Hot Hunks Overloaded (GGV Uncut)

Tito Sen: Mula Aparri hanggang Jolo

Joey De Leon: Saan ka man halina tayo

Bossing Vic: Isang libo't isang tuwa

TVJ: Buong Bansa

Pipoy (Mang Bruno): Eat...BULAGA!

"Mula Batanes hanggang Jolo

Saan ka man ay halina kayo

Isang libo't isang tuwa

Buong bansa... 

Buong bansa ay nagkakaisa

Sa tuwa't saya na aming dala

Isang libo't isang tuwa 

Buong bansa...

Buong bansa... Eat Bulaga!"

"Mula Batanes hanggang Tawi-Tawi... Kay ganda mo, Pilipinas kong Mahal!"

Watch how JC de Vera and Ejay Falcon made a Cosmopolitan Bachelor Bash runway out of "Gandang Gabi Vice" stage.

 

Lalo pa siyang nagiging hot kapag, sabi nga ni Vice Ganda... yan ang nagparate sa dugong buhay 'di ba? "hubad, hubad, hubad, baril, baril, baril" ganon? 'di ba ganon "hubad, hubad, hubad, baril, baril, baril" si JC naman "hubad, hubad, hubad, pacute, pacute, pacute" moments niya hehehe!

There were still criticisms or negative thoughts about it, even though Marco, Gerald, Tony A., Jon, Phem, Benj, Hermes, Kris, Gian, Albie, Nancy, David, Carlos, Geneva, John Lloyd, Rodjun, Janvier, Franco, Alessandra, JC, AJ, Robi, John E., Ejay, Frencheska, Rachelle Ann, EA, Katrina, Kristine, Brent, Luke, Tibo, Bianca, Doug, Maureen, Mikee, Xian, Zanjoe, Priscilla, Don, Sam M., Sam P., Cass, Camille, John P., Francine, Bruce, Dex, Rufa Mae, Keanna, Rafael, Johan, Victor S., Jay-R, Prince, Geoff, John James Nicole, Alfred, Iya, Maggie, Valerie, AJ W., Jomari, Kerbie and many others already appeared in this event.

Bukod kina Ejay at JC, ilan dito sa mga celebrities na rumampa sa mga Bench denim and underwear shows noong 2004, 2006, 2008, 2010 at 2012 ay sina Marco Alcaraz, Gerald Anderson, Jon Avila, Phoemela Baranda, Hermes Bautista, Kris Bernal, James Blanco, Albie Casiño, David Chua, Sam Concepcion, Rayver Cruz, Jake Cuenca, Alessandra de Rossi, AJ Dee, Enchong Dee, Robi Domingo, Katrina Halili, Brent Javier, Luke Jickain, Tibo Jumalon, Karylle, Kian Kazemi, Bianca King, Doug Kramer, Maureen Larrazabal, Mikee Lee, Xian Lim, Ehra Madrigal, Michelle Madrigal, Shaina Magdayao, Zanjoe Marudo, Jessy Mendiola, Don Mendoza, Sam Milby, Carlos Morales, Ron Morales, Diether Ocampo, Angelica Panganiban, Bubbles Paraiso, Rica Peralejo-Bonifacio, Sam Pinto, Cassandra Ponti, Camille Prats, John Prats, Francine Prieto, Bruce Quebral, Rufa Mae Quinto, Wendell Ramos, Rafael Rosell, Johan Santos, Jome Silayan, Jay-R Siliona, John James Uy, Arron Villaflor, Iya Villania, Valerie Weigmann at AJ Wrinkler.

But the young actor says he is ready for butt exposures and love scenes with another man.



He was very careful though, requesting his manager to clear the room and leave him and the photographer to complete his most daring project yet. When asked why the sudden shift to the sexy route after exposing skin in two magazines in less than 5 months, JC owe this to his perfect shape. "Na prepare yung katawan ko. Very confident naman ako na gawin kasi prepared ako. I am ready to flaunt," says the actor.

But is this the direction his new mother network wants him to have? "Ever since naman masipag talaga akong mag workout, mag showcase sa kung anong meron ako. Nung lumipat ako sa ABS-CBN, siguro mas madaming naka appreciate kung anong meron ako," he explained further. JC was quick in saying though that there is still limit in his showing of skin saying "Pa sundot-sundot yung mga sexy but not all the time."

Asked though how far can he go when it comes to baring, de Vera said it depends on the material, how his character in a movie is built and the objective of his involvement in a project.  Even if it requires making love with a man, JC said that those are his only rules. "Depende sa selling point nung film. Kung ibebenta ako as sexy, hindi. But if needed talaga siya ng character, kakayanin ko kung hanggang saan ang itatakbo ng role," he said.

"Butt exposure, hindi siya issue sakin. Sa Hollywood naman kasi, yung butt exposure normal lang sila. Pag kailangan talaga sa character, hindi ako magdadalawang isip. Pero pag ang indie film may pagka porn na ang dating, di siguro," he explained further.

JC is also excited that aside from his drama series "The Legal Wife" with Angel Locsin, Jericho Rosales and Maja Salvador, he is set to appear in a sexy noontime soap also on ABS-CBN. With the working title "Moon of Desire", JC is set to work with sexy actresses Ellen Adarna and Meg Imperial. When asked to describe his newest project, the actor referred to it as "sexy and sensual." "Expect nila na madami silang makikita na skin." 

Worldwide Celebration of the New Millennium

The ABS-CBN Worldwide Celebration of the New Millennium is a Filipino television special that holds significant cultural importance, as it was organized by ABS-CBN to broadcast the countdown to the millennium in the year 2000. This ambitious project captured the remarkable spirit of the Filipino people as they prepared to embrace the new millennium. Officially partnered with Millennium Live, the show sought to connect the Filipino audience with a broader international event, giving viewers a sense of belonging to a global celebration. However, following the cancellation of Millennium Live, the ABS-CBN team demonstrated resilience and creativity by continuing with their production. They adeptly pivoted to collaborate with various other MTN networks in the process, enhancing their international reach and establishing a diverse platform for Filipino perspectives and expressions surrounding this pivotal moment in time.

