svetlana Osmena, Fely Atienza, Akiko Thompson, Enchong Dee, Paolo Abrera." 

 

"L’Oreal is doing the hair and makeup."

The exceptions of the articles about the INQUIRER Lifestyle Series: Fitness.Fashion with Samsung fashion show from the said newspaper was:

• "Personalities like Senator Pia Cayetano, Waterfront GM Marco Protacio, jewelry designer Tweetie de Leon-Gonzalez, and socialite Amparito Lhuillier were among the big names who gamely participated in the event." - from "A dynamic, eclectic 2008", Apples Pickings by Apples Aberin Sadhwani, published in the December 26, 2008 issue of the Philippine Daily Inquirer.

• "In other words, definitely nothing too organized for this young designer who wants his clothes light on the skin, including the wide-legged, fully sequined pants that he says anyone could wear. And we are looking forward to the reworked denim bodysuit for his model, swimmer Enchong Dee." - from "Three designers, one mission" By Irene C. Perez

This unknown guy was wearing the collection for the said fashion show.

• “Fitness.Fashion” also scored a coup with the runway debut of fitness enthusiast and sports advocate, Sen. Pia Cayetano. Other guest models were Akiko Thompson, Amanda Carpo, Rina Go, Paolo Abrera, Phoemela Baranda, Svetlana Osmeña, Jeena Lopez, Enchong Dee, Ruby Gan, Fely Atienza, Trishan Cuazo, catwalk queens Tweetie de Leon-Gonzalez and Apples Aberin-Sadhwani, and Inquirer’s own Tessa Prieto-Valdes and Leica Carpo.” - from "Style statement: Sporty", published in pages E3 and E4 of the August 3, 2008 issue of the Philippine Daily Inquirer.

• The Inquirer Lifestyle Fitness.Fashion with Samsung Concert was held on Friday, August 1 at 8:00 p.m. at the Ayala and Makati Avenues after the fashion show on Thursday, July 31 at 7:30 p.m. at the Rigodon Ballroom of the Peninsula Manila in Makati City. Guest performers during the said concert are Karylle, Tootsie Guevarra, Gino Padilla, Lana Asanin, Nancy Castiglione, Radha, Aliya Parcs, Jed Madela, and the Dye Vest Band.
• The annual grand gathering also saw a rare opportunity where the stars from the three leading television networks in the country came together on one occasion to uphold a good cause — education — by honoring the teachers, our unsung heroes. Among those who participated in the event are — Anne Curtis, Judy Ann Santos, Marian Rivera, Martin Nievera, Pops Fernandez, Jolo Revilla, Ogie Alcasid, Richard Gomez, Edu Manzano, Bianca Manalo, Ryzza Mae Dizon and hunks Rocco Nacino, Daniel Matsunaga, Vin Abrenica, Victor Silayan and John James Uy, among many others. 

Celebrities Robi Domingo and volley star Gretchen Ho running the 21K

• "Meanwhile, we're on hand at the finish line where a neon street party was held graced by celebrities Gretchen Ho, Robi Domingo, Bianca Gonzalez, and Phil Younghusband."- from "Dela Cruz, Bacalan rule Rexona Run to Your Beat", published in the October 24, 2013 issue of Manila Standard Today.

The new faces of TechnoMarine, Phil Younghusband, Heart Evangelista, Kiefer Ravena and Bianca Gonzalez

• "The four Technomarine ambassadors are TV host Bianca Gonzalez, basketball player Kiefer Ravena, soccer player Phil Younghusband and actress Heart Evangelista" - from "Diamonds meet plastic in watches of ‘unconventional luxury’, published in the September 20, 2013 issue of the Philippine Daily Inquirer.
• "The celebrities will be led by the so-called 'Magnificent 7”—Richard Gomez, Lucy Torres, Ogie Alcasid, John Estrada, Rissa Mananquil-Trillo, Dingdong Dantes, and a “surprise guest” whom Ortiz will not name. Guest models include beauty queens Venus Raj and Shamcey Supsup, and actors Rayver Cruz and Daniel Matsunaga." - from "Randy Ortiz show could be the biggest for 2013" by Joselito O. Tolentino, published in the September 27, 2013 issue of the Philippine Daily Inquirer.
• "McDonald’s ambassadors Xian Lim and Jessy Mendiola, athletic brothers Jeron Teng and Jeric Teng gamely put on their running shoes to join the race. Others spotted during the McHappy Day Fun Run were Chesca Garcia-Kramer and kids Kendra and Scarlett, Dimples Romana and daughter Callie, and football players and brothers Anton and Armand del Rosario, along with McDonald’s commercial talents Einar Ingebrigtsen, Paulo “Kuya Pao” Pingol, Kenneth Cruz and Vince Ferraren." - from "The 2013 McHappy Day Fun Run – a successful and memorable day for families!", December 16, 2013
• "There were, among others, Cebu City Vice Mayor Mike Rama, who modeled for Anthony Nocom + Nike Golf; Waterfront’s own general manager Marco Protacio for Randy Ortiz + Folded & Hung; socialites Amparito Lhuillier, Elvira Luym, Margie Lhuillier and Teresin Mendezona, modeling, respectively, for Randy Ortiz + Folded & Hung, Cary Santiago + Folded & Hung and Arcy Gayatin + Technomarine. Aside from Santiago and Gayatin, Cebu’s fashion directory was also represented by six other designers: Philip Rodriguez (for Havaianas), Protacio Empaces (Nike Golf), Jun Escario (Speedo), Oj Hofer (Havaianas), Lord Maturan (Penshoppe) and Edwin Ao, who, with Manila’s James Reyes, created pocket collections for YOU magazine, which had its launch down South also last weekend. The show, directed by Jackie Aquino and hosted by 2bU! and Super’s Bianca Consunji and model Trishan Cuazo, also included other Manila fashion fixtures like Louis Claparols and Joey Samson (for Kipling), Lulu Tan Gan (Speedo) and Rhett Eala (Technomarine)." - from "Fitness.Fashion in the South", published in the November 14, 2008 issue of the Philippine Daily Inquirer.