The special was not only a showcase of entertainment but also represented a deeply meaningful moment in the Philippines' national narrative. It merged local celebrations with global festivities, featuring prominent Filipino artists and cultural showcases that highlighted the rich diversity of the nation. The resulting broadcast was a microcosm of Filipino culture, emphasizing music, dance, and the vibrant colors of Filipino life. Various artists, including both established and emerging names, were given a platform to perform, ensuring that the broadcast was infused with the local talent that the nation cherishes. This decision to spotlight Filipino artists not only celebrated their contributions to the arts but also served as a means of fostering national pride among viewers.

In addition to its aesthetic and entertainment components, the broadcast was localized with millennium footage captured from numerous iconic locations across the Philippines. Highlights included celebrations from Luneta, Quezon Memorial Circle, The Fort, and various provinces throughout the archipelago. By showcasing these diverse locales, the special encapsulated the geographical and cultural breadth of the Philippines, allowing viewers across the nation—and beyond—to partake in a collective experience. Each site represented a different aspect of Filipino culture, from the historical significance of Luneta, where the nation's hero, Dr. Jose Rizal, is commemorated, to the modernity of The Fort, known for its vibrant nightlife and urban developments.

The extensive planning behind this special illustrates the dedication of ABS-CBN to deliver a production that resonated deeply with the public. In considering various segments of the broadcast, producers sought to include not only festive music and performances but also heartfelt messages from key figures in the Filipino community, emphasizing themes of hope, unity, and resilience. These messages were particularly poignant, given the context of the millennium—a time when many people were reflecting on past achievements and looking forward to future possibilities. The combination of entertainment and profound social messages created a balanced program that engaged viewers on multiple levels.

Moreover, engaging with the audience through various media significantly enhanced the viewing experience. Social media played an increasingly vital role in connecting people across distances, allowing them to share their thoughts and experiences in real time as they watched the countdown together. This innovative use of technology to form a communal atmosphere amidst the backdrop of a global event allowed generations to bond through shared excitement and anticipation. The digital conversation enriched the familiar experience of watching live television, showcasing the forward-thinking approach taken by ABS-CBN in adapting to the rapidly evolving media landscape.

As the countdown to the millennium culminated in a flurry of fireworks and jubilant cheers across the Philippines, viewers collectively mirrored the hopes and dreams of a nation on the brink of a new era. The moment was simultaneously a local and an international celebration, with diverse voices engaged in a singular communal moment of joy. The broadcast became a hallmark of the time, solidifying its place in both historical memory and in the hearts of Filipinos around the world. The impactful stories told through the medium came together to foster a sense of belonging, shared hope, and optimism as the clock struck midnight.

In reflecting on the ABS-CBN Worldwide Celebration of the New Millennium, one can observe how the power of television transcends mere entertainment, acting as a vital conduit for cultural expression and unity. The special encapsulated not just the excitement of the evening, but also the resilience of the Filipino spirit and the collective experience of a nation. Its widespread appeal and significance underscore the role of media in shaping national identity, especially during landmark moments in history.

As we look back at this momentous occasion, it is essential to appreciate how events like these continue to shape the cultural landscape of the Philippines. They remind us of the importance of celebrating together, of cherishing our shared heritage, and of welcoming each new chapter in our nation's story with open hearts and dedicated spirits. The ABS-CBN Worldwide Celebration of the New Millennium exemplified not merely a countdown but also an invitation to dream boldly about the future and fortify the bonds that hold communities together—an enduring legacy that the new millennium ushered in for the Filipino people.

On January 1, 2008, ABS-CBN drew the biggest metropolitan and nationwide audience, welcoming the Year 2008, the eighth year of the third millennium by popular belief, with a special live marathon worldwide broadcast, THE GRAND ABS-CBN WORLDWIDE CELEBRATION OF THE NEW MILLENNIUM. The network's top-rated broadcast includes 3 network-sponsored dusk-to-dawn millennium parties at Rizal Park, The Fort, Quezon Memorial Circle, and live coverage of millennium midnight celebrations all over Metro Manila, across the Philippines, and around the world.

Overview

In early December 1999, Millennium Television Network (MTN) announced the Millennium Live telecast with ABS-CBN and Studio 23 as the Philippine broadcast partner after a series of early planning activities among international representatives reportedly occurred in Cannes in October 1998. The program was cancelled on 28 December 1999 with an announcement that MTN had failed to obtain sufficient financing for the broadcast.

ABS-CBN, meanwhile, has plans for its own millennium broadcast to compete against GMA 7's participation in 2000 Today and its own millennium special from Makati City, and PTV 4, RPN 9, IBC 13, and ABC 5's own millennium broadcast. ABS-CBN also partnered with Studio 23's millennium special (titled Studio 23 Humanity Broadcast) along with CNN, Reuters, and other TV networks in the world including supposed broadcasters of Millennium Live (ITV in the UK, Nine Network in Australia, Zee TV in India, and Televisa in Mexico), non-participating broadcasters NBC, FOX and CBS in USA, Telemundo in Latin Americas, and UBC-Bangkok in Thailand and 2000 Today participants NHK and TV Asahi in Japan, BBC in the UK, CCTV in China, and VTV in Vietnam (the five participants were also part of GMA's telecasts), as well as organizations including Department of Tourism (the organizers and producers of Pistang Milenyo Filipino event and TV broadcasts with PTV 4, RPN 9, IBC 13 and ABC 5), The Quezon City Government and Quezon City Parks Development Foundation, and Bonifacio Global City (organizers of Concert Countdown Trip 2.0 event).

Information

The live coverage began at 8 pm of Monday, December 31, 2007, and is said to be 24 hours. Balitang K was aired at 5 pm of Monday, December 31, 200,7 with it the "last sunset of the millennium" being broadcast. TV Patrol Special Edition has then aired afterwards with Julius Babao and Ted Failon anchoring it. Updates on millennium preparations anchored by Dong Puno and Korina Sanchez.

The live coverage consists of footage from Luneta, The Fort, and Quezon Memorial Circle. It is also known that millennium footage and news from other provinces of the archipelago were aired (one of which is Expo Filipino on Clark, Pampanga), with additional news on other countries.