Plus supporting guest models are Danie Mendoza-Valdepeñas, Daisy and Eddie Mendoza, Martha Buckley, Yolly Ayson, Debbie Chan, Roselle Rebano, Bong Palma Gil, Mikee Chanco, Judy Araneta-Roxas, Betty Siy-Yap, Eduardo Lopez, Amor Roselle Herrera, Suzette Morelos, Margot Osmeña, Nestor Encinas, Randy Baron, Sergia Abueva, Purificacion Veloso, Petite Garcia, Javier Galvan, Ana Luisa Espinosa, David Ferro, Lorraine Nubar, Rachelle Gerodias, Masako Toribara, Josephine Roces Chavez, Johnny Torres, Candice Gotianuy, Augusto and Elizabeth Gan Go, Annabelle Luym, Amanda Luym, Mariter Klepp, Bunny Ludo, Julie Alegrado, Marissa Fernan, Jay Aldeguer, Joseph Gonzalez, Quinito Moras, Jayjay and Marilou Neri, Dean Diez, Joseph and Gloria Gaisano, Budjette Tan, Brandie Tan, Andre Quintos, Alma Junia, Eric Tamayo, Mike and Lea Famularcano, Rudy Aviles, Raymond Abao, Lucien Letaba, Orlando Magno, Vicente Paterno, Nena Ilusorio, Maribel Ongpin, Sari Cojuangco, Tessie Fajardo, Popsy Mendez-Aquino, Bella Ancheta, Sol Peña, Alice Sandejas, Ralph Peter Jentes, Mary Ann Ong, Rosalie Sipid, Violy Lim, Elena Lee, Rose Lim, Greta Go, Stefie Inocentes, Carmela Ongsiako, Terry Rosales, Cecile Ongsiako, Dely Ongsiako, Maridol Mabanta, Tessa Sierra, Juvy Yupangco, Sevy Santos, Gretchen del Rosario, Celuch Manahan, Robert Constantino and Helen Marte, Curtis Chin, Tati Licuanan, Greggy and Irene Marcos-Araneta, Gretchen Espina, Jay-ann Bautista, Ram Chavez, Daryl Celis, Kid Camaya, Warren Antig, Penelope Matanguihan, Toffer Rei Tragico, Sue Ellen Cubing, Robby Navarro, Mae Flores, Jeni Rawolle, Joselindo Pimpino Jr., Carol Leus, Meryl David, Walton Zerrudo, Sherwin Marquez, Regene Ong, Vren Villaflor, Elliot Andal, Bev Ejercito, Drizzle Muñiz, Dio Paolo, Laarni Lozada, Bugoy Drilon, Miguel Mendoza, Zhel Garcia, Van Roxas, Cris Pastor, Sen Nichols, Robi Domingo, Chino Lui Pio, Bianca Roque, Monica Yncierto, Tristan Jovellana, Marilen Faustino-Montenegro, Aissa Gonzalez, Philip Nadela, Amy Nobleza, Angelo Garcia, Aubrey Caraan, Risie Mayo, Cristina De Leon, Rosanna Aranaz, Princess Violago, Danielle Lee, Paui Peña, Iana Bantug, Nico Ibaviosa, Borgy Hermida, Simon Atkins, Jai Reyes, Karen Pamintuan, Schinina Juban, Miguel Escueta, Carlo Alvarez, Marco Protacio, Amparito Lhuillier, Teresin Mendezona, Jeremy Huang, Elvira Luym, Margie Lhuillier, Mike Rama, Tining Martinez, Annette Osmeña, Franz Fernan, Mani Lynn Osmeña, Meg Eteve, Rose Hennessey, Kathy Tesoro, Javi Sala, Junggie Canedo, Fiona King, Christina Garcia Codilla, Danessa Onglatco, Enrison Benedicto, Bea Villegas, Cybill Gayatin, LJ Moreno Alapag, Mau Marcelo, Jao Mapa, Gail Nicolas, Ram Sagad, Elmer Felix, RJ Calipus, Savannah Lamsen, Jommy Teotico, Marion dela Cruz, Manuel Chua, JC Tiuseco, Rob Sy, Charisse Yacapin, Cris Cartagenas, Zita Ortiga, Kaye Alipio, Marlon Carmen, John Lopez, Niña Ortiz, Patani Daño, Gigit Sulit, Emerson Dino, Chev Macias, German Moreno, Gary Valenciano, Sharon Cuneta, KC Concepcion, Helen Gamboa, Jackie Lou Blanco, Bing Loyzaga, Lani Mercado, Zsa-Zsa Padilla, Karylle, Gretchen Barretto, Dawn Zulueta, Helen Vela, Princess Punzalan, Maricel Laxa, Mariz, Jean Garcia, Sharmaine Arnaiz, Rachel Alejandro, Manilyn Reynes, Sherilyn Reyes, Princess Revilla, Rachel Anne Wolfe, Jam Morales, Raymond Lauchengco, Richard Reynoso, Illac Diaz, Chad Borja, Dingdong Avanzado, Jaime Garchitorena, Ariel Rivera, Mitoy Yonting, Lindsay Custodio, Lougee Basabas, John Nite, The Rainmakers, Samantha Lopez, Sunshine Cruz, Sheryl Cruz, Ike Lozada, Karina Ramos, Cristina Gonzales, That’s Entertainment barkada, Kris Aquino, Ana Gonzales, Mutya Crisostomo, Alicia Mayer, Caloy Garcia, Eric Quizon, Arlene Muhlach, Ogie Alcasid, Francis Magalona, Sugar Mercado, Derek Ramsay, Janno Gibbs, Jaya Ramsey, Lani Misalucha, Toni Gonzaga, Michael V., Diana Zubiri, Lana Jalosjos, Pauleen Luna, Julia Clarete, Cindy Kurleto, Ho and Ha, Long Meija, Keempee de Leon, Zoren Legaspi, Onemig Bondoc, RS Francisco, Chikiting Patrol Kids Krystal Galias, Maviel Gonzales, Chelsie Wingkee, Mikee Fajardo, Bryan Chua, Kevin Eguia, Nathan Zamesa, Ronald Diaz and Trixia Deseo, APO Hiking Society, Tito Sotto, Vic Sotto, Joey de Leon, Ritchie d’Horsie, Jimmy Santos, Herbert Bautista, Val Sotto, Yoyong Martirez, Jose Manalo, Wally Bayola, Paolo Ballesteros, Allan K., Inday Garutay, Gladys Guevarra, Teri Onor, Ian Red, Ruffa Gutierrez, Kristine Florendo, Lalaine Edson, Edna Diaz, Boots Anson-Roa, Toni Rose Gayda, Jericho Rosales, Edgar Allan Guzman, Mark Ariel Fresco, Ryan Julio, Donita Rose, Charo Santos-Concio, Loren Legarda, Cherie Gil, Lorna Tolentino, Cherry Pie Picache, Nora Aunor, Vilma Santos, Aurora Salve, Robin Padilla, Lilibeth Ranillo, Maritess Gutierrez, Sandy Andolong, Alma Moreno, Chiqui Hollman, Dina Bonnevie, Coney Reyes, Pilita Corrales, Snooky Serna, Pops Fernandez, Aiza Seguerra, Lady Lee, Bea Bueno, Dindin Llarena, Steven Claude Goyong, BJ Forbes, Maricel Soriano, Aiko Melendez, Plinky Recto, Angela Luz, Ces Quesada, Donna Cruz, Vina Morales, Giselle Toengi, Cacai Velasquez, Carmina Villarroel, Charlene Gonzalez, Michelle van Eimeren, Lana Asanin, Daiana Menezes, Ariani Nogueira, Ariana Barouk, Mikee Cojuangco, Julie Vega, Janice de Belen, Jaclyn Jose, Chanda Romero, Susan Africa, Christine Jacob, Ruby Rodriguez, Karla Estrada, Agot Isidro-Sandejas, Amy Perez, Regine Velasquez, Rosanna Roces, Jay Manalo, Jograd de la Torre, Roderick Paulate, Ronnie Ricketts, Aga Muhlach, Cesar Montano, Mari Kaimo, Edu Manzano, Romnick Sarmenta, Tirso Cruz III, Edgar Mortiz, Monsour del Rosario, Miguel Rodriguez, Orly Mercado, Rico J. Puno, Randy Santiago, Willie Revillame, Lito Pimentel, Tina Revilla, Louie Heredia, Dennis Padilla, Ai-Ai delas Alas, Jenine Desiderio, Smokey Manaloto, Liezl Martinez, Anjanette Abayari, Joy Ortega, Giselle Sanchez, Bayani Agbayani, Willie Nepomuceno, Candy Pangilinan, Jon Santos, Ruffa Mae Quinto, Joy Viado, Klaudia Koronel, Mystica, Raffy Rodriguez, Marissa Sanchez, Selina Sevilla, Madeline Nicholas, Leo Martinez, Pekto, Ate Shawie, Ate Guy, Jong Cuenco, Pia Pilapil-Gonzalo, Jojo Alejar, Paco Arespacochaga, Dang Cruz, Earl Ignacio, Leonard Obal, Jojo Abellana, Michael Laygo, Ronald Gan Ledesma, Yam Ledesma, Geraldine Roxas, Ben Sagmit, Yoyoy Villame Hannah Villame, Niño Muhlach, Natassia Nave, Jacky Woo, Patrick Ervin Mateo Jr., Lorraine Baretto, Maribeth Bichara, Lara Fabregas, Jerome John Hughes, Melisa Henderson, Everly Locsin, Glydel Mercado, Cody Moreno, Dolly Anne Carvajal, Angelu de Leon, TJ Manotoc, Marissa del Mar, Presbitero Velasco, Jr., Sarah Geronimo, Rachelle Ann Go, Erik Santos, BJ Manalo, Jenny Hernandez, Empoy, Baby Bunot, Viva Hot Babes, Archie Alemania, Sheryn Regis, Jasmine Trias, Pokwang, TV Idols Ahron Villena, AJ Dee, Marc Cortez, JE Sison and Kiko Matos, Vhong Navarro, Tuesday Vargas, Isko Salvador, Lito Camo, Vanna Garcia, Thammie Aliwalas, VIVA Hot Men, Frances Garcia, Terry, Janelle Jamer, Clown In A Million Finalists, Paw Diaz, Joseph Garcia, Mike Chan, “Spicy” Susan Quinico, Hyubs Azarcon, Luane Dy, Angelica Jones, Dominic Ochoa, Bobby Yan, Salbakuta, Gina dela Vega-Cruz, Tintin Pizarro, Karen Tayao-Cabrera, Chin-Chin Gutierrez, Ida Marie Castro, Zorah Andam, Crispin Aranda, Normandy Baldovino, Jr., Yssa De Chavez-Castillo, Jaimie Cruz, Patty Santos, Marivic Del Pilar, Amelyn Veloso, Reyster Langit, Kim Atienza, Gaby Dela Merced, Nikka Cleofe-Alejar, Heny Sison, Susan Enriquez, Emoy Gorgonia, Gerry Geronimo, Maricel Halili, Amanda Page, Gabby Eigenmann, Bernadette Allyson, Mo Twister, Jake Roxas, Angelika dela Cruz, Antoinette Taus, Anne Curtis, Mylene Dizon, Jolo Revilla, Kyla, Angel Locsin, Nina, Danica Sotto-Pingris, Oyo Boy Sotto, Kevin Vernal, Champagne Morales, Miko Sotto, Cogie Domingo, Roxanne Barcelo, James Blanco, Jolina Magdangal, Jay-R, 604, Malik, Richard Gutierrez, Brad Turvey, Chynna Ortaleza, Jennylyn Mercado, Mark Herras, Yasmien Kurdi, Rainier Castillo, Cristine Reyes, Maxene Magalona, Dennis Trillo, Gab Valenciano, Marvin Agustin, Marco Alcaraz, LJ Reyes, Lovi Poe, EB Babes, Karel Marquez, Isabella Gonzalez, La Diva, You’ve Got Male, Sugarpop, Chris Cayzer, Martin Escudero, Heart Evangelista, Janus del Prado, RJ Rosales, Glaiza de Castro, Jhong Hilario, Rafael Rosell, Maja Salvador, Christian Bautista, Raymond Manalo, Nikki Gil, Charice, Kris Lawrence, Gian Barbarona, Sam Milby, Chuck Allie, Nicole Andersson, Gian Carlos, Ryza Cenon, Jacque Esteves, Sheena Halili, Jade Lopez, Ehra Madrigal, Iwa Moto, C. J. Muere, Jackie Rice, Jana Roxas, Mike Tan, Aaron Travinio, Nancy Castiglione, Marky Cielo, Aljur Abrenica, Stef Prescott, Rich Asuncion, Jesi Corcuera, Kiko Junio, Paulo Avelino, Jan Manual, Ailyn Luna, Kurt Perez, Sam Bumatay, Miguel Tanfelix, JM Reyes, Bea Binene, Gabriel Roxas, Shamel Leask, Paul Salas, Sandy Talag, Uno Guerta, Serge Septimo, Renz Juan, Madi Yu, Paolo Bediones, Joey Marquez, Pia Guanio, Raymond Gutierrez, John Lapus, Melanie Marquez, Mel Tiangco, Jay Sonza, Berwin Meily, Bong Revilla, Isabella de Leon, John Lesaca, Fides Cuyugan-Asencio, Bro. Eddie Villanueva, Kata Inocencio, Lyn Ching, Suzi Entrata, Ryan Agoncillo, Mickey Ferriols, Mon Isberto, Arnold Clavio, Miriam Quiambao, Arn-Arn, Martin Andanar, Eagle Riggs, Hans Montenegro, Daniel Razon, Lhar Santiago, Oscar Oida, Erika Ann Luna, Patricia Javier, Debraliz Valasote, Becca Godinez, Tessie Tomas, Roxanne Abad Santos, Bessie Badilla, Rio Diaz, Kevin, Ana Marie Craig, Robert Em, Sharmaine Suarez, Fire (Ana Rivera & Soraya Sinsuat), Valentin Simon, Juannie, Jenny Syquia, Camille Ocampo, Mausi Wohlfarth, Mike Zerrudo, Gemma Fitzgerald, Jomari Yllana, Dingdong Dantis the Impersonator, Eisen Bayubay, Joyce Jimenez, Aji Estornino, Nadine Schmidt, Jun Encarnacion, Lara Melissa de Leon, Ilonah Jean, Star Querubin, Ronniel Mendoza, Rene Requiestas, Gelli de Belen, Judy Ann Santos, Claudine Barretto, Rico Yan, Mark Vernal, Bojo Molina, Rannie Raymundo, Redford White, Norman Mitchell, Winnie Cordero, Joy Viado, Joji Isla, Dinky Doo, Jr., Whitney Tyson, Sammy Lagmay, Cynthia Patag, Beverly Salviejo, Bentong, Voice Unlimited, Daisy Reyes, Vivian Velez, Gina de Venecia, Rhea Santos, Love Anover, Christian Esteban, Pia Arcangel, Atom Araullo, Drew Arellano, Tonipet Gaba, Jigs