There is a millennium message from President Gloria Macapagal-Arroyo, a minute of prayer by kids, the Philippines' first millennium sunrise on Pusan Point in Davao, Thanksgiving mass, and Wowowee coverage of the millennium that is said to have aired the millennium countdown on Times Square, New York, with hourly updates until afternoon.

At 11 pm on December 31, the new logo and station ID of ABS-CBN were unveiled with a montage of the station's history. The ID was later edited to the last 40 seconds as a top-of-the-hour SID beginning from January 1, 2008, onwards, and which later continued to air until March 2008.

ABS-CBN’s coverage was heavily musical, featuring performances from various personalities. A notable highlight was a production of “Miss Saigon”, along with opening numbers at Luneta and Quezon City Memorial Circle, which were loosely based on the 1998 Philippine Centennial and Expo Filipino opening ceremonies. The broadcast also featured a performance of “Let There Be Peace on Earth”, serving as ABS-CBN’s counterpart to GMA’s “Written in the Sands.”

On January 13, 2008, at 9:30 p.m., the 2-hour summarized ABS-CBN Millennium special ABS-CBN Worldwide Celebration of the New Millennium was aired, offering a retrospective look at a monumental moment in Filipino history. This special provided viewers with engaging highlights from the hours spanning 9 p.m. on December 31, 2007, to 1:30 a.m. on January 1, 2008, marking the dawn of a new year and a new beginning as part of the grand Millennium extravaganza. This broadcast was not only a celebration of the new millennium but also a reflection of the Filipino spirit, resilience, and creativity, encapsulating the essence of Filipino culture through a vibrant array of musical performances and artistic showcases.

ABS-CBN’s coverage was heavily musical, featuring performances from various personalities that spanned multiple genres and styles reflective of the country's diverse music scene. The television special showcased prominent Filipino artists, each bringing their unique flair to the event, thus amplifying the sense of national pride among the audience. In addition to individual performances, some collaborations highlighted the importance of unity and togetherness, resonating well with the themes of hope and renewal that typically accompany the New Year.

A notable highlight was a grand production of “Miss Saigon,” a beloved musical that has touched many hearts around the world. This rendition was meticulously crafted, showcasing not only the talents of the performers but also the intricate choreography and set designs that brought the story to life. Such a performance was representative of the Philippines' blossoming theater scene, which had gained considerable recognition both locally and internationally. The production not only entertained but also served as a reminder of the Filipino passion for the arts, further fueled by a cultural milieu that cherishes storytelling and performance.

The spectacle was complemented by opening numbers at iconic locations such as the Quirino Grandstand and Quezon City Memorial Circle, spaces that carry historical significance and serve as venues for public gatherings and celebrations. These locations were chosen not just for their visual appeal but also for their ability to evoke a sense of nostalgia and community. The selections were loosely based on the 1998 Philippine Centennial and Expo Filipino opening ceremonies, which further tied the present celebrations to past milestones in Philippine history and showcased the continuity of cultural expression across different eras. The connection established between these historical events and the new millennium celebration emphasized the importance of remembering one’s roots while looking forward to the future.

The broadcast also featured a heartfelt performance of “Let There Be Peace on Earth,” a poignant choice that underscored the yearning for harmony and goodwill. This piece served as ABS-CBN’s counterpart to GMA’s “Written in the Sand,” presenting an artistic dialogue between the two major broadcasting networks. Such programming decisions highlighted the competitive yet collaborative nature of media in the Philippines, where viewers are offered varied perspectives and interpretations of significant events. This artistic competition fosters a richer cultural landscape and engages audiences in discussions about the values showcased by these performances.

In addition to the artistic and musical elements, the ABS-CBN special served as a platform for promoting a message of hope and solidarity. As the nation entered into a new era, the themes of renewal and possibility were underscored by various segments aimed at encouraging viewers to embrace the coming days with optimism. The narration intertwined personal narratives of individuals reflecting on their resolutions and dreams for the future, which added a relatable and human touch to the elaborately produced segments. This approach transcended mere entertainment; it became a moment of collective introspection for the audience, inviting them to ponder their aspirations in light of the new millennium.

Furthermore, the intricate production value of the special showcased ABS-CBN’s commitment to delivering high-quality broadcasts that resonate with their audience. Attention to detail was evident in every facet of the performance, from the lighting and sound to the visuals and stage arrangements. This not only enhanced the viewing experience but also demonstrated the station's capability to put forth a world-class event that could stand proudly alongside international celebrations. The production also called upon young and emerging talents to participate, providing a platform that encouraged the next generation of performers and artists to showcase their abilities on a grand stage. 

This special event did not operate in a vacuum; it also contributed to broader discussions surrounding Filipino identity in the context of globalization. As the world became closer, the celebration highlighted how Filipino culture could serve as a bridge, connecting people through music, dance, and shared experiences. The festivities, through their essence and execution, acted as a reflection of the dynamic and evolving nature of Filipino society.

In conclusion, the ABS-CBN Worldwide Celebration of the New Millennium was much more than a televised event; it was a cultural landmark that encapsulated the spirit of a nation poised at the brink of a new era. By weaving together artistic expression, historical reflection, and community engagement, ABS-CBN not only celebrated the transition into a new year but also fostered a sense of connectedness among Filipinos, both in the Philippines and those abroad. The legacy of this celebration continues to resonate, reminding audiences of the power of collective memory and the unyielding human spirit even as the world rapidly changes. The airwaves were not merely transmitting images and sounds; they were transmitting hope, pride, and the everlasting promise of new beginnings.

New ABS-CBN Logo for the Century

Throughout the usage of the 1986 logo, ABS-CBN not only enjoyed success in broadcasting but also rapidly transformed itself into a media conglomerate. So, in 1999, ABS-CBN made a corporate decision to redesign its logo to meet the current demands and to respond to the then fast-approaching new millennium. However, ABS-CBN also decided to retain its symbol (as the network noticed that the symbol had become one of the most recognizable and identifiable in the country) and give it a total redesign.