Mayuga, Avi Siwa, Ramon Bautista, Angel Rivero, Tado Jimenez, Hero Angeles, Sandara Park, Roxanne Guinoo, Joross Gamboa, Melissa Ricks, Michelle Madrigal, Joseph Bitangcol, Neri Naig, Raphael Martinez, Errol Abalayan, Kiray Celis, Katrina Legaspi, Mikylla Ramirez, Eliza Pineda, Kristel Fulgar, Sharlene San Pedro, Miles Ocampo, Angel Sy, Nikki Bagaporo, Julia Montes, Alfred Labatos, John Manalo, Iggy Boy Flores, Kobe Vidanes, EJ Jallorina, Carl Barrameda, Steven Fermo, Yong Chiu, Nikki Valdez, Carlo Aquino, Alwyn Uytingco, Marc Acueza, Shaina Magdayao, Serena Dalrymple, Jiro Manio, Yuuki Kadooka, Cory Quirino, Angel Aquino, Daphne Osena-Paez, Amanda Griffin, Iya Villania, Cheska Garcia, Iya Yotoko, Manu Sandejas, Kennevic Asuncion, Kennie Asuncion, Laura Jean, Tim Yap, KC Montero, Miggy Eugenio, Rico Barrera, Chiqui Alcala, Jayson Gainza, Nene Tamayo, Jun Bob dela Cruz, Cass Ponti, JB Magsaysay, Racquel Reyes, Uma Khouny, Jenny Suico, Franzen Fajardo, Bettina Carlos, Reema Chanco, Bianca King, Inah Estrada, Alynna Asistio, Winwyn Marquez, Megan Young, Benj Punzalan, Kat de Castro, Alex Gonzaga, Badjie Mortiz, Bangs Garcia, Joem Bascon, Charee Pineda, Timmy Boy Sta. Maria, Eda Nolan, Janelle Quintana, Mikel Campos, Blumark Roces, Jana Pablo, Kontin Roque, Kristoff Abrenica, Jamilla Obispo, Keanna Reeves, John Prats, Kim Chiu, Gerald Anderson, Yeng Constantino, Jay-R Siaboc, Ronnie Liang, Panky Trinidad, Irish Fullerton, Chad Peralta, Lucy Torres-Gomez, Grace Lee, Sandra Aguinaldo, Kara David, Howie Severino, Jay Taruc, Cheche Lazaro, Jiggy Manicad, Maki Pulido, Anjo Yllana, Raymart Santiago, Randy David, Ali Sotto, Angelique Lazo, Ivan Mayrina, Raffy Tima, Oscar Orbos, Winnie Monsod, Ferds Recio, Romi Garduce, Kiko Rustia, Eric Fructuoso, Susan Lozada, Assunta De Rossi, Jackie De Guzman, Wendell Ramos, Antonio Aquitania, Diego Llorico, Shirley Fuentes, Alma Concepcion, Myka Flores, Luis Alandy, Aya Medel, Ara Mina, Sharmaine Arnaiz, Wowie De Guzman, Maureen Larrazabal, Francine Prieto, Boy 2 Quizon, Paolo Contis, Moymoy Palaboy, Gwen Zamora, Sef Cadayona, Max Collins, Denise Barbacena, Mikael Daez, Arny Ross Roque, Kim Domingo, Arra San Agustin, Mikoy Morales, Ashley Rivera, Analyn Barro, Liezel Lopez, Yasser Marta, Anna Vicente, RJ Padilla, Faye Lorenzo, Kim Gantioqui, Randolf Stalamakey, Ryan Yllana, Jaja Gonzales, Boom-Boom Gonzales, Sabado Boys Jimmy Bondoc, Luke Mejares, Paolo Santos, Myke Salomon and Thor Dulay, Betong Sumaya, Joel Villanueva, Connie Angeles, Jeff Arcilla, Arlene Tolibas, Lou Veloso, Eula Valdez, Eugene Domingo, Jodi Sta. Maria, Angel Jacob, Rosanne Prieto, Regine Tolentino, Renford Alano, Aria Cariño, Isabella Dayto, Romina de Jesus, Mikee de Vega, Caleb Gotico, Ella Guevara, Nikki Liu, Sam Turingan, Cha-Cha Cañete, Bugoy Cariño, Izzy Canillo, Rob Pengson, Mico Aytona, Lucky Mercado, Andrea Torres, Monica Verallo, Fernando Aracama, Ricky Reyes, Rosebud Benitez, Mitchie Sison, Nino Logarta, Jonah Trinidad, Darlo Lopez, JL Cang, Chiqui Roa-Puno, Kat Alano, Cheena Crab, Janna Dominguez, Precious Lara Quigaman, Lolit Solis, Butch Francisco, Bobby Andrews, Michael Flores, Rica Peralejo, Ciara Sotto, Red Sternberg, Raven Villanueva, Lee Robin Salazar, Chico Ventoza, Polo Ravales, Menchu Macapagal, Karen Joanne Organo, Kim Delos Santos, Chubi del Rosario, Chantal Umali, Ardie Aquino, Idelle Martinez, Sunshine Dizon, Dino Guevarra, Jam Melendez, Kenneth Cajucom, Maui Taylor, Aiza Marquez, Maybelyn dela Cruz, Trina Zuñiga, Biboy Ramirez, Sherwin Ordoñez, Joseph Izon, Danilo Barrios, Jason Red, Erwin Aquino, AJ Eigenmann, Roanna Ruiz-Jamir, Railey Valeroso, Karen delos Reyes, Tricia Roman, Valerie Concepcion, Charina Scott, Denise Laurel, Mitzi Borromeo, JC de Vera, Lester Llansang, Crystal Moreno, Tricia Roman, Alessandra de Rossi, Brian Revilla, Karen delos Reyes, Diane Delfin, Sharah Robles, Mikel Campos, Gelai Bersaba, Rafael Kua, Warren Austria, Neil Patrick Ramos, Jad Gallanosa, Karen Trinidad, Arc Mercolesia, Dianne Kimberly Dean, Lauren Young, AJ Perez, Empress Schuck, Carla Humphries, Valeen Montenegro, Aldred Gatchalian, Mikki Arceo, Mikee Lee, Angelo Patrimonio, Chris Gutierrez, Zia Marquez, Isabel Blaesi, Krista Valle, Daphne Cortes, Jessy Mendiola, Caroline Riggs, Arno Morales, Martin del Rosario, Bryan Homecillo, Jeoff Paolo Monzon, Alfonso Martinez, Carlo Guevarra, Isabelle Abiera, Erich Gonzales, John Wayne Sace, Jordan Aguilar, Benjamin Besa, Puma de Borja, Tim Espinosa, Jenna Estrella, Hiyasmin Neri, Franz Pumaren, Marvin Raymundo, Bianca Reyes, Beatriz Saw, Mickey Perz, Wendy Valdez, Gee-Ann Abrahan, Bodie Cruz, Bruce Quebral, Nel Rapiz, Robert Woods II, Saicy Aguila, Yen Galagnara, Ezekiel Dimaguila, Jasmin Engracia, Dionne Monsanto, Geraldine Javier, Maricris Dizon, Jeremy Hidano, Mikah Dizon, Vaness del Moral, Vivo Ouano, Rea Nakpil, PJ Valerio, Ivan Carapiet, Benjamin Alves, Ashley Gruenberg, Hayca Bunevacz, Nikki Bacolod, Fred Payawan, Angelo Ilagan, Sam Concepcion, Kevin Lapena, Cheska Ortega, Louise delos Reyes, Czarina Suzara, Miki Hahn, Princess Ryan, Vicky Morales, Miguel Aguila, Kamae de Jesus, Dino Imperial, Bianca Manalo, Sam YG, Say Alonzo, Joaqui Mendoza, Aaron Juantas, Miguel Sarne, John Dychioco, Charis Antalan, Joyce Manansala, Cheeno Almario, Alex Santos, Janeena Chan, Ejay Falcon, Nicole Uysiuseng, Beauty Gonzales, Alex Anselmuccio, Nan Clenuar, Valerie Weigmann, Rona Libby, Priscilla Navidad, Josef Elizalde, Jolas Paguia, Kevin Garcia-Flood, Linda Backlund, Jieriel Papa, Regine Angeles, David Chua, Bea Lucero, Jamie Lim, Cyril Roxas, Heleina So, Arhia Faye Agas, Junna Tsukii, Japoy Lizardo, Butch Morrison, Ralph de Leon, Meggie Ochoa, Annie Ramirez, Shugen Nakano, Gilbert Ramirez, Kiyomi Watanabe, Nathan Ayson, Nica Calapatan, Sam Dominguez, Aleah Finnegan, Lucia Gutierrez, Kylee Kvamme, Emma Malabuyo, Levi Ruivivar, Ancilla Manzano, Kursten Lopez, Maria Cristina Loberanes, Elaiza Yulo, Carlos Yulo, Karl Yulo, Juancho Besana, John Ivan Cruz, Justine Ace De Leon, Jhon Romeo Santillan, Jan Gwynn Timbang, Jed Diamante, Tim Polero, Anton Asistio, Sara Castaneda, Pauline Lopez, Anna Beatrice Sarmiento, Mateo Luiz Sarmiento, Jason Sia, Kurt Barbosa, Baby Canabal, Dave Cea, Laila Delo, Veronica Garces, Samantha Catantan, Janna Catantan, Allaine Cortey, Noelito Jose Jr., Nathaniel Perez, Sammuel Tranquilan, Maxine Esteban, Chynna Mamawal, Mark Balce, Brice Vincent Baisa, Iyo Canlas, Miko Eala, Alex Eala, Louis Naguit, Christine Patrimonio, Clarice Patrimonio, Skye Chua, Katrice delos Reyes, Riana Lago, Ludwig Hans Carizo, Michael Christian Martinez, Jules Vince Alpe, Christopher Caluza, Edrian Paul Celestino, Alisson Perticheto, Maxine Bautista, Paolo Borromeo, Isabella Gamez, Alexander Korovin, Hidilyn Diaz, Elreen Ando, Kristel Macrohon, Rosegie Ramos, Vanessa Sarno, John Ceniza, John Tabique, Cris Nieverez, Joannie Delgaco, Margielyn Didal, Mazel Alegado, Rydelle Abarico, Jericho Kiko Francisco, Renzo Mak Feliciano, David Sebastian Chanco, Hergie Bacyadan, Josie Gabuco, Irish Magno, John Marvin, Eumir Marcial, Carlo Paalam, Marjon Piañar, Riza Pasuit, Nesthy Petecio, Norlan Petecio, Rogen Ladon, Charly Suarez, Aira Villegas, Spencer Abadilla, Paolo Abcede, John Clinton Mitchell Abetong, Ronniel Abinal, John Lester Abundio, Maria Jonna Lina Abutas, Jay-R Albino, Ralph Alfaro, MJ Amador, Manuel Angelo, Chael Anthony, Aps Araneta, Arlan Arbois, Redd Arcega, Teejay Arceo, Brace Arquiza, Donovan Arrio­la, Marcus Asis, Narcisa Atienza, Ryan Balila, Marc Bangayan, Junrey Bano, Jesicca Barnard, Bernalyn Bejoy, Ash Benedict, Anthony Beram, Ryan Bigyan, Gab Borres, Aljan Bisda, Jasmin Bombita, Alfrence Braza, Andre Brouillette, Riezel Buenaventura, Josh Buenavista, John Lloyd Cabalo, Melvin Calano, Ernie Calipay, Jay-R Camingawan, Christian Capito, Angel Cariño, Darrell Castillo, Ron Castilo, Ethan Chan, Lance Chan, Chesther Chua, Jesson Ramil Cid, Josh Cisnero, Kenneth Co, RC Coronel, Ezekiel Cortez, Eric Cray, Charlie Cuevas, Jao Cunanan, Elyar Cutler, Henry Dagmil, Jamela de Asis, Cali De Guzman, George de Lumen, Nico de Ocampo, Jericho Del Rosario, John Marcky Dela Rosa, JB Du, Charles Edrian, Cedric Evann, Ryan Kolton, Nick Nolte, Jordan Pauluhn, Phillip Gian Dela Cruz, Kurt Dy, Marisol Amarga, JM Asis, Clinton Kingsley Bautista, Robyn Brown, Joan Caido, Alexie Caimoso, Andrew Co, Elijah Kevin Cole, Michael Ver Comaling, Anthony Constantino, JC Dacillo, Daniella Daynata, Onie De Guzman, Kaizen Dela Serna, Hockett Delos Santos, Sarah Dequinan, Mark Harry Diones, Abdul Eldrakroury, Melissa Escoton, Mark Espiritu, Opi Eusebio, Kyle Fabian, Jules Fernandez, Arniel Ferrera, Angel Frank, Joida Gagnao, Thirdy Galvin, Rom Galido, Jacob Ganzon, Ian Garcia, Mark Ian Garcia, Manuel Gata, Juacho Gerona, Sean Gervacio, Princess Joy Griffey, Edwin Giron Jr., Edric Go, Junel Gobotia, Brian Gocheco, Richard Rey Gomez, Kenny Gonzales, Leonard Gorospe, Mervin Guarte, Said Guermali, Yacine Guermali, Gilly Guzman, Christine Hallasgo, Fino Herrera, Lauren Hoffman, Paul Ibanez, Anthony Ignacio, James Matthew Concepcion, Migo de Vera, Mico del Prado, Kiko Ipapo, Korkie Rey, Adrian Insigne, Joshua Jacobe, Park Ji Yong, Jimsen Jison, Kurt Kendrick, Renz Kieser, Kristina Knott, Mateo Konradi, Alhryan Labita, Daniel Lauchengco, Gab Lagman, Ero Lance, Bridge Lee, Johnmike Lera, Nico Librojo, Jojo Ligmayo, Carter James Lily, Benjamin Lim, Stephen Lim, Angelo Linco, EJ Moen Liwanag, Anfernee Lopena, Blair Lopez, Lawrence Lopez, Hussein Lorana, Chris Lorenzana, Jasper Louis, 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Durmiendo, Phil Durmiendo, Jervin Mendoza, Nhiko Viktor, Anthony Charles Dabao, John Marcky Dela Rosa, Alec Kevin, Mig Pineda, Vincent Caringal, Felix Dalupang, Ren Orong, Manel Manlapat, Derrick Pua, Sophia Teng, Sef Llanes, Sky de Leon, Jorilyn Montecalvo, Kyle Vergara, Alyssa Silva, Ruffa Nava, Nelson Nazal, Vinz Gudelosao, Ram de Leon, Ely Cellan, Charles Briñas, Silver Alarcon, Aliah Canillas, Annie Co Ting, Kim Velasco, Angel Nuñez Israel Jr., Yen Gloriane, Karen Bordador, Tuti, Yaofa Dela Cruz, Justine Llarena, Paolo Amores, Honey Cartasano, Ron Angeles, Erla Raene Garcia, Jay Bardelas, Tina Alvaro, France Mabait, Aeron Brillo, Dharlene Racelis, Francis