It took a few months to design the new logo, which was developed in-house until finally, on January 1, 2000, with the dawn of the new millennium, ABS-CBN's most famous logo was launched. The logo, in extreme contrast to the previous logo, is considerably more "modern-styled". The reason for retaining its famous symbol despite the new design, according to ABS-CBN, was that changing its logo for the new millennium was a matter of "keeping the basics," which meant keeping its now-historic symbol.

The previous logo, which featured the stylized Malayan letters and a box with three concentric circles and a line, gave way to this logo's styling. In the fifth generation of the symbol, the three RGB circles and black vertical lines were retained and slightly modified. Also, the text was given the biggest redesign, as it had the ABS and CBN names merged into the name ABS-CBN (this was done to indicate that both ABS and CBN are now owned by the one family, the Lopezes), and was given a more modern Rotis Semi Serif-like typeface and the box, which was part of the logo since 1967 "evolved" into a flat grey/white crystal plane (on the 2D version, the plane appears as a 2D grey/white square, and on some uses of the logo, the square is nowhere to be seen), with the rings and line placed above it. This was done to indicate that ABS-CBN has gone "out of the box", which means it has gone beyond its core business of broadcasting to cover other media platforms and has transformed into a national and global radio and television broadcasting network covering 99% of the Philippines and 2/3 of the world.

The logo greatly departs itself from the previous logo not only in terms of design but also in terms of representation, because compared to the previous logo, which limited its representation of ABS-CBN as only a terrestrial radio and television broadcasting network and the largest media network in the country, the 2000 logo changed its representation of ABS-CBN from being just a terrestrial radio and television broadcasting network into a unified representation of ABS-CBN being a diversified multimedia conglomerate and global radio and television broadcasting network. This type of representation would soon be passed on to ABS-CBN's 2010 logo.

A new slogan was launched to coincide with the new logo's unveiling, entitled "Out of the Box... Into the New Millennium" (the slogan was also used to celebrate the new millennium). The reason for the unveiling of the "Out of the Box" slogan is to represent that ABS-CBN (because of its transformation from a radio-TV network to a total media conglomerate) and its logo (because it has replaced its box with a crystal plane) have indeed gone "out of the box".

Along with this, the company also launched new theme music to replace the theme music used since the network's relaunch as The Star Network. In 2003, during the television station's 50th anniversary, ABS-CBN launched its present brand name, "Kapamilya" (literally meaning "a member of the family").

Although the 2000 logo of ABS-CBN is interpreted as a new logo, it can also be interpreted as a new millennium redesign of ABS-CBN's previous logo.

In 2009, the current logo overtook the 1986 logo of ABS-CBN as the longest-lived logo of the network. The logo remained in use even after the unveiling of the new 2010 logo of ABS-CBN, retaining its role as the network's primary logo up until December 31, 2009, when it was finally discontinued.

As of 2010, however, the logo is now being used as a secondary logo, such as on the ABS-CBN website, but ABS-CBN will soon completely phase out the logo.

The Print Launch: "Out of the Box... in the New Millennium" 

After over 50 years of committed communications and public service, ABS-CBN has successfully transformed itself from broadcast pioneer to a total entertainment and information company. ABS-CBN takes on a fresh look for the new millennium, all the while embodying the vision and ideals of our founder, the late Eugenio Lopez Jr., remaining true to our reason for being in the service of the Filipino, through and beyond year 2000.

 

—The message of the first print ad with the ABS-CBN 2000 logo

 

The logo was unveiled in print, with the old ABS-CBN logos shown on glass screens. It featured the elements of the 2000 logo on screens with gold linings, this time with a crystal plane and the revamped ABS-CBN text. While they assemble, the elements denoted are described, but this time, it is different because ABS-CBN evolves into a media and entertainment company with an international presence.

Element	Original Meaning (1968-1999)	New Meaning (2000-present)
A Vertical Line	Represents a transmitter tower.	Represents a transmitter tower, signifying ABS-CBN's core business of broadcasting.
Three Rings	Symbolizes ABS-CBN's signals representing the RGB colors which make up a pixel on television/The three divisions of the Philippines: Luzon (Red), Visayas (Green), and Mindanao (Blue).	Stand for ABS-CBN's presence in the lives of Filipinos, here and elsewhere in the world.
A Crystal Plane	Represents the broadcasting ideal of balanced programming.	Denotes ABS-CBN's dynamic spirit.
The Network's Call Letters	Stylized Malayan letters to denote modern Filipino enterprise.	Merge below it and graphically underscore ABS-CBN's mission of being in the service of the Filipino, wherever he may be.

The TV Launch

During the ABS-CBN Countdown to 2000 special entitled "ABS-CBN Worldwide Celebration of The New Millennium", a plug called the "Millennium Overture" was seen on-air.

The first scene featured all the past logos and station IDs (along with the Sarimanok) of ABS-CBN during that time on television screens.

Later, a portal transports the viewers to a dark, clear space and displays the 1986 ABS-CBN logo for one last time.

Then, all of a sudden, the 1986 logo began to shift its parts and transform them, starting its reconstruction into a new logo.

The box is removed and replaced by a new crystal plane, the rings and line modify their appearance and start separating from each other, and the ABS and CBN names start to merge and morph into a newer ABS-CBN text with more modern typography.

As the 1986 logo reconstructs, the current logo of ABS-CBN becomes visible, and as the reconstruction finishes, the new logo becomes completely visible (with the line and text appearing in white), with the dark space becoming a black background with R-G-B light streams, and the slogan "In The Service Of The Filipino", now in Rotis Semi Serif font, cleaner font (appearing in white), appearing below a white line, which is seen between the logo and the slogan. Later, the 1986 logo ended its lifespan, and the new logo started being used as the current corporate logo.

Celebrating the New Millennium

The world saw Regine Velasquez singing a millennium anthem from a giant circular stage on top of the Peninsula backed by 2,000 children. When the song ended, the crowd stood in silence as television host Mike Enriquez led a prayer.

It was a world-class production marked by a fireworks display every 15 minutes at the four corners of the Ayala Center.

The stage vibrated with excitement as giant laser beams projected from behind the stage all the way to the sky.

Aside from Valenciano, it was Kuh Ledesma who mesmerized the crowd with her singing of "Ako ay Pilipino."