Grey, Patrick Ramirez, Ejay Fontanilla, Monique Vazquez, Jeff Moses Halaghay, Vilmark Viray, Vince Maristela, Larkin Castor, Sean Lucas, Anjay Anson, Quito Trenas, Ilya Nikenshin, Patrick Patawaran, Hash Taha, Chesca Lagua, Ciacia Mendoza, Andre Lagdameo, Laura Lehmann, Marcel Stulir, Gerry Go, Donna Erno, Kat Gumabao, Ian Porlayagan, Jorel Dytuco, Chumason Njigha, Bianca Guidotti, Jeric Garcia, Chloe Jenna Tandez, Kurt Rivera, Ecko Ricabar, Joshua Leoncio, Lao Rodriguez, Jerichson Tolentino, Iven Lim, Kokoy De Santos, Mikyle Quizon, Felicia Cui, Kurt Yanga, Franky Ocampo, Benz Sangalang, Sahil Khan, Arziel Acosta, Miko Gallardo, Brandon Rosser, Rita Martinez, Tyke Sanchez, Gita Gumabao, Maffy Soler-da Roza, Nico Locco, Rache May Parco, Jan Silverio, Nikki Comia, Benedict Dabao, Daniel Ong, Nic Galvez, Allison Asistio, Jomari Angeles, Joey Reyes, Thor Gomez, Gina Lima, Choi Yatco, Katrina Chavez, Kirst Viray, Kazel Kinouchi, Mariel Pamintuan, Andrei King, Thamara Alexandria, Aleck Iñigo, Rica Kriemhild, Basti Macaraan, Jaye Macaraan, Roque Coting, Gin Regidor, Kathleen Agir-Zarandin, Raf Juane, Laziz Rustamov, Zach Guerrero, Nathan Juane, Seham Daghlas, Don Hilario, Kai Espenido, Stef Draper, Eslam El Gohari, Luke Alford, Tiff Ronato, Dustine Mayores, Stephanie Jordan, Maxine Trinidad, Paolo Alcantara, Gab Salvador, Denmar Yape, Lars Dioso, Earl Alvarado, Leonne Adriano, Khai Flores, RJ Ariar, Josh Antonn, Matt Zata, JR Baring, Alona Navarro, Shecko Apostol, Junjun Quintana, Aaron Concepcion, Yves Santiago, Tyler Lopez, Rhoys Cerillo, Johnmarco Mora, Nicael Cabañero, Apple Dy, Shiela Snow, Miggy Campbell, PJ Rosario, Mon Mendoza, Rogie Visperas, Sylvannah Garcia, Calvin Reyes, Zian Amande, Juan Miguel Gaufo, Renz Tantoco, Rayah Minioza, JL Macatangay, Joshua Bautista, Francesca Flores, Cathy Ashley, Alyssa Alday, Mygz Molino, Carren Eistrup, JC Tan, Sofia David, Emmanuel Tagle, Nicole Abuda, Jayrish Danaya, Daniella Allard, Elicia Barretto, Chelle Mariveles, Alex Agustin, Divine, Luke Selby, Joana Hipolito, Orly Mejia, Silas, Grey Garcia, Matthew Francisco, Austin Cabatana, Yen Renée, Kristine Garces, Alec Mendez, Dennah Bautista, Carl Singson, Elyk, Zein Marudo, Vino Gonzales, Ralph Christian Engle, Thalia Cruz, Princess Zzian, Roi Alonte, Mariah Bautista, Ardy Raymundo, Farrah Pineda, Wendy Manansala, Hanz Christian Anderson, Arrah Garcia, Kristine Victorino, Llovelyn Yauco, Marc Acueza, Queen Bongat, Yda Manzano, Nikko Natividad, Raf Pineda, Hazel de Leon, Erico Ricabar, Rabin Angeles, Kate Aaliyah, Zadoor Lozano, Cholo Allen, Geri Evite, Bill Calvin, Marlon Germedia, Arwen Cruz, Vladia Disuanco, Noel Agra, VJ Vera, Robbie Wachtel, Timothy Tuppil, Benedict Legaspi, Joana David, Huxley Peralta, Akihiro Blanco, Angelica De Los Santos, Dyessa Garcia, Aya Tubillo, Elmo Flores, Chester Alfaro, Jherald Castaneda, Ronniel Absalud, Evan Arellano, Luke Aidan Valte, Rinka Crisostomo, Dane Sy, Lovely Lim, Vince Aseron, Lorraine Wong, Adrian See, Bernjayneth Chee, Kevin Lao, Joanna Lara, Ada Hermosa, Diether Dolinog, Jezza Marie Bagaforo, Erika Balagtas, CM Barbs, Mark Julius Mercado, Queency, Daena Duran, Derek Duran, Louis Chiong, Aiko Gracia, Rome Guinto, Audrey Avila, Racy Oliva, Daid Sophia, Vin Diamante, Mary Joy Santiago, Maiko Ortaliz, Hector Armani, Inigo Arce, Drew Sunga, Jennifer del Rosario, Calvin Moncler, Terrell Montemayor, Armina Alegre, Merab Soriano, Hanya Tan, Joharah Alonzo, Mark Dionisio, Trixie Escosis, Erish Esguerra, Dwight Josue, Andy Celestial, Shey Cariño, Rhyza Gayle Litaoen, Ghion Layug, Mat Realizan, Merriella Ferreras, Hanna Leander, Michelle Salao, Rakim Santos, Jomar Yee, Elijah Canlas, Kyle Velino, Althea Ruedas, JB Mendoza, Sofie Jewel, Caira Lee, MJ Ordillano, Bey, Timmy Albert, Xandra Bonifacio, Gabriel Obispo, Jhana Villarin, Anne Alvienne, Sebastian Bautista, Tess Dumpit, Rob Solo, Jim Amen, Lyza Jane Pascual, Heaven Peralejo, Patrick Roxas, Salome Salvi, Nicco Manalo, KL Socobos, Miguel Gonzalez, John Regana, Kean Parale, Laurence Matias, Wayne Gutierrez, Tatin Castillon, Alas Ruanto, Angelo Calucin, Gerald Monton, Charlie Tumaliuan, Grey Ramos, Aerone Mendoza, Rex Baculfo, Ashantie Bogay, Hurry Up Tingson, Gboy Pablo, JD Aguas, Kobe Valte, Chester Grecia, Marc Reinyil, Eisel Serrano, James Vasquez, Jhon Mark Marcia, Mhack Morales, Conan King, Ara Doria, Vern Kaye, Atasha Muhlach, JD Axie, Jabo Allstar, Kyosuke Guinto, Annika Bartolome, Remie Escote, Jody Modo, Chloey Largado, MJ Abellera, Rain Luna, Lester Llansang, Annikaa Co, Anna de Leon, John Matthew Uy, Chloe Mendoza, Zsara Tiblani, Jkie Plantilla, Jenn Rosa, AJ Natucatac, Albie Casiño, Sahara Bernales, Justin Alfonso, Dani Zee, Cathy Macalalad, Rosel Ros, Kert Montante, William Patrick Daniels, Justin Macapinlac, Celine Pialago, Lawrence Dela Cruz, Wendy Yuchengco, Aviona Dass, Micaela Copo, Tranx Risch, VJ Mendoza, Symon de Leña, Adrian Ong, Naz Gabrielle San Juan, Cali Mendoza, Mark Joseph Alejo, Alexander Kirchman, Yana Sonoda, Derrick Colin So, Newson Uy, Jercy So, Lance Tiu, Matthew Ian So, Justine Teng, Ezekeil Polina, Ashanti Bandol, Elixabeth Lee, Ayanna Quizon, Athalia