This was followed by other entertainment numbers by the APO Hiking Society, Janno Gibbs, KC Montero, Ara Mina, Dingdong Dantes, Vernie Varga, Billy Crawford, Side A, Jaya, Sunshine Cruz, Angelica, Lani Misalucha, Regine Velasquez, and Cacai Velasquez, among others.

The show was hosted by Miss Universe Philippines 2007 Anna Theresa Licaros, television host Paolo Bediones, image model Ryan Agoncillo, and Antonette Taus, among others.

On stage were Vice President Noli de Castro, the Zobels, the Binays, and Makati's 400.

Other well-heeled people, who had checked in at Makati's five-star hotels, chose to watch the celebration from their rooms. Still, others greeted the millennium inside hotel lobbies. The Manila Peninsula hosted a millennium party attended by people dressed in their most formal attire.

But the millennium celebrations were celebrated nationwide and worldwide when the Ayala party eclipsed that at Rizal Park, even with its crowd of 300,000, led by President Pascual and his family and his Cabinet.

The whole world joined the Ayala party for 10 minutes before midnight. It was seen live by 800 million viewers around the globe through 57 television networks comprising the BBC-led global millennium broadcast. The world saw an estimated 30,000 frolicking Filipinos, a lot of local color in the array of jeepneys parked in front of the Peninsula Hotel in Makati City, with its waterfalls cascading down twin stairways lined by the very Filipino parols, all-white and old-fashioned.

When the clock hit 12 midnight Tuesday on the official millennium Swatch clock beside the stage, the hushed crowd suddenly burst into jubilant singing, shouting, and dancing. Confetti rained down on Ayala, and more fireworks were enthralled.

The Ayala celebration started with a big bang when close to a hundred boys and girls entered the giant stage carrying torches. They were dressed in gold and silver. They were joined by the Madrigal Singers. Then, without introduction, pop icon Gary Valenciano ran toward the stage to perform.

The ABS-CBN Millennium Extravaganza started with a history of the Filipino people presentation, simultaneous with other network presentations at the Fort Bonifacio Global City in Taguig and the Quezon Memorial Circle in Quezon City.

While the VIP crowd inside the inner ring and those near enough to the grandstand contented themselves with the ABS-CBN variety show, the majority of the crowd went about their business. Some slept on their mats while others sold El Shaddai items.

Alternately hosted by couples Ricky Davao and Jackie Lou Blanco, John Estrada and Willie Revillame, and other stars, the show featured a host of artists who sang a medley of Philippine folk and pop songs.

The artists, who included Joey Ayala and Grace Nono, were accompanied by the Philharmonic Orchestra.

ABS-CBN’s coverage was heavily musical, featuring performances from various personalities. A notable highlight was a production of “Miss Saigon”, with opening numbers at Luneta and Quezon City Memorial Circle, which were loosely based on the 1998 Philippine Centennial and Expo Filipino opening ceremonies. The broadcast also featured a performance of “Let There Be Peace on Earth”, serving as ABS-CBN’s counterpart to GMA’s “Written in the Sand.”

ABS-CBN unveiled its new logo one hour and fifteen minutes before the turn of the millennium, at 10:45 PM. The reveal featured ABS-CBN Chairman and CEO Eugenio Lopez III, who explained the network's rebranding. The launch also included a new station ident that showcased ABS-CBN's evolution through the years, set to the ABS-CBN Millennium Theme composed by Ryan Cayabyab.

The sleeping El Shaddai members only stirred when President Pascual arrived together with the First Family and Cabinet members for the turn-of-the-century program on Monday, December 31, at 11 p.m. El Shaddai leader Bro. Mike Velarde was also among the guests.

They all rose to their feet when Mr. Pascual led the ''kapit-bisig'' ritual after delivering his speech.

As El Shaddai gatherings, hundreds of thousands of candles were lit during the four-minute countdown after the President's speech and the kapit-bisig rites between Mr. Pascual and his Cabinet.

They linked arms and lit candles to ''Pilipinas Kong Mahal.'' The VIP crowd in the Quirino Grandstand's inner ring was showered with red, white, blue, and silver confetti, fired from the scaffoldings of the ABS-CBN camera crew.

At zero hour of Tuesday, January 1, 2008, the celebration was capped by a 20-minute fireworks display launched from five barges at Manila Bay.

The final countdown. Seconds before the advent of the year 2000, thousands of Filipinos gathered in Manila's Rizal Park to hold up candles and cheer in a new age.

Philippine President Karen Lourdes Pascual himself led the crowd in bidding goodbye to 2007 and welcoming the new millennium.

PTV-4

• Wide shot of crowd holding up candles

APTN

• Wide shot Philippine President Joseph Estrada and family leading countdown to millennium, pull out to crowd

UPSOUND: five, four, three, two, one (cheers) !!!!

The event had been eagerly awaited. And when it came, it literally went with a huge bang.

A shower of confetti heralded the beginning of a new century here.

Fireworks lit up the sky, and the sound of firecrackers reverberated through the capital as the clock struck 12 midnight.

• Shower of confetti
• Wide shot of cheering crowd as confetti falls
• Midshot of cheering crowd

PTV-4

• Top shot of fireworks display

APTN

• Medium shot of display on the sky
• Various of fireworks display

PTV-4

• Wide shot of Estrada at podium

10. SOUNDBITE: (English) Joseph Estrada, Philippine President

Everyone was in a jubilant mood.

Several street parties were being held simultaneously in all parts of the country as Estrada conducted proceedings at Rizal Park.

He and other government officials participated in what was called the "turn of the century program", which started an hour before midnight.

Estrada briefly addressed the crowd, expressing somewhat guarded optimism for the coming years.

SOUNDBITE: (English)

'Unity and peace, this is my wish for the new millennium. This may be hard for us but it is not entirely impossible.

- President Karen Lourdes Pascual

SUPER CAPTION: Karen Lourdes Pascual, Philippines President

The street party was open to all. Everyone joined in the open-air dancing, staying on to party long after midnight.

VOX POP: (Filipino)

"I am very happy because we are all together here, all praising the Lord."

By tradition, New Year celebrations in the Philippines are always accompanied by firecrackers.