Badere, GJ Dorado, Steel Remington, Sophia Bianca Vidal, Cass Carpina, AC Reyes, Sherie Sison, Lex Rius, Andrew Scott, Prince De Guzman, Patricia Marasigan, Rie Miyazawa, Shaun Pelayo, Sam Shoaf, Lizvette Salcedo, Kim Bryan De Leon, Euleen Castro, Dayrone Cy, Iverson Santos, Lebron Myke Burlungan, Darlyne Teodoro, Sophia Lopez, Tanner Evans, Justine Villanueva, Cali Delos Reyes, Russ Garcia, Elaine Duran-Pengson, Giuliana Chiong, Bryanboy, AJ Ferrer, Andres Muhlach, Skye Mariveles, Duffy Fukiyama, Mariam Saint, Juan Paulo Calma, Jacqueline Gulrajani, Bruise Dianne, Sarah Gerber, Katleen Bautista, Katrina Paula, Anthony Cortes, Ericka Peralejo, Icoy Rapadas, Skywalker David, Carl Garcia, Gerick Manalo, Cedrick Juan, Marimar Tua, Mark Rivera, Marius Tolentino, Daytona, Sam Coloso, Butterfly Repking, Tyler Lopez, Carmela Lorzano, Kenneth Aniban, Dani Porter, King David Gonzales, Gianna Huelgas, Kyle Villanueva, Jayden Lim, Ericca Laude, Dylan Menor, Cloud 7, Dom Pangilinan, Geo Mhanna, May Ann Basa, Olive May, Mark Oliveros, Chef Ylyt, Pepita Curtis, Migs Almendras, Rein Hillary, Gazini Ganados, Bea Gomez, Gary Estrada, Nikki Van, Darrah Fernandez, Prince Keizer Fernandez, Amara Smyth, Jhunne Marr Capilador, Angel Usana, Nanette Inventor, Hanna Amistad, Dio De Jesus, Alexa Catuday, Rommel Luna, Aisha Francisco, Katrine Ordonez, Boaz Mariano, Crismar Menchavez, David Francisco, Borj Papin, Atty. Ed Chico, Alex Payan, Denzel Guiao, Zac Papin, Farrah Demorar, Alexa Grey, Cassey Mae Real, Sandex Gavin, Zoe Anthonia Viterbo, Joanne Reyes, Dos Flores, Tiffany Jhane, Ahyeza Tugade, Ellieyah Charmainne, Jericko Aquino, Kelxy Bonalos, Skylee Alcalde, Princess Jaira, Trisha Loraine, Vrin Guarin, Alyssa Jane Li, Patrick Victorino, Meann Espinosa, Teetin Villanueva, Lance Reblando, Vino Mabalot, Miah Canton, Jude Hinumdum, Vyen Villanueva, Julia Santiago, Sarah Paredes, Althea Inagaki, Jet Vasquez, Joel Ludovice, Jaybee Sugue, JP Valdez, Arzi Brinq, MJ Mariano, RR Lopez, Maria Gruzvintceva, Alfy Yan, Leann Casabal, Matteo Roswell, Zel Fernandez, Maru Delgado, Ysabelle Palabrica, Liz Gonzales, Dreamiel Caspe, Maica Remigio, KZ Diaz, Bradley Jon Kison, Jasper Torres, Ashley Lopez, Paula Santos, Iris Abraham, Ali Asaytona, Angela Antonio, Ace Toledo, Bella Micucci, Jeziah Victoria Viterbo, Marc Joel Castelo, Anicka Rubio Castelo, Ingrid Paras, Dean Petran, Arianne Diviva, Chelsea Ylore, Elai Garcia, Dax Martin, Lloyd Umali, Isabelle Murphy, Achilles Domingo, Ajax Domingo, Diana Vargas, Jywhon Palabin, Raphael Dantes, Charlie Tabaranza, Aria Fernandez, Aiyanna Sulwer, Amarah Espinosa, Micah Cruzh, Saffea Sulwer, Elia San Pedro, Grey Noble, Yuri Gabe, Ava Facultad, Queen Loraine Reyes, Freya Montierro, Ellaine Leu, Jannika Bailer, Shamcey Tolentino, Jassy Calupitan, Shelo Mendoza, Kaye Dela Fuente, Cyril Herrera, Jayla Julian, Sandei Gonzales, Shane Whiliane, Kris Rivera, Yuki Valdez, Aela Buenavista, Josh Cruz, Algeleth Mika Pardo, Cheena Dizon, Je Ann Pagmanoja, Zachi Chua, Zara Chua, Arthur Gucio, Nicole Espinosa, Aki Hernandez, Andrea Gee, Brent Suarez, Snow Valencia, Natania Guerrero, Benedict Lao, Stanley Abuloc, Dwayne Bialoglovski, Ayana Quizon, Kent Domingo, Cage Gatuz, Aliyah Buenaventura, Aliyah Buenaventura, Czarina Vailoces, Steven Nacpil, Mianne Fajardo, Steel Remington, Ken Matteus, Gabriel Evangelista, Syburg Shein, Isaiah Viñalon, Jay Leanda, Zandrex Prijol, Allen Torrocha, Aerin De Gracia, Shannell Dizon, Anthonette Dela Cerna, Tyler Calma, Beca Tan, Yessa Vasquez, Wulff Alvarez, Cleo Del, Crish Damian, Marco Pastor, Dash Cuya, Lee Crisologo, Casper Perron, Brie Barameda, Arabella Del Rosario, Shalanie De Vera, Monica Ouano, Eli Grayson, Jenina Primero, Venice Loo, Ally Madrid, Meggan Shinew, Ella Marquez, Venuce Becky, Ara Abris, Iree Salvio, Nile Bacayo, Christine Li, Angelina Cruz, Tasha Mitra, Leanna Mitra, Ezri Mitra, Carmella Ford, Michelle Garcia, Ice Almeria, Joaquin Arce, Christophe Sommereux, Aeva Llova, Prince Ocampo, Angelito Jumalon, Alyssa Pardo, Sandra dela Cruz, Adriana Roces, Pia Peralta, Joanna Bersola, Dhally Navarra, Rhian Rivera, Raffiel Victorino, Jed Reeves, Patrick Reyes and featuring SOP Dancers, The Manoeuvres, Streetboys, Abztract Dancers, Kids at Work, UMD, Male AttraXion, E-Male Dancers, WEA Dancers, Addlib, Philippine Island Assassin, SexBomb Girls and Junior New System with the special participation of Trina Belamide, Kathryn Bernardo, Jose Mari Chan, Coco Martin, Daniel Padilla, Jamie Rivera, Dia Mate, Dayanara Torres, The Tux, Tiffany Darwish, Sheena Easton, Billy Joel, Kevyn Lettau, Sugarfree, Bituin Escalante, Barbie Almabis, Bayang Barrios, Eraserheads, Peryodiko, Sinosikat, Rocksteddy, Pochoy Labog, Nicole & Carlo, Amigos, Julianne, Chicosci, Tanya Markova, Kjwan, Sandwich, Pedicab, Imago, Urbandub, Parokya ni Edgar, Rivermaya, Banda ni Kleggy, Callalily, Chicosci, Gracenote, Kamikazee, Rocksteddy, Salbakuta, Save Me Hollywood, Moonstar 88, Sponge Cola, Legit Misfitz, Silent Sanctuary, The Juans, Ateneo Chamber Singers, Bukas Palad Music Ministry, Gloria Patri Singers, Hangad, Himig Heswita and Leanne & Naara.