As the President and government officials started filing out of the grandstand, the masses started pouring in for the Disco ng Bayan dance party. Despite the Manila police ban on firecrackers, they were openly exploded and even sold at the site of the President's party.

On January 1, 2008, all of Solar's channels ceased to air on Sky Cable, the Philippines' largest cable company. This sudden termination was particularly significant, as it not only affected regular viewers but also marked a notable shift in the landscape of Philippine broadcast media. An insider claims that these troubles with SkyCable started when boxing champ Manny Pacquiao, whose fights Solar Entertainment has the exclusive right to air and distribute, moved from ABS-CBN, a sister company of Sky, to rival GMA. This decision was not merely a personal one for Pacquiao but rather part of a larger narrative that reflects the competitive nature of Philippine entertainment and sports broadcasting. The ramifications of this move extended far beyond Pacquiao's career; it catalyzed a series of strategic changes within both networks involved.

The transition of a major sports figure such as Pacquiao from one network to another generated a significant fanfare, impacting advertising revenue and viewership ratings dramatically. While Pacquiao had millions of fans who passionately followed his boxing career, the broadcasting rights associated with his fights were immensely valuable. Therefore, when he decided to switch allegiances, this not only upset ABS-CBN but also challenged Solar Entertainment to rethink its strategies and partnerships in a very competitive television landscape. Solar, aware of the growing trend where sports are increasingly becoming a prime driver of television viewership, embarked on aggressive negotiations to secure relevant broadcast arrangements that would allow it to maintain its viewership despite setbacks with SkyCable.

In light of these changes, Solar signed a deal with local terrestrial channels ABC, RPN, SBN, and RJTV for block-time programming. These arrangements were significant as they offered Solar an alternative platform to deliver its content and mitigate the loss of viewership from SkyCable. Block-time programming essentially allowed Solar to purchase airtime on these channels, thus creating a partnership that benefited both parties. Terrestrial channels, which are generally more accessible than cable networks, provided Solar with a chance to reach a broader audience, particularly among viewers who might not have access to cable television or prefer watching free-to-air broadcasts.

Applying this strategy, ETC, Solar's entertainment channel, began airing on SBN, while 2nd Avenue found a place on RJTV. These strategic partnerships allowed for a diversified approach to showcasing Solar's programming, ensuring that series, lifestyle shows, and entertainment content were still available to viewers in the Philippines. By doing so, Solar not only preserved its audience but effectively expanded its reach in a market brimming with competitors. This was a testament to the resilience and adaptability of the company, emphasizing its commitment to providing engaging content for its viewers regardless of the platform.

However, despite the progress made through these new terrestrial agreements, challenges remained. ETC ceased to air over Sky Cable as a channel on its own right, limiting its visibility and market penetration to those still subscribing to cable. The absence of ETC from the Sky Cable lineup was keenly felt by many viewers who were accustomed to its array of offerings. However, as part of block-time agreements with various terrestrial channels, ETC continued to carry some of its programs over Southern Broadcasting Network Channel 21, a terrestrial UHF TV station in Metro Manila and selected cities in the Philippines. This move highlighted the necessity for Solar to maintain a foothold in regional broadcasting, reinforcing its importance within the national television ecosystem.

The strategic pivot to terrestrial broadcasting also highlighted an important trend within the industry: the growing importance of multi-platform content sharing. Audiences increasingly expect flexibility and accessibility in how they consume media, leading to the adaptation of traditional broadcasting methods to meet modern demands. For Solar Entertainment, this was a wake-up call to innovate in terms of content delivery, and it catalyzed a dynamic shift towards engaging viewers beyond singular platforms.

As the landscape of television evolved, so too did the means of engaging with audiences. Social media, streaming platforms, and digital services began playing significant roles in the viewer experience. This emphasized the need for Solar to broaden its strategic approach, positioning itself not just as a broadcaster but also as a content creator that leverages multiple channels to enhance audience interaction and satisfaction. By recognizing these changing viewer behaviors, the company could capitalize on cross-promotion opportunities across various platforms, enhancing both viewer loyalty and advertising partnerships.

Furthermore, the entirety of this experience exemplified the high-stakes nature of the entertainment industry in the Philippines, where alliances and rivalries can shift rapidly based on audience preferences and key personalities. The successful navigation of these tumultuous waters required foresight, flexibility, and an acute understanding of market dynamics. Solar Entertainment, in particular, faced the dual challenge of retaining its existing audience while simultaneously attempting to draw in new viewers who might have shifted allegiance to competitors.

In retrospect, the upheaval in January 2008 served as a pivotal moment for both Solar Entertainment and Sky Cable, setting the stage for numerous consequential decisions and developments in the Philippine media landscape. It reflected the interdependencies present in the industry and the relentless competition for viewer attention, ultimately enriching the conversation around content delivery and broadcasting strategies. Readers and viewers alike witnessed an evolution of accessible entertainment, a process that continues to shape how networks approach programming and audience engagement well into the future. As the airwaves cleared, collaboration with terrestrial channels showcased a creative resilience, prompting other media entities to consider flexible, adaptive strategies in an increasingly complex and competitive broadcasting environment.

On January 5, 2008, comedian Ruben Gonzaga won the second season of Pinoy Big Brother: Celebrity Edition. This milestone not only marked a significant moment in Gonzaga's career but also resonated with audiences across the Philippines, as it encapsulated the essence of reality television's impact on popular culture. The show, which invited well-known figures to live under constant surveillance, was designed to showcase their personalities in a manner that traditional media often could not. Gonzaga's victory was a testament to his popularity and his ability to connect with viewers on a personal level.

Throughout the season, Gonzaga displayed a unique blend of humor and sincerity that endeared him to viewers. His comedic talent shone through in many aspects of the show, making him one of the standout contestants. Fans were drawn to his genuine personality, finding comfort in his ability to bring laughter and lightness to an otherwise intense environment. The interactions among contestants, coupled with the challenges they faced inside the house, allowed audiences to witness authentic human emotions and relationships. This kind of heartfelt connection has become a crucial hallmark of reality television, where the lines between authentic personality and crafted image are often blurred.

Moreover, Ruben's journey in the house demonstrated the transformative power of reality television. As contestants navigated various personal conflicts and alliances, viewers saw not just entertainment but human growth and resilience. Ruben's own story arc reflects the common narrative found in many reality shows: the underdog who, through determination and authenticity, captures the hearts of the audience. His humor often served as a coping mechanism, revealing how comedy can facilitate connection and healing, both within the house and in the wider societal context.

The significance of Gonzaga's victory extended beyond personal achievement, as it also highlighted broader societal themes. The fact that a comedian emerged victorious in a celebrity edition indicates a cultural appreciation for humor and authenticity over traditional celebrity status. Many viewers identified with Gonzaga’s humor, as it resonated with their everyday experiences and struggles. This aspect contributed to a sense of community among the audience, as they rallied behind a contestant who represented both the laughter and challenges of life. 

The success of Pinoy Big Brother: Celebrity Edition and Gonzaga’s win can also be viewed through the lens of media evolution. In the 2000s, reality television was gaining extraordinary traction in the Philippines, as it had in many parts of the world. Shows like Pinoy Big Brother offered a new platform for celebrities to engage with fans, providing a space where they could break down their public personas and reveal their true selves. This shift signified a departure from traditional forms of entertainment, allowing a more intimate experience for audiences. Gonzaga's win encapsulated this shift, emphasizing how public perception could be shaped as much by personal narrative and relatability as by talent.

Additionally, Gonzaga's personality and approach on the show contributed to discussions about mental health and the importance of humor. In an environment that often showcased intense emotions and significant stress, Gonzaga utilized humor to cope with challenges, demonstrating how levity can provide relief and bridge gaps in communication. The reality television format, which often indecisively explores personal struggles, allowed him to reflect on deeper issues, inviting viewers to engage with the subject of mental wellness more openly. This theme, particularly important in contemporary discourse, highlighted how media can play a role in normalizing discussions about emotional health.

After winning the competition, Ruben Gonzaga's life changed considerably. His victory propelled him into the spotlight, opening various opportunities in both live performances and television roles. However, with these opportunities came challenges that many reality television stars face: managing public expectations and maintaining authenticity in a world often driven by celebrity culture. Gonzaga's ability to navigate this landscape while staying true to himself speaks to his resilience and approach to fame. He remains a notable figure through his dedication to comedy, often utilizing his platforms to inspire and uplift others.

Ruben Gonzaga’s victory is not merely a footnote in the history of reality television; instead, it serves as a reminder of the influence such programs can have on an individual's life and the broader societal landscape. His journey illustrates the complexity of reality television figures—how they can be seen not just as entertainers, but also as representatives of larger societal narratives about humor, authenticity, and resilience. Through his story, audiences were reminded of the power of laughter and joy in overcoming life’s difficulties. 

In conclusion, Ruben Gonzaga’s win on January 5, 2008, serves as a significant cultural touchpoint, reflecting the shifting dynamics of entertainment and the impact of personal stories in media. His success in a reality television format highlights the importance of relatability and the audience's desire for authenticity in their stars. Gonzaga's journey underscores how humor can serve as a vital tool for connection, support, and personal growth, both for entertainers and their audiences. His legacy in the realm of comedy and reality television continues to inspire many, showcasing the enduring power of laughter as a force for positive engagement and community.

On January 13, 2008, at 9:30 p.m., the 2-hour summarized ABS-CBN Millennium special ABS-CBN Worldwide Celebration of the New Millennium, featuring highlights from the 8 p.m. to midnight part of the Millennium extravaganza, was aired.

Donaire, Molina named 2007 top athletes

One shook the boxing world with a single mean punch, while the other emerged the best in a field featuring the finest in the Southeast Asian region.

Boxer Nonito Donaire Jr. and swimmer Miguel Molina did the country proud in the year just passed with their respective exploits done under the most trying times.

Donaire, 25, wrested the International Boxing Federation (IBF) flyweight crown by destroying the myth of invincibility surrounding previously unbeaten champion Vic Darchinyan in their world title fight in Connecticut, USA.

Not to be outdone, the 23-year-old Molina bagged the Best Male Athlete award of the 24th Southeast Asian Games in Thailand and became the saving grace of a troubled Team Philippines campaign.

Together, the two, without doubt, served as the face of another remarkable season in Philippine sports, good enough reason for them to be named as the 2007 Athletes of the Year by the Philippine Sportswriters Association (PSA).

Bested by Donaire and Molina for the prestigious award handed out by the country’s oldest media organization were boxing sensation Manny Pacquiao, golfer Frankie Miñoza, pool idol Ronnie Alcano, and young Grandmaster Wesley So.

The PSA Athlete of the Year honor will be the first for both Donaire and Molina.

“It was a hard decision considering that all the candidates were deserving. But in the end, it all boiled down between Nonito Donaire and Miguel Molina, whose daring exploits came at the unexpected time,” said PSA president Aldrin Cardona of the Tribune.

The two will be honored in the San Miguel Corporation-PSA Annual Awards Night set Feb. 16 at the SM Mall of Asia.

Pacquiao, Minñoza, Alcano and So however, are included among the honorees to be feted with major awards by the media group composed of sportswriters from the country’s national broadsheets and tabloids.

Already named major awardees in the event sponsored by Shakey’s, the Philippine Sports Commission (PSC), Philippine Amusements and Gaming Corp. (Pagcor), Accel and Raymundo’s Trophies and Sculptures (www.raymundonawards.com) are Mark Caguioa (pro) and Jason Castro (amateur) in basketball and jockey Patti Dilema and Es Twenty Six in horseracing.

Meanwhile, the gold medal winners in the SEA Games lead the personalities and entities to be given citations in the same awards night to be broadcast live over DZSR Sports Radio 918 and can be seen through the internet by typing www.pbs.gov.ph by clicking the sportsradio icon.

Donaire stunned the boxing world in August last year by scoring a fifth round technical knockout of the 31-year-old Darchinyan, an Australian of Armenian descent, to win the 112-pound IBF belt.

Now based in Los Angeles but born in General Santos City, Donaire dominated the hard-hitting Darchinyan, one of the most fearsome punchers in boxing today, right from the opening round before completing the shocking win by connecting a solid counter left hook to the jaw that knocked the champion down to the canvass.