The 7-31-2013 Celebration with a Grand Street Party

No less than President Benigno Aquino the Third and other government and local officials attended for the fashion show’s 5th anniversary.

In attendance were Paolo Araneta; Jose Cuervo’s AA Arquiza; moi, dearest palangga, twinkle-eyed beauty Abby Binay; golfer Charlie Carmona; Bench’s Ben Chan; Louie Chuidian; WhereElse’s suave Marcel Crespo; Monique Banzon Daez; Illac Diaz; Joji Dingcong; Patxi Elizalde and Sofia Zobel-E.; Malou Francisco of Store Specialists Inc.; Amanda Griffin; Lisa Gokongwei; Haresh Hiranand; and super eligible Mike Huang, Bea Jacinto; Lucia Jacinto; Angel Jacob; Patricia Javier; pretty, pretty Angelu de Leon; gourmet and wine connoisseur Alex Lichaytoo; lady of different faces Margarita Locsin; brilliant columnist and that miss with the four B’s, Celine Lopez; vivacious Bing Loyzaga; Cutie del Mar; DJ Mumph; The Body who makes ladies sigh, Marc Nelson; PR genius Keren Pascual; Miguel Pastor; Dave and Berna Puyat; Jaya Ramsey; New York City boy Patrick Reyno; Miguel Rosales; Cherrie del Rosario; Robin da Roza; Carmina Sanchez; Hans and Carol Sy; Bea Zobel Jr. (she recently had café society’s jaws dropping with her witty answers in a candid interview with Karen Santos and Gina Tambunting Roxas featured in PEOPLE Asia’s fantastic March 1, 2002 issue), Charlie Carmona; vibrant Breakfast Show host, Angel Jacob; the pretty faces behind Luna, Annie Cacho and Manet Dayrit; Zed’s pride, Fenee Amparo; dapper Jojo Manlongat; interior designer Miguel Rosales; well-loved designer, Pepito Albert; PDI’s Tim Yap; exuberant Tina Tinio; exotic Thelina Nuval; and Maurice Arcache.

Plus, Bench/ endorsers VJ Amanda Griffin; John Prats; celebrity son AJ Eigenmann; Mickey Randall, Aubrey Miles and Francis Ricafort, studly lover boy Jon Hall and Channel E’s gorgeous playgirl Lana Asanin, sexy star Assunta de Rossi-Ledesma, Bench/ long-time endorsers Wendell Ramos and Jomari Yllana, Marc Nelson, Aya Medel, Diether Ocampo, Amanda Griffin plus the Antonio Aquitana open the curtain call for the 100-plus models in the Bench during its "One Night Only" underwear and denim fashion show last July 2002.

Others such as Ces Oreña-Drilon and her hubby, renowned artist Rock Drilon; Agot Isidro and Manu Sandejas; searing beauties Dina Bonnevie and Ara Mina; Hans Montenegro; directors/actors Rowell Santiago and Gina Alajar with son Ryan Eigenmann; Studio 23 VJ’s, Southern gent JM Rodriguez and charmante Cutie del Mar; and Fil-Am superstar Paolo Montalban.