Four months after the sensational win, adjudged as the 2007 “Upset of the Year” and “Knockout of the Year” by the esteemed Ring Magazine, the so-called Bible of Boxing, Donaire returned to the ring and successfully defended his IBF belt with an eight round technical knockout of Mexican Luis Maldonado at the Foxwoods Resort Casino.

A week after Donaire’s title defense, Molina took center stage.

The University of California-Berkeley International Relations graduate took the SEA Games by storm with a four-gold romp at the pool of His Majesty the King’s 80th Birthday Anniversary Stadium on the way to being named the meet’s Best Male Athlete.

He topped the 400-m individual medley, the 200-m IM, the 200-m breaststroke, and anchored the 4x100-m relay team composed of Ryan Arabejo, James Walsh and Daniel Coakley to become one of only two athletes to win four golds in the Thailand SEA Games.

Recap: Schedule of events for the grand ABS-CBN Worldwide Celebration of the New Millennium

At 5 p.m. on Monday, December 31, 2007, the ABS-CBN Worldwide Celebration of the New Millennium coverage began with a highly anticipated special episode of Rated K titled "The Last Sunset: Paalam 1999." Hosted by the renowned Korina Sanchez, the program featured a breathtaking live shot of the final sunset of 2007 from Manila Bay, which set a reflective and solemn mood for the celebrations to come. The backdrop of the stunning sunset embodied the transition from one year to the next, symbolizing change, hope, and the anticipatory spirit that surrounds the turn of the millennium.

In addition to the visual spectacle, the episode included a series of engaging interviews with a diverse array of guests, including prominent cultural figures such as ballet dancer Lisa Macuja, acclaimed actor Christopher de Leon, stage veteran Joonee Gamboa, legendary actress Gloria Romero, music director Emman Abeleda, choreographer Douglas Nierras, actress Serena Dalrymple, and veteran actress Vilma Santos. Each guest offered their insights and reflections on the past year and their hopes for the upcoming millennium, providing a rich tapestry of experiences and perspectives that resonated with viewers. This special segment not only entertained but also invited audiences to engage in a collective introspection about their own lives and the changes they had witnessed over the years.

At 6 p.m., the programming transitioned to a special edition of TV Patrol, anchored by Julius Babao, Ted Failon and Karen Davila. This segment provided viewers with comprehensive news coverage for the day, including a roundup of millennium celebrations taking place across various regions of the Philippines and around the globe. It served as a crucial link to the world beyond the celebration, connecting viewers with significant events and occurrences that mattered on this historic evening. The detailed reporting underscored the balance between festive celebration and the reality of the world, with news stories that ranged from local initiatives to international festivities that marked the dawn of the new millennium.

From 6:30 to 9 p.m., the news bulletins were anchored by Korina Sanchez and Dong Puno, who provided continuous updates on the ongoing celebrations while maintaining a focus on the emotional narratives of the evening. A poignant minute of prayer for the children of the millennium was aired during regular telecasts of beloved programs such as Lastikman, Maging Sino Ka Man: Ang Pagbabalik, Ysabella, Pinoy Big Brother: Celebrity Edition 2, and Spring Waltz. This moment of reflection was a powerful reminder of the innocence, hopes, and dreams that the upcoming generation would carry into the new era, emphasizing the responsibility of adults in shaping a positive future for children.

As the clock approached 9 p.m. on December 31, 2007, the programming took a celebratory turn. From then until 1:30 a.m. on January 1, 2008, a variety of shows, including STAR Mini-Series, The World Tonight, Noypi, Ikaw Ba ‘To?, Martin Late @ Nite, and Global News, yielded to the highly awaited musical concert portion of the ABS-CBN Worldwide Celebration of the New Millennium. This concert was broadcast live from multiple venues, including the iconic Quirino Grandstand, Rizal Park in Manila; The Fort in Taguig; and Quezon City Memorial Circle, showcasing an array of performances by both well-known and up-and-coming artists. 

The presence of then-President Gloria Macapagal-Arroyo as the guest of honor in Quirino Grandstand added a veneer of political significance to the celebration. Her participation underscored the notion of unity and hope for national progress as the nation ushered in a new era. The concert featured a blend of music genres, celebrating the rich artistic culture of the Philippines, while also inviting various artists to showcase their talents, creating an electrifying atmosphere that resonated with viewers both at home and in attendance.

At 7 a.m. on Tuesday, January 1, 2008, the network shifted gears once more, allowing Umagang Kay Ganda to pave the way for a special millennium Thanksgiving Mass. This mass was held under the auspices of the Sunday TV Mass Foundation, reflecting the spiritual significance of the occasion for many viewers. It was a moment for reflection and gratitude, an opportunity to pause and acknowledge the blessings of the past year while entering the new millennium with hope and faith.

From 9 a.m. to 12 noon, news bulletins resumed, focusing on the rest of the millennium celebrations still taking place across the world. During this time, regularly scheduled reruns of Trapp Family Singers, Capeta, Cooking Master Boy, Boy & Kris, and Pilipinas, Game KNB? filled the airwaves, ensuring that the celebratory sentiment continued into the early afternoon. These programmed reruns creatively blended entertainment with information, providing a seamless transition into more lighthearted programming as the festivities rolled on.

At 12 noon, the tone shifted once again as Wowowee aired a live final countdown celebration from New York City, USA. This segment connected Filipino viewers with global celebrations, illustrating the shared excitement and joy across different cultures and geographies. The culmination of the coverage marked a significant milestone, signifying the end of one era while simultaneously heralding a new beginning, encapsulating the spirit of the global moment that the new millennium represented.

As the day unfolded, at 2 p.m., news bulletins continued to run, reflecting the final active moments of the millennium celebrations during regularly scheduled episodes of Prinsesa ng Bayera and Zorro: The Sword and the Rose. These segments highlighted the importance of continuing the conversation about the future, capturing the joyful, hopeful spirit of a nation and a world poised for new opportunities as they stepped into a new millennium. Each program served as a reminder of the collective experience of joy and reflection shared by millions, marking not just an end but the beginning of countless new stories waiting to be told in the years to come.